Papers of Charles Bernstein, writer, editor, librettist, educator, and publisher, who is most often associated with L=A=N=G=U=A=G=E, a journal (1978-1982) Bernstein co-edited with Bruce Andrews. The papers include correspondence with writers, artists, publishers and friends; manuscript drafts and production materials for his collected works; notebooks and journals (1971-1994); editorial work; and uncollected poem drafts and working papers.The papers also contain correspondence and drafts for music theater projects, book reviews of his published work, critical essays on Bernstein, teaching materials, conference planning materials, and spoken word audio recording of readings and lectures, as well as several videotapes.
Charles Bernstein Papers, 1962 - 2000 (MSS 519)
Extent: 50 Linear feet (129 archives boxes, 5 card file boxes and 5 oversize folders), + .147 GB of digital files
Digital Content
The collection includes digital correspondence files. Sound recordings from this collection have been digitized.
Charles Kegel Bernstein was born on April 4, 1950, in New York City. As a student at the Bronx High School of Science, Bernstein edited and wrote for the school newspaper, Science Survey, and was active in his synogogue's youth group. Before entering Harvard University in 1968, Bernstein met visual artist Susan Bee, whom he would later marry and with whom he occasionally collaborates.
During his years at Harvard University, Bernstein studied philosophy with Stanley Cavell and wrote his final thesis on Gertrude Stein and Ludwig Wittgenstein, portions of which were later published. After receiving his A.B. in 1972, Bernstein and Bee moved to Vancouver, British Columbia, and then the following year to Santa Barbara where he worked part-time as a community health education coordinator. In 1974, the two moved back to New York City.
Over the next ten years, as Bernstein became an established poet, he earned his income by editing and writing for medical and healthcare publications. During this time, Bernstein was very active in the experimental poetry scenes of New York, San Francisco and Toronto, not only as a poet, but also as an editor and publisher. Bernstein and Bee started Asylum's Press, which brought out some of their collaborations as well as the works of other poets who are now well-known. In New York, he met Bruce Andrews, with whom he founded and co-edited the journal L=A=N=G=U=A=G=E, the name also given to the loosely connected group of experimental writers with whom Bernstein has been most closely associated. In conjunction with the magazine, Bernstein co-founded Segue Distribution service, which made small press publications more accessible to readers.
In 1990, Bernstein was appointed David Gray Professor of Poetry and Letters at the State University of New York in Buffalo, where he continues to exert a significant literary influence through his continued teaching, writing and editing; the on-line Poetics discussion list which he founded and initially moderated, and the Electronic Poetry Center for which he serves as the main advisor.
As a writer, Bernstein works in a wide range of styles, showing that there is no "natural" voice or register for poetry or any other sort of writing. Like many associated with L=A=N=G=U=A=G=E writing, Bernstein foregrounds the materiality of language and extends the experimentalism often associated with the Black Mountain and New York Schools of poetry and other arts. Bernstein's work is also significantly influenced by figures such as Gertrude Stein, Laura (Riding) Jackson and Ezra Pound, as well as his background in philosophy, evident in his early work on Wittgenstein.
The Charles Bernstein Papers document his career as a writer, librettist, editor, publisher, and to a lesser extent, his career as an educator. The papers reflect Bernstein's central place in a large community of poets and artists loosely associated with L=A=N=G=U=A=G=E, many of whom were based in New York City and California. The papers include correspondence from writers, artists, publishers, and friends; notebooks and journals (1971-1994); and early manuscript drafts; manuscripts and typescripts of Bernstein's published works, and freelance medical journal writing. Also included are extensive materials related to Bernstein's editorial work; publicity materials; recordings of poetry readings and lectures; datebooks; high school and college materials; and other early biographical materials.
The papers date from the early 1960s to 2000, and are arranged in fifteen series: 1) CORRESPONDENCE, 2) EDUCATIONAL MATERIALS, 3) NOTEBOOKS, 4) COLLECTED WORKS, 5) COLLABORATIONS/TRANSLATIONS, 6) MUSIC THEATER, 7) UNCOLLECTED WORK, 8) EDITORIAL WORK, 9) REVIEWS AND CRITICISM, 10) MEDICAL WRITING, 11) TEACHING MATERIALS, 12) CONFERENCES, 13) MISCELLANEOUS MATERIALS, 14) RECORDINGS, and 15) ORIGINALS OF PRESERVATION PHOTOCOPIES.
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