Pauline Oliveros Papers, 1931-1981 (MSS 102)

Restrictions: Original media formats are restricted. Viewing/listening copies may be available for researchers.

Extent: 20.4 Linear feet (31 archives boxes, 7 flat boxes, 2 map case folders, and 2 card file boxes)

Papers of Pauline Oliveros (1932-2016), American experimental musician, composer and key figure in the development of contemporary electronic music. The collection contains Oliveros' original writings, compositions, correspondence and sketches. Also included are interviews, programs and reviews, teaching materials and writings about and relating to Oliveros' work.

Pauline Oliveros was born in Houston, Texas in 1932. An accomplished accordionist, composer and teacher, she is an instrumental figure in the world of electronic music. Oliveros was a founding member of the San Francisco Tape Music Center, a resource for electronic music in the 1960s. Later, the Center moved to Mills College and became the Center for Contemporary Music where Oliveros was the Center's first director.

Oliveros' teaching career spans several decades. She left Mills College in 1967 when she accepted a faculty position at the University of California, San Diego. From 1976-1979 Oliveros served as the director of the Center for Music Experiment (CME), later renamed The Center for Research in Computing and the Arts (CRCA) at UCSD.

In 1981 she moved to upstate New York to work as an independent composer and performer. She then became the Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, in Troy, New York and the Darius Milhaud Artist-in-Residence at Mills College.

Oliveros is the founder of The Deep Listening Institute, formerly the Pauline Oliveros Foundation. In 1991 she coined the term "Deep Listening". The Institute explains Deep Listening philosophy , stating that it "distinguishes the difference between the involuntary nature of hearing and the voluntary selective nature of listening. The result of the practice cultivates appreciation of sounds on a heightened level, expanding the potential for connection and interaction with one's environment, technology and performance with others in music and related arts." Out of this philosophy, Oliveros formed the Deep Listening Band with fellow musicians David Gamper and Stuart Dempster.

Oliveros has been a great influence on American electronic and experimental music. In 2009, she won the William Schuman Award for lifetime achievement from Columbia University and in 2010, a retrospective of her work from 1960 to 2010 was performed in honor of the award.

On March 19th, 2012, Oliveros became the recipient of the John Cage Award from the Foundation of Contemporary Arts. Also in 2012, Pauline Oliveros celebrated her 80th birthday with year long celebration performances, Deep Listening activities and residencies.

Some of her notable works include Sonic Meditations, Sound Patterns, and Theater of Substitution series. She has also written several books on music theory and electronic music including Sounds the Margins: Collected Writings 1992-2009, Deep Listening: A Composer's Sound Practice, Roots of the Moment, Software for People: Collected Writings 1963-80. Oliveros died November 24, 2016 in Kingston, New York.

Papers of Pauline Oliveros, composer, accordionist and former music professor at UCSD. Materials include correspondence, works and writings by Pauline Oliveros and others, manuscripts of Oliveros' compositions, subject files, reel-to-reel audio tapes and ephemera. These materials were originally located at UCSD's Music Library.

Arranged in eleven series: 1) WORKS BY PAULINE OLIVEROS, 2) WRITINGS, 3) PROJECTS, 4) INTERVIEWS AND CRITICISMS, 5) PROGRAMS AND REVIEWS, 6) UNIVERSITY MATERIALS, 7) WORKS BY OTHERS, 8) WRITINGS BY OTHERS, 9) CORRESPONDENCE, 10) BIOGRAPHICAL and 11) ELECTRONIC MUSIC SYSTEMS.

Container List

WORKS BY PAULINE OLIVEROS

Scope and Content of Series

Series 1) WORKS BY PAULINE OLIVEROS: Arranged in two subseries: A) Compositions and B) Sketches.

A) Compositions: Oliveros' catalog of musical compositions from 1951-1980, manuscript scores, drafts, sketches and related programs, correspondence and photographs. Notable works include Sonic Meditations, Sound Patterns, and Theater of Substitution series.

B) Sketches: Interpretive artwork and composition notes from 1957-1960. Some unidentified and oversized sketches are also included.

Compositions

Box 1 Folder 1-3
Complete catalog of the compositions, 1951-1980

Aranged in approximate alphabetical order, A-Z. Includes details of instrumentation, programs and ephermra, first and subsequent performances, commissions, etc.

Box 1 Folder 4
Aok. Includes manuscript score, draft, sketches, and correspondence, 1969
Box 1 Folder 5
Accordion. Includes diagram and tentative program, 1966
Box 1 Folder 6 Oversize FB-402-01
Adagio for woodwinds. For flute, oboe, clarinet, horn, and bassoon. Includes holograph score in multiple drafts, 1957

Aeolian Partitions

Box 1 Folder 7
For flute, clarinet, violin, cello, and piano. Published score (1970), 1969
Box 1 Folder 8
Includes manuscript score, draft and publication materials, slide, programs, and correspondence , 1969
Box 1 Folder 9
Anarchy Waltz. Includes manuscript score, annotated photocopy, programs, and review, 1980
Box 1 Folder 10
Angels and Demons. Includes manuscript score, mimeograph and programs, 1980
Box 1 Folder 11
Apple Box Orchestra. Sketch
Box 1 Folder 12
Arrangement. By Douglas Leedy, with further arrangements by Pauline Oliveros and Roger Davis. Includes typescript score and program, 1972
Box 1 Folder 13
Art of the Woodcut. Music for the film "The Art of the Woodcut." Includes holograph score, instructions and photograph
Box 1 Folder 14
Autobiography of Lady Steinway. Manuscript score, 1978
Box 1 Folder 15
Bath. Includes holograph score and sketches, 1966
Box 1 Folder 16
Big Mother Meets the Wolfman. Includes a photocopy of letter to Robert Ashley, 1969
Box 1 Folder 17
Bio-Theatre. Includes notes for Mandeville Center opening ceremony, festivals and courses. Also includes correspondence and Trainability of Listening Comprehension of Speed Discourse, 1975
Box 1 Folder 18
Birthday Tune for Laurel. Includes holograph score

Bonn Feier (1977)

Box 1 Folder 19
Includes published score, notes, letters, newspaper clipping, slides, color photocopies of photographs, notebook

Original chromes located in ASC2/M102/006-076 (no 028, 044-048) and two unnumbered sleeves.

Box 1 Folder 20
Clippings and award
Box 1 Folder 21
Super 8 film
Box 1 Folder 22
Bye Bye Butterfly. Includes program and recording contract, 1975

C(s) for Once

Box 1 Folder 23
Drafts, 1966
Box 1 Folder 24
Includes holograph score and published version in Focus on Musicology, with annotations and notes, 1966
Box 1 Folder 25
Cat O Nine Tails. Includes instructions, graph and miscellaneous notes, 1965
Box 2 Folder 1 Oversize FB-402-02
Cats. Holograph sketch and text
Box 2 Folder 2
Ceremony of Sounds. For Tamar Read. Includes manuscript score, drafts and correspondence, 1974
Box 2 Folder 3
Cheap Commissions. Includes requests for commissions, payment and responses. Also includes photographs, 1976 - 1980
Box 2 Folder 4
Chronicles of Hell. Music for the San Francisco Mime Troupe. Includes scripts and partial holograph score, 1965
Box 2 Folder 5
Circuitry. Includes holograph score and notes, 1967
Box 2 Folder 6
Cock-A-Doodle Dandy. Music for the Actor's Workshop Production of Sean O'Casey's "Cock-A-Doodle Dandy," directed by Herbert Blau. Includes holograph score, drafts and program, 1959
Box 2 Folder 7
Concert Piece for Accordion. Holograph score, 1956
Box 2 Folder 8
Covenant. Description of preparations for music for The Covenant, a film by Ronald Chase, 1965

Crow

Box 2 Folder 9
Includes photocopy of score and notes, 1974
Box 2 Folder 10
Photographs by Ellen van Fleet. Includes correspondence, 1975
Box 2 Folder 11
Reviews. Includes correspondence, 1974 - 1975

Crow Two

Box 2 Folder 12
Includes correspondence, draft, manuscript score, and annotated typescripts, 1975
Box 2 Folder 13
Includes typescripts and transcription of Oliveros' talk at the Ethnopoetics Symposium. Also includes correspondence, 1975
Box 2 Folder 14
Dialogue with Basho. Includes manuscript score, typescript and correspondence, 1972
Box 2 Folder 15
Double Basses at Twenty Paces - Multiple drafts of the score, 1968
Box 2 Folder 16-17
Double Basses at Twenty Paces - Revisions and correspondence, 1973
Box 2 Folder 18
Double X. Includes manuscript score and notes, 1979

Duo for Accordion and Bandoneon, with possible Mynah Bird Obliggato

Box 2 Folder 19
Holograph score
Box 2 Folder 20
See Saw Version. Sketches, 1964
Box 2 Folder 21 Oversize FB-402-03
See Saw Version. Holograph score, 1964
Box 2 Folder 22
Duo for Pianist and Pedal Pusher. Includes draft of score and sketches, 1964
Box 2 Folder 23
Dying Alchemist. Includes correspondence, source material and drafts. Text by N. P. Willis, 1968 - 1974
Box 3 Folder 1
Eighteen Accordion Pieces for Children. Holograph score, 1957
Box 3 Folder 2-3
El Relicario de los Animales, 1979

Includes drafts of score, instructions, program and miscellaneous correspondence.

Box 3 Folder 4
El Relicario de los Animales - Photographs, 1979
Box 3 Folder 5
Electronic Mantra - Experiments in Art and Technology (EAT). Includes articles published in Techne, 1970
Box 3 Folder 6
Electronic Mantra - Notes. Includes diagrams, 1970
Box 3 Folder 7 Oversize FB-402-04
Electronic Mantra - Pavilion, Expo '70. Osaka, Japan. Plans in Japanese, 1970
Box 3 Folder 8
Electronic Mantra - Pepsi-Cola Pavilion. Press kit, 1970
Box 3 Folder 9
Elephant Call. Ritual for Trumpeter Jack Logan. Includes manuscript score, draft and correspondence, 1975
Box 3 Folder 10
Engineer's Delight for Piccolo and Seven Conductors. Includes diagram and tentative program, 1966

Essay for Piano

Box 3 Folder 11 Oversize FB-402-05
Holograph score, 1955
Box 3 Folder 12 Oversize FB-402-06
Ozalid print
Box 3 Folder 13
Evidence for Competing Bimolecular and Termolecular Mechanisms in the Hydrochlorination of Cyclohexene. Includes diagram, photocopies and excerpt from article with the same title
Box 3 Folder 14
Exception and the Rule. Holograph score
Box 3 Folder 15
Festival House. For orchestra, chorus, mimes, and lights. Includes manuscript score and program notes, 1968
Box 3 Folder 16 Oversize FB-402-07
Few Phrases for Accordion, Trumpet and String Bass. Holograph sketch
Box 3 Folder 17
Five for Trumpet and Dancer. Includes holograph score and slides, 1964
Box 3 Folder 18 Oversize FB-402-08
For Budding Hall-O Ween Peace. Holograph score included in Harold Budd's portfolio, "California 99"
Box 3 Folder 19
Four-H Leader. Includes holographs, source materials, license, and notes, 1958
Box 3 Folder 20
French Horn - Minor Scale and Mixed Mode Studies. Includes mimeographs and notes. Also includes Ear-Training In Absolute Intervals for Music A, 1951
Box 3 Folder 21 Oversize FB-402-09
French Horn - Music notebook. Includes holograph scores related to the French Horn Interval Studies
Box 3 Folder 22
French Horn Etudes. Includes mimeograph and holograph scores
Box 3 Folder 23
French Horn Interval Studies. Includes mimeographs
Box 3 Folder 24
Fugue for Piano, 1954 August 27
Oversize FB-402 Folder 10
Fugue in A Minor. Holograph score, 1951
Box 3 Folder 25
Fwyynghn: A Stage Piece with Music and a Ballet Dance. Collaboration with Gordon Mumma, Christian Sinding, Louise Frazer, Beatrice Manley, and others. Includes scripts and drafts, 1979 - 1980
Box 3 Folder 26
Fwyynghn: Lament for a Princess Enchanted into Death. Includes holograph sketch and score, 1980
Box 4 Folder 1
Genuine Cheap Commission. Includes instructions and note, 1981
Box 4 Folder 2
George Washington Slept Here. Includes sketch and correspondence, 1965
Box 4 Folder 3
George Washington Slept Here Too. Includes manuscript score and photocopy. Published in Soundings I, 1972, 1965
Box 4 Folder 4
Hallo. With Anthony Martin. Includes annotated scores and drafts
Box 4 Folder 5
I Heard a Boy Singing Long Long Ago. Includes manuscript, typescript and a photocopy of score. Text by Robert Duncan, 1968
Box 4 Folder 6
In Memoriam, Nikola Tesla, Comic Engineer. Music for the dance Canfield by Merce Cunnigham. Includes drafts, typescript of score and miscellaneous correspondence, 1969
Box 4 Folder 7
Indefinite Integral of Psi Star Psi D Tau Equals One. Includes manuscript score and drafts, 1969
Box 4 Folder 8
I've Got You Under My Skin. For solo percussionist and batman. Collage on strip of paper board
Box 4 Folder 9
Light Piece for David Tudor..., 1974
Box 4 Folder 10
Link. Includes manuscript score, drafts and source materials. Published in Womens Work, 1971
Box 4 Folder 11
Lullaby for Daisy Pauline. Includes manuscript score and correspondence, 1980
Box 4 Folder 12
Lulu: A Semi-operetta. Includes annotated typescripts with holograph scores, 1962
Box 4 Folder 13
Mandala. Includes score, program, notes, and correspondence, 1978

Meditation on the Points of the Compass

Box 4 Folder 14
For David Nott and The Illinois Wesleyan Choir. Includes manuscript score, drafts and correspondence, 1970
Box 4 Folder 15 Oversize FB-402-11
Printed score, 1970
Box 4 Folder 16
Music for Mother's Day. Recording agreement, 1981
Box 4 Folder 17
Music for Stacked Deck. Scripts by Dick Higgins. Includes manuscript score and notes, 1973 - 1980
Box 4 Folder 18
Night Jar. Includes typescript of score, drafts and correspondence
Box 4 Folder 19
Oh Ha Ah. For chorus, conductor and two percussions. Includes holograph score
Box 4 Folder 20
One of Four. Includes holograph score by Jim Stone
Box 4 Folder 21
Outline for Septet. Includes draft of score
Box 4 Folder 22
Painting Meditation, 1975
Box 4 Folder 23
Phantom Fathom. Includes score, correspondence, invitation, and guest lists for 1973 performance, 1972
Box 4 Folder 24 Oversize FB-402-12
Passages for Harp, Trumpet and Accordion. Includes holograph score and draft
Box 4 Folder 25
Patchwork Girl of Oz, 1981
Box 4 Folder 26
Pathways of the Grandmothers, 1978
Box 4 Folder 27 Oversize FB-402-13
Piano Piece. Includes holograph score, 1956
Box 4 Folder 28 Oversize FB-402-14
Piano Piece I - III. Three pieces with the same title, plus one additional untitled composition. Includes holograph score, 1951
Box 4 Folder 29 Oversize FB-402-15
Piece for Cello and Piano. Includes holograph score, 1951
Box 4 Folder 30-32
Pieces of Eight

Includes masters, prints, drafts, transparancies, and photocopy of score.

Box 5 Folder 2 Oversize FB-402-16
Pieces of Eight - Graphic for projection, positive and negative image
Box 5 Folder 1
Pieces of Eight - Revision with manuscript score, 1973
Box 5 Folder 3
Pieces of Eight - Miscellaneous programs, correspondence and notes
Box 5 Folder 4
Pieces of Eight - Photographs, 1965 - 1972
Box 5 Folder 5
Please Be Silent - The Performance Has Begun. Printed score
Box 5 Folder 6
Please Don't Shoot the Piano Player, He is Doing His Best. Includes typed score and annotated drafts

Post Card Theater

Box 5 Folder 7
Notebooks and notes, 1972
Box 32 Folder 1
Postcards, 1972
Box 5 Folder 8 Oversize FB-402-17
Prelude and Fugue, for Staring Quartet. Includes holograph score and drafts, 1953 - 1954
Box 5 Folder 9
Prelude and Schuzo. Includes holograph score
Box 5 Folder 10
Program Notes for Tape and Orchestra. Includes manuscript score, 1972
Box 5 Folder 11 Oversize FB-402-18
Quartet for Winds. Includes holograph score and draft, 1951
Box 5 Folder 12
A Realization of Compose by Keith Humble, "Are You Really Doing What You Think You Are Doing?"
Box 5 Folder 13
Rock Piece. Includes photocopy of manuscript score, 1979
Box 5 Folder 14
Rock Symphony. Includes outline and sketch, 1965

Rose Moon (1977)

Box 5 Folder 15
Correspondence, 1976 - 1978
Box 5 Folder 16
Miscellaneous

Includes programs, clippings and biographical information from Sylvia D'Arcangelo and Julia Lebentritt.

Box 5 Folder 17-18
Photographs and contact prints
Box 5 Folder 19
Responses from performances
Box 5 Folder 20
Score and sketches
Box 5 Folder 21
Sag Piece for Blam
Box 6 Folder 1
San Francisco Burning. Includes holograph score and correspondence, 1960
Box 6 Folder 2 Oversize FB-402-19
Serenade for Viola and Bassoon, 1957
Box 6 Folder 3
Seven Passages. Includes outlines and notes, 1964
Box 6 Folder 4
Single Stroke Roll Meditation. Includes photocopy of manuscript score
Box 6 Folder 5
Sonata for Flute and Piano. Includes holograph score
Box 6 Folder 6
Song for Horn. Includes holograph score
Box 6 Folder 7 Oversize FB-402-20
Song for Horn and Piano. Includes holograph score
Box 6 Folder 8
Sonic Images. Includes manuscript score photocopy, typescript, draft, and responses, 1972

Sonic Meditations

Box 6 Folder 9
Sonic Meditations instructions, 1971
Box 6 Folder 10
Published article on Sonic Meditations
Box 6 Folder 11
Biofeedback - Instructions by Bruce Rittenbach
Box 6 Folder 12-15
Biofeedback - Printouts
Box 6 Folder 16
Photographs, 1978 - 1979
Box 6 Folder 17
Program

Sound Patterns

Box 6 Folder 18
Correspondence, 1962 - 1981
Box 6 Folder 19
Includes draft and published version, 1961
Box 6 Folder 20 Oversize FB-402-21
Ozalid print, 1961
Box 6 Folder 21
Unattributed program notes, 1961
Box 6 Folder 22 Oversize FB-402-22
Suite for Piano. Includes holograph score and draft
Box 6 Folder 23
Theater of Substitution. Includes photographs, contracts and newspaper clipping, 1976
Box 6 Folder 24
Theater Piece, 1966
Box 6 Folder 25
Theater Piece for John Baldessari. Includes "15 Musical Projects, an Exchange (for Pauline Oliveros)", 1970 April
Box 6 Folder 26
Theater Piece for Trombone Player. Includes manuscript score, notes, correspondence, and photographs
Box 7 Folder 1
Three Part Song, and Three Part Period. Includes holograph score and sketch
Box 7 Folder 2 Oversize FB-403-01
Three Songs for Soprano and Horn. Includes "O You Whom I Often and Silently Come," "Noctum" and "That Shadow My Likeness." Texts by Walt Whitman and Carl Sanburg. Includes holograph sketch, transparencies and ozalid print, 1957
Box 7 Folder 3 Oversize FB-403-02
Three Songs for Soprano and Piano. Includes "An Interlude of Rare Beauty," "Spider Song" and "Song No. Six (from Maximus)." Texts by Robert Duncan and Charles Olson. Includes sketch, holograph score and ozalid print, 1957
Box 7 Folder 4
Three Songs for Soprano and Piano. Includes manuscript score, published score and program, 1957
Box 7 Folder 5
Three Songs for Soprano and Horn. Includes "O You Whom I Often and Silently Come," and "That Shadow My Likeness", 1957

To Valerie Solanis and Marilyn Monroe in Recognition of Their Desperation

Box 7 Folder 6
Includes Baker's Biographical Dictionary of Musicians
Box 7 Folder 7
Includes various versions in multiple drafts and published score, 1970
Oversize MC-021-03
The Arch Ensemble for Experimental Music poster, 1980
Box 7 Folder 8
Traveling Companions. Includes photocopy of manuscript score, draft, drawings, and correspondence, 1980
Box 7 Folder 9 Oversize FB-403-03
Trio for Accordion, Trumpet and String Bass (1961). Ozalid print, 1961
Box 7 Folder 10 Oversize FB-403-04
Trio for Clarinet, Horn and Bassoon. Includes holograph scores, transparencies and ozalid print, 1955 - 1957

Trio for Flute, Percussion and String Bass

Box 7 Folder 11 Oversize FB-403-05
Includes transparencies, ozalid print and holograph sketch, 1963
Box 7 Folder 12 Oversize FB-403-06
Published score, 1963

Trio for Flute, Piano and Page Turner (1961)

Box 7 Folder 13
Includes holograph score, draft and correspondence, 1961
Box 7 Folder 14 Oversize FB-403-07
Ozalid print, 1961
Box 7 Folder 15
Turning Meditation. Includes correspondence and notes for performance. Used for Elaine Summers' "Crow's Nest" , 1979-1980

See also: WORKS BY OTHERS, 1979-1980

Box 7 Folder 16
Twenty Five for Light and Four Players. Includes manuscript score, 1964
Box 7 Folder 17 Oversize FB-403-08
Two Pieces for Trumpet, Accordion and String Bass, 1959. Includes holograph score and three additional pieces from 1960-1961
Box 7 Folder 18
Two Solo Pieces for Flute. Includes holograph score
Box 7 Folder 19
Undertone for Violin and Piano. Includes holograph score and fragment, 1951
Box 7 Folder 20
Valentine. Includes notes for the piece, a text that describes the piece and correspondence, 1968

Variations for Sextet (1960)

Box 7 Folder 21 Oversize FB-403-09
Includes sketch of "Two Phrases for Trumpet, Accordion and String Bass" , November 17, 1959
Box 7 Folder 22 Oversize FB-403-10
Ozalid print, 1960
Box 7 Folder 23 Oversize FB-403-11
Flute, B-flat Clarinet, Cello, Horn in F, and B-flat Trumpet. Transparencies, 1960
Box 7 Folder 24
Variation on a Theme. For University of Illinois - Composer's Forum, 1977

View from the Bridge

Box 7 Folder 25
Includes holograph score, copyright registration and lists of works in progress, 1959
Box 7 Folder 26 Oversize FB-404-01
Overture to View from the Bridge. Manuscript score, 1958
Box 7 Folder 27 Oversize FB-404-02
Overture to View from the Bridge. Ozalid prints with extensive revisions, 1958
Box 7 Folder 28 Oversize FB-404-03
Overture to View from the Bridge. Includes transparencies and unrevised ozalid prints, 1958
Box 7 Folder 29
Water Event. Postcard reproduced in Break Glass in Case of Fire: The Anthology from the Center for Contemporary Music, 1976
Box 7 Folder 30
What's Cooking? - Photographs, 1977
Box 7 Folder 31
What to Do, 1972

Wheel of Fortune

Box 7 Folder 32
Includes manuscript score, which incorporates collage and playing cards
Box 7 Folder 33
Includes score, drafts and correspondence
Box 7 Folder 34
Why Don't You Write a Short Piece? Includes manuscript score and correspondence, 1970
Box 7 Folder 35
Willowbrook Generation and Reflections (1976?). Includes published score, manuscript score, drafts, and correspondence, 1976
Box 8 Folder 1 Oversize FB-404-04
Wistaria. Holograph score, 1953
Box 8 Folder 2
Witness. Includes manuscript score, draft and correspondence, 1979
Box 8 Folder 3
Yellow River Map. Includes manuscripts of score, notes, film editing typescript, and correspondence, 1977 October

Miscellaneous Works

Box 8 Folder 4 Oversize FB-408-02
Music V Program. Printout of program coded in Fortran for musical score, 1972
Oversize MC-021-04
Unidentified score, handwritten on graph paper, undated

Sketches

Box 8 Folder 6 Oversize FB-404-05
Assorted sketches. Includes transparencies and a drawing
Box 8 Folder 7
Composition notes. Includes sketches of "Sonata (Unaccompanied Flute)," "Accordion Piece," and "Solo Piece for Flute", 1957-1960
Box 8 Folder 8
Graph of numerical values of notes
Box 8 Folder 9
Notepad - Scales, triads, intervals and exercises

Circa 20 pages of exercises including major scales, intervals, augmented intervals, triads, and inversions handwritten in ink by Oliveros (no compositions).

Box 8 Folder 10 Oversize FB-404-06
Untitled sketches for ensemble. For flute, clarinet, double bass, bassoon, bass clarinet, trumpet, horn, trombone, percussion, harp, piano, and strings
Box 8 Folder 11-13 Oversize FB-404-07
Unidentified

WRITINGS

Scope and Content of Series

Series 2) WRITINGS: Manuscript drafts, typescripts and some supporting correspondence and notes. Included is material for Oliveros' book, Software for People: Collected Writings 1963-80, published in 1984. Arranged alphabetically.

Box 8 Folder 14
And Don't Call Them 'Lady' Composers. Published in The New York Times, September 13, 1970
Box 8 Folder 15
Being Jackson: A Coin Derived Poem of Substitution. Published in Paper Air, vol. 2, no. 3, 1980
Box 8 Folder 16
Choreography Through Meditation. Includes manuscript text of lecture and draft, 1981
Box 8 Folder 17
Communication Gap
Box 8 Folder 18
Contribution of Women as Composers. Includes proposal for Faculty Fellowship Program for research on the role of Women in Society, 1973
Box 8 Folder 19
Contribution to Vort - John Cage special issue, 1976
Box 8 Folder 20 Oversize FB-404-08
Every Instant of Life is an Opportunity for Concentration , 1980
Box 8 Folder 21
Few Words on the Center for New Music Research and Documentation, 1970
Box 8 Folder 22
Five Scenes, 1972
Box 8 Folder 23
Initiation Dream, typescript of dream and manuscript commentary, 1978
Box 8 Folder 24
Karl Kohn: Concerto Mutabile , 1964
Box 8 Folder 25-26
Meditation, Mandala and Music (MMM), 1980

Manuscript text of lecture, and conference packet.

Box 8 Folder 27
Many Strands, 1973
Box 8 Folder 28
Memory as Dreams. Includes manuscript, typescript, galleys, and printed version in Dreamworks, 1980
Box 8 Folder 29
Model (Tool) of Advice to Young Women Artists and Anybody Else Who Wants It
Box 8 Folder 30
Modes of Attention and Awareness in the Teaching of Basic Musicianship, 1975
Box 8 Folder 31
Music of the Environment and Holistic Analysis, 1978
Box 8 Folder 32
Musical Attention Exercises
Box 9 Folder 1
Noetics of Music. Includes correspondence, manuscripts and typescripts, 1973
Box 9 Folder 2
On Sonic Meditation, 1973
Box 9 Folder 3
On the Need for Research Facilities for New Music and Related Arts, 1979
Box 9 Folder 4
Outline for Flute, Percussion and String Bass. Index cards
Box 9 Folder 5
Pauline's Proverbs, 1976
Box 9 Folder 6
Pauline's Proverbs Book Two, 1981
Box 9 Folder 7
Poetics of Environmental Sound. Published in Software for People, 1968
Box 9 Folder 8-12
Poetics of Environmental Sound - Student responses, 1968-1969

Includes responses exercise assigned by Pauline Oliveros, Alvin Lucier and Allan Strange.

Box 9 Folder 13
Poetry
Box 9 Folder 14
Preliminary Proposals for an Inter Arts Program. For Center for Meditation Arts (CCMA) and Meditation Arts Program (MAP), 1980
Box 9 Folder 15
Program notes, 1968
Box 9 Folder 16
Rags and Patches. Includes manuscripts, typescripts and correspondence, 1974
Box 9 Folder 17
Research Center of New Music for Performers and Composers. For Musical America. Includes manuscript of draft and annotated typescript, 1977
Box 9 Folder 18
Rose Mountain Slow Runner. Includes manuscript, typescript and correspondence with Los Angeles Institute of Contemporary Arts (LAICA), 1978
Box 9 Folder 19
Shape of Things to Come in Modern Music, 1980
Box 10 Folder 1-4
Software for People: Collected Writings, 1963-1980

Includes original presentation at the International Studies on Musical Creation and the Future in Mexico City on December 5, 1978; prepatory materials, and computer printouts.

Box 10 Folder 5
Some Sound Observations, 1968
Box 10 Folder 6
Tape Delay Techniques for Electronic Music Composition, 1969
Box 10 Folder 7
Tarot Reading on the Life and Work of Xenakis, 1979
Box 10 Folder 8
Theater Piece Book. Includes manuscripts and typescripts of a long, autobiographed reflection, 1968
Box 10 Folder 9
Three Themes, 1972
Box 10 Folder 10
To Make a Universe of Sounds: From Visions, 1978
Box 10 Folder 11
To NMCE, 1972 October 24
Box 10 Folder 12
To the American Society of University Composers, 1981
Box 10 Folder 13
Voltage Control, 1970
Box 10 Folder 14
Welcoming address, International Computer Music Conference, 1977
Box 10 Folder 15
Untitled essay. Published in Merce Cunningham, 1971
Box 10 Folder 16
Miscellaneous writings, undated

PROJECTS

Scope and Content of Series

Series 3) PROJECTS: Various documents on some of the early projects Pauline Oliveros was involved with. Arranged in three subseries: A) San Francisco Tape Music Center at Mills College, B) Meditation Projects, and C) The Woman's Ensemble.

A) San Francisco Tape Music Center: Oliveros was one of the original members of the San Francisco Tape Music Center, which was an important resource for electronic music during the 1960s. The Center later moved to Mills College. This subseries includes typescript articles and miscellaneous materials relating to the Center's proposal for an environmental exhibit, Summer Tour 1964 information, concert reviews, publicity information and other documents.

B) Meditation Projects: Outlines and reports, journals, questionnaires and meditation materials relating to Oliveros' work exploring mental and physical exercises in concentration and how that affects techniques for rehearsal and performance of music. Materials include Oliveros' notes, reports on the Meditation Project, and other materials on awareness and meditation. Materials date from 1972-1975.

C) Women's Ensemble: The Women's Ensemble was a group formed by Oliveros to explore sonic meditations. The materials in this subseries include texts and brochures of the ensemble, group meeting notes, Oliveros' diary, photographs, reviews and some related correspondence.

San Francisco Tape Music Center at Mills College

Box 11 Folder 1 Oversize FB-404-09
New Audio-Visual Music: A Mixture of Madness, Men and Machines, 1965

Article published in The San Francisco Sunday Chronicle, Bonanza, June 6, 1965.

Box 11 Folder 2
Report by Ramón Sender, ca. 1965
Box 11 Folder 3
Proposal for exhibit, reviews and publicity, 1964 and undated

Meditation Projects

Box 11 Folder 4
Outlines and reports on work accomplished
Box 11 Folder 5
Introduction and reports

Journals

Box 11 Folder 6
Cherney, Esther
Box 11 Folder 7
Dermond, Chris
Box 11 Folder 8
Dow, Georgia
Box 11 Folder 9
Evans, Stan
Box 11 Folder 10
Mayer, Fred
Box 11 Folder 11-12
Mizelle, Dary
Box 11 Folder 13
Van Fleet, Ellen
Box 11 Folder 14
Memos, 1973
Box 11 Folder 15
Questionnaires
Box 11 Folder 16-17
Signature meditation and performance notes, 1973

The Women's Ensemble

Box 12 Folder 1
Writings by Kathy Acker and Bonnie Mara Barnette, with programs and brochures, 1971-1972
Box 12 Folder 2
California Institution for Women correspondence, 1972
Box 12 Folder 3
Group meeting notes, 1971-1972
Box 12 Folder 4
Long Beach Museum of Art correspondence, 1972
Box 12 Folder 5
Mary Lucier's "Maps of Space #1 and #2", 1972
Box 12 Folder 6
Diary excerpts, notes, programs and photographs, 1971-1972
Box 12 Folder 7
Walker Art Center correspondence, 1971
Box 12 Folder 8
Miscellaneous correspondence

INTERVIEWS AND CRITICISMS

Scope and Content of Series

Series 4) INTERVIEWS AND CRITICISM: Arranged in three subseries: A) Interviews with Pauline Oliveros, B) Interviews by Pauline Oliveros, and C) Writings about Pauline Oliveros. The date range for these materials is 1963-1981.

A) Interviews with Pauline Oliveros: Arranged in alphabetical order by author and includes published interviews with Oliveros relating to her career and electronic music. The date range for these materials is 1976-1981.

B) Interviews by Pauline Oliveros: Interview typescripts arranged in alphabetical order by interviewee and include interviews of colleagues and musicians involved in electronic and experimental music such as fellow Deep Listening Band member Stuart Dempster. These interviews are from 1978-1979.

C) Writings about Pauline Oliveros: Published articles and criticisms about Oliveros and her work and are arranged alphabetically by author. These materials date from 1963-1980.

Interviews with Pauline Oliveros

Box 12 Folder 9
Anderson, Beth, 1980
Box 12 Folder 10
Cleigh, Zenia - "All Sounds are Music", 1979
Box 12 Folder 11
Colgan, C. - "CME Director Oliveros Says Center's Facilities and Projects are Unique", 1977
Box 12 Folder 12
Everett, Thomas - "Five Questions, Forty Answers", 1971
Box 12 Folder 13
Hays, Doris - "Women and Music Festival Bonn 1980", 1981
Box 12 Folder 14
Roth, Moira, 1977
Box 12 Folder 15
Tanner, Marcia - "Pauline Oliveros and the Grand Composition", 1979
Box 12 Folder 16
Timar, Andrew - "Talk with Pauline Oliveros", 1979
Box 12 Folder 17
Zimmermann, Walter - "Pauline Oliveros", 1977
Box 12 Folder 18
"Pauline Oliveros," in UCSD General Catalog, 1979-1980
Box 12 Folder 19
Unknown interviewer - "Pauline Oliveros"

Interviews by Pauline Oliveros

Box 12 Folder 20
Celli, Joe, 1979 February 1
Box 12 Folder 21
Dempster, Stu, 1978 November 11
Box 12 Folder 22
Erickson, Bob, 1979 May 28
Box 12 Folder 23
Gutierrez, Edith, 1978 October 15
Box 12 Folder 24
Ingber, Lester, 1978 October 13
Box 12 Folder 25
Johnston, Ben, 1979 January 12
Box 12 Folder 26
Matthias, Bernt, 1979 April
Box 12 Folder 27
Mumma, Gordon, 1978 November 19
Box 12 Folder 28
Nee, Tom, 1978 November 2
Box 12 Folder 29
Rands, Bernard, 1978 December 27
Box 12 Folder 30
Rosenbloom, David, 1978 December 4
Box 12 Folder 31
Rush, Loren, 1978 November 17
Box 12 Folder 32
Schwartz, Elliot, 1979 January 15
Box 12 Folder 33
Smith, Howie, 1979 May 8
Box 12 Folder 34
Zepada, Antonio, 1979 May 18

Writings about Pauline Oliveros

Box 13 Folder 1
Ahrens, Peg - "Music with Roots in the Aether"

Includes many examples of Oliveros' music and "Sonic Meditations."

Box 13 Folder 2
Anderson, Beth - "Pauline Oliveros was Here." Published in The Soho Weekly News, 1980 February 20
Box 13 Folder 3
Childs, Barney - "Direction in American Composition Since the Second World War, Part II. Published in Music Educators Journal, 1960-1975
Box 13 Folder 4
Composers of Concert Music Born in the Twentieth Century, 1978
Box 13 Folder 5
Directory of Contemporary Music
Box 13 Folder 6
Drummond, Ron - "To Move the Rolling Sky: An Appreciation of Pauline Oliveros"
Box 13 Folder 7
Goode, Daniel - "Research and Pauline Oliveros", 1976
Box 13 Folder 8
Kefalas, Elinor - "Pauline Oliveros: An Interview." Published in Musical America, 1975 June
Box 13 Folder 9
Lepagem, Jane Weiner - "Pauline Oliveros: Composer, Professor of Music and Director of the Center for...", 1980

Published in Women Composers, Conductors, and Musicians of the Century: Selected Biographies.

Box 13 Folder 10
Mac Low, Jackson - "Being Pauline Narrative of a Substitution." Published in Big Deal 4, 1976
Box 13 Folder 11
Palmer, Craig - "The Magic Garden of Pauline Oliveros." Published in Coast FM and Fine Arts, 1970 July
Box 13 Folder 12
Parks, Gary Lee - "Percussion Music in Contemporary Music", 1968
Box 13 Folder 13
Rasky, Deena - "Pauline Oliveros: Two-Legged Composer." Published in Broadside, Vol. 1, no. 3, 1979 December
Box 13 Folder 14
Reynolds, Roger - "John Cage and Roger Reynolds: A Conversation." Published in The Musical Quarterly, vol. 65, 1979
Box 13 Folder 15
Schwartz, Elliot - "Directions in American Composition Since the Second World War, Part I, 1945 - 1960." Published in Music Educators Journal, 1975 February
Box 13 Folder 16
Spizizen, Louise - "The Composer of Area Code 714." Published in Applause: San Diego Magazine of the Arts, 1978 September-October
Box 13 Folder 17
Springer, P. Gregory - "The Nonpareils of Pauline Oliveros." Published in The Advocate, 1979 February 22
Box 13 Folder 18
Subotnick, Morton - "Pauline Oliveros: Trio." Published in Perspectives of New Music, vol. 2, no. 1, 1963

PROGRAMS AND REVIEWS

Scope and Content of Series

Series 5) PROGRAMS AND REVIEWS: Arranged in two subseries: A) Programs and B) Reviews. Each subseries is arranged chronologically.

A) Programs: The subseries ranges from 1949-1982 and includes programs of Oliveros' concerts, performances, recitals and workshops.

B) Reviews: Primarily newspaper clippings of reviews of Oliveros' musical performances. Materials are arranged chronologically and range in date from 1945-1981.

Programs

Box 13 Folder 19-31
1949-1968
Box 14 Folder 1-10
1969-1978
Box 15 Folder 1-6
1979-1982
Box 15 Folder 7
American Society of University Composers - Concerts of contemporary music, 1966 - 1979
Box 15 Folder 8
American Society of University Composers - 16th annual conference, 1981

Center for Creative and Performing Arts, State University of New York at Buffalo

Box 15 Folder 9
Works performed between 1964 and 1975
Box 15 Folder 10
Programs, 1966 - 1975
Box 15 Folder 11
Photocopies of programs and reviews, 1966 - 1975
Box 16 Folder 1
Compania Musical de Repertorio Nuevo, 1979 - 1980
Box 16 Folder 2
Contemporary Chamber Ensemble, 1969 - 1970
Box 16 Folder 3
University of Illinois, Experimental Music Studio electronic music, 1970
Box 16 Folder 4
Theater programs, ca. 1975

Includes programs from The New Theatre Festival, Baltimore, 1976.

Box 16 Folder 5 Oversize FB-404-10
Oversize programs
Box 16 Folder 6
Miscellaneous programs, 1960-1979

Reviews

Box 16 Folder 7
Clipping featuring photo of Pauline Oliveros, 1945
Box 16 Folder 8
Clipping - Review of "Dark of the Moon", 1949
Box 16 Folder 9
Early reviews and mentions of Pauline Oliveros, 1951-1952
Box 16 Folder 10
1961
Box 16 Folder 11
Clipping - Mills College Performing Group, 1965
Box 16 Folder 12
Clipping - The Dakota Student, "Female aesthetic topic of chat", 1973
Box 16 Folder 13
WBFO program guide, Buffalo, NY, 1974
Box 16 Folder 14-18
Clippings - Reviews and mentions of Pauline Oliveros, 1977-1980
Box 17 Folder 1
Clippings - Reviews and mentions of Pauline Oliveros, 1981
Box 17 Folder 2
Metamusik Festival, Berlin '74
Box 17 Folder 3
Reagan Statesman, 1948 - 1949
Box 17 Folder 4
Clippings - Reviews and mentions of Pauline Oliveros, ca. 1975

UNIVERSITY MATERIALS

Scope and Content of Series

Series 6) UNIVERSITY MATERIALS: Documents that illustrate part of Oliveros' teaching career. The bulk of the materials are from Oliveros' tenure as a faculty member at UCSD and include course materials, reports, and grants/teaching proposals which range from 1964-1981. Arranged in five subseries which include: A) Teaching Materials, B) Teaching by Others, C) Administrative Materials, D) Center for Music Experiment (CME), E) Committees and F) Other.

A) Teaching Materials: Class materials, course plans and exercises primarily from Oliveros' classes at UCSD and are arranged chronologically from 1964-1981.

B) Teachings by Others: Includes bibliographies, course materials and some teaching exercises from Oliveros' colleagues.

C) Administrative Materials: Include proposals, resources for research and development, guidelines and questions for the Graduate Entrance Exam.

D) Center for Music Experiment (CME): Materials span from 1975-1979 and include Advisory Committee notes, CME proposals, reports and other administrative documents relating to the establishment of the Center.

E) Committees: Includes Electronics Committee materials, of which Oliveros was a member, and document her involvement from 1968-1979; material relating to the Committee on Space from 1976-1977; and materials relating to Electronics Environment research project, 1969-1971.

F) Other Materials: Other Oliveros' teaching projects and workshop materials, as well as conference and festival materials, miscellaneous student projects, leave forms and other UCSD related correspondence.

Teaching Materials

Box 17 Folder 5
Sound for Dancers. Spring. Includes course plans and student writing, 1964
Box 17 Folder 6
Seminars in Electronic Music, University of Toronto, 1966
Box 17 Folder 7
Music 202C - Electronics Performance, 1968
Box 17 Folder 8
Unidentified UC San Diego course, with Oliveros' "What am I Doing Here?", 1968
Box 17 Folder 9 Oversize FB-404-11
Class enrollment reports, University of California, San Diego, 1971 - 1981
Box 17 Folder 10
Music 1A, 1969
Box 17 Folder 11
Music 105A - Electronics in Music, 1969
Box 17 Folder 12
Music 105B - Electronics in Music, 1969
Box 17 Folder 13
Music 120, 1970
Box 17 Folder 14
Music 105A - Electronics in Music, 1970
Box 17 Folder 15
Music 202B, 1970
Box 17 Folder 16
Music 105B - Electronics in Music, 1970
Box 17 Folder 17
Music 1A, 1971
Box 17 Folder 18
Music 105 and 205 course descriptions, 1971
Box 17 Folder 19
Music 114B - A Survey of Electronic Music Literature, 1971

Course materials and notes.

Box 18 Folder 1-5
Music 114B - A Survey of Electronic Music Literature, 1970-1971

Course materials and notes, bibliographies and recording lists (including bibliographies by Lowell M. Cross and Otto W. Henry and a tape inventory by Jon Phetteplace), and elecronic music catalogs and studio research.

Box 18 Folder 6
Music 105A, 1972
Box 18 Folder 7
Music 105A - Electronic Music, 1972
Box 18 Folder 8
Music 100 - York University, Toronto, 1973
Box 18 Folder 9
Workshop in Sonic Meditation, 1973
Box 18 Folder 10
Modes of Attention and Awareness in the Teaching of Basic Musicianship - Proposal for an Innovative Teaching Grant, 1975
Box 18 Folder 11
Music 2A - Basic Musicianship, 1975
Box 18 Folder 12
Music 111 - Non Western Music, 1975

Includes Elinor Barron's a course proposal, "The Art of South Indian Drumming."

Box 18 Folder 13
Sonic Meditation (cancelled), 1975
Box 18 Folder 14
Women's Composer's Workshop, 1975
Box 18 Folder 15
Music 2B - Basic Musicianship, 1975
Box 18 Folder 16
Music 203B - Composition Seminar, 1975
Box 19 Folder 1
Sabbatical leave, 1976
Box 19 Folder 2
Music 2B - Basic Musicianship, 1976
Box 19 Folder 3
Music 205, 1978
Box 19 Folder 4-7
Music 202 - Electronic Performance. Readings and student work, 1978
Box 19 Folder 8
Music 111 - World Music, 1979
Box 19 Folder 9
Music 144 - Innovations in Twentieth Century Music, Stanford University, 1979
Box 19 Folder 10-12
Music 206 - Holistic Analysis, 1979
Box 20 Folder 1
Sabbatical leave, 1980
Box 20 Folder 2
Music 1B - The Nature of Music, 1980
Box 20 Folder 3-5
Music 206 - Experimental Studies: Theater Pieces and Mixed Media, 1980
Box 20 Folder 6
New Music Workshop, 1980
Box 20 Folder 7
Music 111 - World Music readings, 1981
Box 20 Folder 8
Course evaluations for Music 105A
Box 20 Folder 9
Index to retrieve materials for Music 105A and Music 298
Box 20 Folder 10
Miscellaneous teaching materials

Teaching by Others

Box 20 Folder 11
Anderson, R. and David Rosenboom - Bibliographies on Biofeedback, 1974 - 1975
Box 20 Folder 12
Balzano, J. - Music 106, 1978
Box 20 Folder 13
Burt, Warren - Music 1
Box 20 Folder 14
Erickson, Robert - Music 102 ABC. Includes syllabus and "How to Make a Tape Composition" , 1974 - 1975
Box 20 Folder 15
Erickson, Robert - Timbre Seminar reading list
Box 20 Folder 16
Gold, Judith - Electronic Music Studio: An Introduction, 1977
Box 20 Folder 17
Julian, Joseph - Music 105A - Electronics in Music, 1974

Includes reel-to-reel recording.

Box 20 Folder 18
Nee, Tom - Conducting exercise
Box 20 Folder 19
Memo from Will Ogden, student assignments for Music 100C
Box 20 Folder 20
Course proposal by Jeffrey F. Raskin, "Computer Programming for the Arts and the Humanities", 1967
Box 20 Folder 21
Rittenbach, Bruce - Music 200 - Music Technology, 1978
Box 20 Folder 22
Miscellaneous teaching materials

Moog exercises, Claes Oldenburg (Store Days I), Fluxpiece.

Administrative Materials

Box 20 Folder 23
Studio proposals by Warren Burt, 1973
Box 20 Folder 24
Pauline Oliveros and Ron George - Project proposal, "Resources for acoustic instrument research and development", 1978
Box 20 Folder 25
Creative uses of the computer and computer aided learning for the undergraduate music curriculum - Draft proposal by Pauline Oliveros, ca. 1979
Box 20 Folder 26
Multi-Channel Voltage Controlled Directional Audio Mixer (DAM) project, 1969 - 1970
Box 20 Folder 27
Questions for graduate entrance exam about electronic music, prepared by Pauline Oliveros, 1971
Box 20 Folder 28
Memo from Pauline Oliveros to the faculty, "Some suggested guidelines for Music 1-10 papers", 1971

Center for Music Experiment (CME)

Box 21 Folder 1
Advisory Committee, 1975 June
Box 21 Folder 2
Colloquia, events and lectures, 1974 - 1976
Box 21 Folder 3
A Manual for the Use of CME Facilities, 1975 January
Box 21 Folder 4
Proposals on behalf of the Center for Music Experiment (CME) for UNESCO Project on Cultural Innovation in Advanced Technological Societies, 1977
Box 21 Folder 5
Proposal to establish a Center for Music Experiment and Related Research at the University of California, San Diego, 1971
Box 21 Folder 6
Reports and other publications
Box 21 Folder 7
Rittenbach, Bruce - CME research proposal, 1978
Box 21 Folder 8
Center for Music Experiment (CME) - TACT grant meeting notes
Box 21 Folder 9
Miscellaneous, 1975 - 1979

Includes correspondence, proposals, newspaper clippings, and administrative papers.

Committees

Box 21 Folder 10
Space Committee, 1976 - 1977
Box 21 Folder 11-15
Electronics Committee, 1968-1979
Box 22 Folder 1-2
Electronics Environment project, 1969-1972

Related to the formation of the Sonic Meditation performance group.

Other

Box 22 Folder 3
Campuswide Micro-Computer Based Learning Center, 1977
Box 22 Folder 4
Computer Aided Learning of Basic Music Skills. Includes notes, plans and reports, 1976
Box 22 Folder 5
Long Range Instructional Improvement Program Plan (draft), 1977
Box 22 Folder 6
Innovation in Undergraduate Teaching in the Humanities - Proposal by Alden Mosshammer and Jonathan Saville, 1974
Box 22 Folder 7
International Computer Music Conference, 1977
Box 22 Folder 8
International Computer Music Conference - Reviews, 1977

Includes letter to the provost of Muir College, University of California, San Diego.

Box 22 Folder 9
Sabbatical planning, 1973 - 1974
Box 22 Folder 10
Mandeville Concert Hall Society: A Proposal, 1975
Box 22 Folder 11-12
Mandeville Festival, 1975
Box 22 Folder 13
Miscellaneous notes and teaching materials
Box 22 Folder 14
Miscellaneous notes , 1970

Includes letter from Betty Wong and notes for performance of "Sonic Environment," "Sweet Alice" and "Bye Bye Butterfly."

Box 22 Folder 15
Miscellaneous student performances and projects
Box 22 Folder 16
Organizational Consulting Group - Feedback report to the faculty of Department of Music, 1978
Box 22 Folder 17-18
Music programs, including Livingston College
Box 22 Folder 19
Teacher Effectiveness Training: Where are You? Game, 1977
Box 22 Folder 20
Music Department liaison role to Third College, UC San Diego, 1972
Box 22 Folder 21
UC San Diego correspondence

WORKS BY OTHERS

Scope and Content of Series

Series 7) WORKS BY OTHERS: This series is arranged alphabetically and includes works by fellow composers and musicians involved in experimental electronic music. Some notable works by Robert Erickson and Jackson Mac Low are included. A good portion of this series are oversize holograph scores. This series ranges from 1966-1981 and includes some unidentified scores.

Box 23 Folder 1
Abraham, Raimund. "Hyperspaces" press release, ca. 1970
Box 23 Folder 2
Ahlstrom, David - The Bluebonnets Ballet, 1967
Box 23 Folder 3
Aranda, Dino and Ernesto Cardenal - Exhibition Catalog: Everson Museum of Art, Syracuse, New York, 1973
Box 23 Folder 4
Ashley, Robert - Music with Roots in the Aether, 1976
Box 23 Folder 5
Band, Ellen - "Auralia", 1977 - 1978
Box 23 Folder 6 Oversize FB-405-01
Bark, Jan and Folke Rabe - "Bolos." Printed score, 1962
Box 23 Folder 7
Barron, Lin - "Sweet Alice"

Bartlett, Martin

Box 23 Folder 8
"Cite Libre", 1966
Box 23 Folder 9
"Five Directions", 1972
Box 23 Folder 10
"Gertrude Stein Songs", 1975
Box 23 Folder 11 Oversize FB-405-02
Bates, David S. - "Suena". Printed score, 1975

Behrman, David

Box 23 Folder 12
"Players with Circuits"
Box 23 Folder 13 Oversize FB-405-03
"Players with Circuits". Four-performer version. Ozalid print
Box 23 Folder 14
"Wave Train"
Box 23 Folder 15 Oversize FB-405-04
Berry, Wallace - "Composition for Piano and Electronic Sounds". Ozalid print, 1966 - 1967
Box 23 Folder 16
Bischoff, W. H. - "Winter; At Mii's Gate". Includes holograph score
Box 23 Folder 17 Oversize FB-405-05
Bodin, Lars-Gunnar - "Semikdon; Dag Knutson in Memoriam". Ozalid print
Box 23 Folder 18
Bozzi, Robert - "Whereness"
Box 23 Folder 19
Bresnick, Martin - "Conspiracies", 1981
Box 23 Folder 20
Bristow, Stephen - "They are Leaving... A Preservation Rite", 1975

Budd, Harold

Box 23 Folder 21
"Lecture Plan"
Box 23 Folder 22 Oversize FB-405-06
"Lovely Thing." Manuscript score and a collage, 1969
Box 23 Folder 23
"One Sound, String Quartet", 1968
Box 23 Folder 24
"Vittorio." Includes holograph score, 1969

Buel, Charles

Box 23 Folder 25
"Coyote Crossing", 1970
Box 23 Folder 26
"The Sphinx." Ozalid print, 1976
Box 23 Folder 27 Oversize FB-405-07
"Transformation for Orchestra." Ozalid print, 1971

Burt, Warren

Box 23 Folder 28 Oversize FB-405-08
"My Name is Country and Western: Oatmeal, Boys and Girls! For Accordions." Photocopy of score, 1972
Box 23 Folder 29
"The Bill Burroughs Orange County Memorial Desert Song Mix Piece", 1972