Kristin Idaszak (Playwright) is a Southern California-based playwright recently transplanted from Chicago. Her work has been produced or developed around Chicago at the DCA Studio Theatre, the Steppenwolf Garage (with Caffeine Theatre), Stage Left Theatre, Northlight, Vintage Theatre Collective, American Theatre Company, LiveWire, Collaboraction, and Rasaka. She co-wrote Theatre Seven’s We Live Here, for which she received a Jeff Nomination for Best New Work. Elsewhere, her work has been seen at The Flea Theatre (New York), Perishable Theatre (Providence, RI), the Inkwell (Washington, DC), and at the Westmont College Fringe Festival (Santa Barbara, CA). She received an Incubator grant from the City of Chicago with Vintage Theatre Collective and a Downstage Left Playwriting Residency with Stage Left Theatre. Kristin previously served as the Associate Artistic Director and Literary Manager for Caffeine Theatre, which explored the intersection of poetry and theatre with a political bent. She also acted as the Associate Artistic Director of Collaboraction, which specialized in hypermodern, immersive theatre and spectacle. MFA: University of California, San Diego, anticipated in 2015. Sarah Wansley (Director) is a New York-based director and producer, currently pursuing her MFA in Directing at UCSD. Current projects include Ex Machina at the New York International Fringe Festival and Drums in the Night by Bertolt Brecht at UC San Diego. Directing credits with Aporia include Woyzeck, Follow Me Down, Passion in the Park, Bare Naked Drama, The Disappearance of Jonah, Moonlight, The Real Inspector Hound, No Exit, and The Real Thing. Other directing credits include Here Comes Tomorrow (Youngblood / EST), #serials@theflea (The Flea Theater), The Suitcase (Looking Glass Theatre Writer/Director Forum) and What the Future Awaits (McCarter Theatre Center Youth Ink Festival). Sarah graduated summa cum laude from Columbia University and was a member of the 2011 Lincoln Center Director's Lab.