The UC San Diego Center for Research in Computing and the Arts (CRCA) collection documents the activities of the experimental music and art research unit. Materials include: subject files, photographs, publications and writings, event materials, and produced works.
UC San Diego. Center for Research in Computing and the Arts Collection, 1969-2012 (RSS 1225)
Extent: 9.9 Linear feet (15 archives boxes, 12 card file box, 5 shoe boxes, and two oversized folders), + 137.055 GB of digital files
Digital Content
Digital files from this collection. Some files are restricted from public download, but may be requested through the finding aid for mediated and/or on-site access.
The Project for Music Experiment, funded by the Rockefeller Foundation, opened in 1972 under the direction of UC San Diego professor Roger Reynolds. In 1973, the project became an organized research unit at the University of California, San Diego and was renamed the Center for Music Experiment (CME). Although autonomous, the Center was monitored by an inter-departmental advisory board with UC San Diego Music Department faculty. The director was nominated by the board and appointed by the Chancellor for terms of up to five years.
The Center was designed as a performance, composition, and a technological research space for innovations with digital computer music; also facilitating the Studio for Extended Performance, the Extended Vocal Techniques Ensemble (EVTE), and the KIVA Improvisation Ensemble. The center facilitated and sponsored countless events, as well as worked with artists from around the world through exchange programs. In 1977, under the direction of Pauline Oliveros, CME received additional funding for a computer music facility designed to integrate technology and research into both the graduate and undergraduate curricula. In 1991, the UC Regents approved the change of name from CME to CRCA - the Center for Research in Computing and the Arts (CRCA). On July 1, 2012, CRCA was "sunset" and it's functions and facilities were folded into Calit2.
Notable faculty included: Will Ogden, Robert Erickson, Harry Partch, Kenneth Gaburo, Thomas Nee, James Campbell, Bernard Rands, and John Silber.
Directors included: Rodger Reynolds (Founding Director, 1972-1975), Pauline Oliveros (1976-1979), F. Richard Moore (1982-1991), Harold Cohen (1993-1998), Sheldon Brown (1999-2010), and Shahrokh Yadegari (2011-2012).
The UC San Diego Center for Research in Computing and the Arts (CRCA) collection documents the activities of the experimental music and art computer-based research unit. The documents were collected internally by staff and faculty for educational and archives purposes. The materials include subject files representing the development and founding of the department, performance flyers, photographs, publications and writings describing the technological development of experimental music research and performance, and works produced by the center and its affiliates.
Accession Processed Prior to 2016: Arranged in four series: 1) SUBJECT FILES, 2) PHOTOGRAPHS, 3) PUBLICATIONS, and 4) WRITINGS.
Accession Processed in 2023: Arranged in three series: 5) PUBLICATIONS AND WRITINGS, 6) EVENTS, PRODUCED WORKS, AND PROGRAMS, and 7) DIGITAL FILES.