Barlow Family Collection of Manuscripts, 1585 - 1870 (MSS 19)

Extent: 0.4 Linear feet (1 archives box)

The Barlow Family Collection includes manuscripts, signed by European rulers and nobles and dating mostly from the 17th and 18th centuries, collected by the family of writer Jarvis Barlow and his father Dr. Walter Jarvis Barlow, both of Southern California. The bulk of the collection, titled "Autografi dei Sovrani," was probably assembled in Italy in the 18th century. Materials include letters signed by King Louis XV of France, King Philip IV of Spain, two queens of Spain (Mariana de Austria and Marie d'Orleans), Holy Roman Emperor Ferdinand II, Charles, Duc d'Orleans, and Spanish writer Francisco de Quevedo in his capacity as an official of the Spanish court. Also included is a clipped autograph of French Emperor Napoleon III. Many of the 17th century materials were originally sent to Italian artist and architect Juan Bautista Crescencio (1595-1660) and to Cardinal Alexander Crescencio (fl. late 17th century).

The precise background of the Barlow manuscript collection is unknown. According to the Friends of the UCSD Library Newsletter of March 1970, Mrs. Jarvis Barlow of Carlsbad, California, donated the collection to the UC San Diego Library in 1970. The materials had been "in the family of her late husband for some generations." Her husband, Jarvis Barlow, was a California writer, editor of the magazine Pan, and author of the book Once in an Orange Grove (1941). His father, Dr. Walter Jarvis Barlow of Sierra Madre, California, was a prominent physician who settled in Los Angeles in 1895. The elder Barlow founded the Barlow Sanatorium for tuberculosis treatment, served as a professor of clinical medicine and Dean of the Medical Department at UCLA, and founded the Barlow Medical Library, later the library of the Los Angeles County Medical Association.

The Barlow manuscript collection was originally contained in a portfolio labelled "Autografi dei Sovrani." The materials were enclosed in folders labelled in Italian with the names of various European rulers or nobles. Judging from the arrangement of the materials, it appeared that the bulk of the collection, which dates from the 17th and 18th centuries, was probably assembled in Italy in the 18th century and that additional materials were added later, probably by someone who obtained the original collection. This inference is based on the fact that the bulk of the manuscripts were foldered in uniform sheets of paper of a quality common in the 18th century and labelled (in ink) in handwriting that matches that of the portfolio cover. The additional materials were foldered in paper common to the 19th and early 20th centuries (some of which came from the pages of printed books), and labelled in pencil in handwriting different from that of the portfolio cover. The present arrangement of the collection reflects this inference.

Many of the manuscripts that comprised the original "Autografi dei Sovrani" relate to the Italian family of Crescencio (or Crescenzi). Two members of this family were the recipients of many of the letters in the collection: Juan Bautista Crescencio (1595-1660), and Cardinal Alexander Crescencio (fl. late 17th cent.).

Juan Bautista Crescencio, an artist and architect, was born in Rome and served the Spanish court. Cardinal Zapata recommended Crescencio to King Phillip III as an architect for the Royal Pantheon in El Escorial monastery, a project that was completed under Phillip IV around 1650. Crescencio was a favorite of the Spanish minister the Duke of Olivares, and he received many titles, including Marquis de la Torre, Knight of the Order of Santiago, and minister of the Junta de Obras y Bosques (an institution responsible for the preservation of the Royal estates).

The Barlow Family Collection of Manuscripts consists mostly of letters from the 17th and 18th centuries, with a few items from the 19th century. Although signed by European rulers and nobles, most of the manuscripts are the work of secretaries or scribes. Included in the collection are 52 Italian manuscripts from the 17th and 18th centuries, 42 Spanish manuscripts from the 17th century, 27 French and German manuscripts from the 16th through 19th centuries, and one Greek manuscript dated 1862.

Arranged in three series: 1) AUTOGRAFI DEI SOVRANI, 2) MISCELLANY, and 3) ORIGINAL COVER OF THE COLLECTION.

Container List

AUTOGRAFI DEI SOVRANI

Scope and Content of Series

Series 1) AUTOGRAFI DEI SOVRANI: Materials that probably comprised the original 18th century collection. The original foldering of the manuscripts has been retained: in general, materials signed by a particular ruler or noble are foldered together. Arranged in three subseries: A) Spanish Manuscripts, B) Italian Manuscripts, and C) Imperial and German Manuscripts.

A) Spanish Manuscripts: Primarily letters written to Cardinal Alexander Crescencio from King Philip IV of Spain; Mariana de Austria, Queen of Spain; and Marie d'Orleans, Queen of Spain. Most of these letters contain Christmas greetings, but some of them reveal the important role played by Cardinal Crescencio in the marriage of King Charles II and Marie d'Orleans. Also among the Spanish Manuscripts are state documents relating to the nomination of Juan Bautista Crescencio to knighthood in the Order of Santiago in 1626. One of these documents is signed by the Spanish writer Francisco de Quevedo when he held the post of "oficial mayor en la escribania de camara del Consejo de Ordenes," prior to his political confrontation with the Duke of Olivares. Another, signed by King Philip IV, contains the full titles of the Spanish monarch, which specify the many realms of the Crown.

B) Italian Manuscripts: Correspondence from the governor of the Republic of Genoa; the viceroy of Naples; Ferdinand II, Holy Roman Emperor; and Cosimo III Medici.

C) Imperial and German Manuscripts: Correspondence from the Holy Roman Emperor to German princes, and correspondence relating to the Marquis of Crescencio and Tomasso Raggio.

Spanish Manuscripts

Box 1 Folder 1
Philip IV, King of Spain, to Cardinal Raggio and Cardinal Alexander Crescencio, 1642 - 1665

Eight letters signed

Box 1 Folder 2
Cardinal Infant, 1624 - 1628

Brother of the King of Spain. Four letters signed.

Box 1 Folder 3
Mariana of Austria, Queen of Spain to Cardinal Alexander Crescencio, 1684 - 1687

Twenty-One letters signed

Box 1 Folder 4
Marie Louise d'Orleans, Queen of Spain to Cardinal Alexander Crescencio, 1680 - 1685

Five letters signed

Box 1 Folder 5
Governor of the Spanish Netherlands [?] to Cardinal Alexander Crescencio, 1644

Two letters signed

Box 1 Folder 6
Documents Relating to the Official Nomination of Juan Bautista Crescencio, 1626

To Knighthood in the Order of Santiago

Italian Manuscripts

Box 1 Folder 7
Governor of the Republic of Genoa to..., 1636 - 1683

...Cardinal Sigismundo Raggio, Tomasso Raggio, and Ferdinand Raggio. Twenty letters signed.

Box 1 Folder 8
Viceroy of Naples to Various Persons, 1626 - 1714

Including Cardinal Alexander Crescencio and the Marquise de Montaro. Nine letters signed.

Box 1 Folder 9
Ferdinand III, Holy Roman Emperor, and Cosimo III Medici..., 1633 - 1714

...Duke of Tuscany, to Prince Mathias Medici, Governor of Siena, and Andrea Cioly, First Secretary to the Governor. Eight letters signed.

Imperial and German Manuscripts

Box 1 Folder 10
Holy Roman Emperor to Various German Princes, 1626 - 1726

Along with Other Letters Relating to the Marquis of Crescencio and Tomasso Raggio. Eleven letters signed.

MISCELLANY

Scope and Content of Series

Series 2) MISCELLANY: materials probably added to the original collection after the 18th century. Arranged in four subseries: A) Italian Manuscripts, B) Imperial and German Manuscripts, C) French Manuscripts, and D) Greek Manuscript.

A) Italian Manuscripts: Letters from Carlo Emmanuele IV of Savoy, King of Sardinia; and Popes Benedetto XIV and Clemente XII.

B) Imperial and German Manuscripts: Correspondence from Charles II, Archduke of Austria; Maximilian Frederick III, Duke of Bavaria; Anthony, King of Saxony; and other prominent nobles and rulers.

C) French Manuscripts: Correspondence from King Louis XV of France; a clipped autograph of Louis-Napoleon Bonaparte; and a document signed by the Duke d'Orleans representing the nomination of a French nobleman as a representative in the famous Etats Generaux called by King Louis XVI on the eve of the Revolution.

D) Greek Manuscript: Letter from King Otto I of Greece to Cardinal Mattey, 1862.

Italian Manuscripts

Box 1 Folder 11
Carlo Emmanuelle IV, King of Sardinia; Francesco Arissi to Cardinal Mattey, 1799 - 1869

2 letters signed.

Box 1 Folder 12
Popes Clemente XII and Bendetto XIV, 1735

Lorenzo Corsini di Firenze; Prospero Lambertini di Bologna. Two letters signed.

Imperial and German Manuscripts

Box 1 Folder 13
Charles II, Archduke of Austria, 1585

Letter signed ca. 1585 [?].

Box 1 Folder 14
Amalia Gughelmina of Brunswick, Empress of Austria, to Cardinal Collicole, 1728

Letter signed.

Box 1 Folder 15
Eleonora Magdalena Teresa, Empress of Austria, to Cardinal de Angelis, 1690

Letter signed.

Box 1 Folder 16
Anthony, King of Saxony to Cardinal Mattey, 1834

Letter signed

Box 1 Folder 17
Maximilian Frederick III, Duke of Bavaria, 1775

Letter signed.

Box 1 Folder 18
Maximilian of Wied, 1870

Great-Grandfather of the King of Albania. Letter signed.

Box 1 Folder 19
Charles Alexander, Grand Duke of Saxony Weimar, 1838

Letter signed.

Box 1 Folder 20
Prince Frederick Josias of Coberg, Imperial Fieldmarshal in Galicia, 1786

Letter signed.

Box 1 Folder 21
Frederick Augustus of Saxony, 1853

Letter signed.

Box 1 Folder 22
Ludwig, Prince of Baden, 1673

Letter signed.

French Manuscripts

Box 1 Folder 23
Louis XV, King of France, 1744 - 1761

Two letters signed.

Box 1 Folder 24
State Document, 1789

Nomination of Viscount de Coupigny as representative of the Aristocracy of Cambresi in the etats Generaux, May 28, 1789

Box 1 Folder 25
Louis-Napoleon Bonaparte

Clipped Autography, n.d.

Greek Manuscript

Box 1 Folder 26
King Otto I of Greece to Cardinal Mattey, 1862

Letter signed.

ORIGINAL COVER OF THE COLLECTION

Scope and Content of Series

Series 3) ORIGINAL COVER OF THE COLLECTION: The original 18th century portfolio cover of the manuscript collection.

Box 1 Folder 27
Original Cover of the Collection