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  1. Picturing Paradise: Border fence with mirrored surface

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Miyata, Shigeto (Japanese photographer)
    • Date: 2000
    • Topic: political art; reflections (perceived properties); Boundaries; border art
    • Format: image
  2. Picturing Paradise: Border fence with mirrored surfaces at sunset

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961)
    • Date: 2000
    • Topic: reflections (perceived properties); suns (stars); border art; political art; Boundaries
    • Format: image
  3. Picturing Paradise: Border fence from U.S. side with mirrored surfaces and bullfight stadium in the background

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); Decker, Alan (photographer); inSITE2000
    • Date: 2000
    • Topic: border art; Stadiums; Boundaries; reflections (perceived properties); political art
    • Format: image
  4. Picturing Paradise: Border fence with mirrored surface

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Decker, Alan (photographer)
    • Date: 2000
    • Topic: reflections (perceived properties); political art; border art; Boundaries
    • Format: image
  5. Picturing Paradise: Close-up of text on reflective surface at border fence

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000
    • Date: 2000
    • Topic: political art; Boundaries; reflections (perceived properties); border art
    • Format: image
  6. Picturing Paradise: Border fence with mirrored surfaces: view from the United States side of border

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000
    • Date: 2000
    • Topic: political art; Boundaries; border art; reflections (perceived properties)
    • Format: image
  7. Family Trees: benches, tables and murals of trees and birds

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Silva, Ernest (American installation artist, born 1948); inSITE97
    • Date: 1997
    • Topic: Multimedia works; Color; collaboration; Families; Trees; crafts (art genres); children (people by age group); rain; Boundaries; border art
    • Format: image
  8. Family Trees: benches, tables and murals of trees and birds

    • Collection: inSite Archive
    • Name: inSITE97; Silva, Ernest (American installation artist, born 1948)
    • Date: 1997
    • Topic: Multimedia works; crafts (art genres); Families; rain; Color; collaboration; border art; children (people by age group); Boundaries; Trees
    • Format: image
  9. Family Trees: painting depicting cross border relationship between installations

    • Collection: inSite Archive
    • Name: Silva, Ernest (American installation artist, born 1948); inSITE97
    • Date: 1997
    • Topic: Trees; Color; crafts (art genres); border art; children (people by age group); Boundaries; Multimedia works; collaboration; rain; Families
    • Format: image
  10. Family Trees

    • Collection: inSite Archive
    • Name: inSITE97; Silva, Ernest (American installation artist, born 1948)
    • Date: 1997
    • Topic: Trees; Multimedia works; children (people by age group); Color; crafts (art genres); border art; Boundaries; Families; rain; collaboration
    • Format: image
  11. Century 21

    • Collection: inSite Archive
    • Name: Marchick, Sarah (photographer); inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Poor; satire; Real property; housing (concept); shacks; Humor; Dwellings; Temporary housing; Squatters settlements; border art; political art; architecture (object genre); homelessness; poverty
    • Format: image
  12. Century 21: Shack in courtyard of the Centro Cultural Tijuana

    • Collection: inSite Archive
    • Name: inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Dwellings; Poor; architecture (object genre); shacks; homelessness; satire; poverty; Humor; Squatters settlements; Temporary housing; border art; Real property; political art; housing (concept)
    • Format: image
  13. La Casita en la Colonia Altamira Calle Rio de Janeiro No. 6757, Tijuana: multi-colored fence and garden

    • Collection: inSite Archive
    • Name: Chávez, Patricio; inSITE97
    • Date: 1997
    • Topic: neighborhoods; architecture (object genre); renovation; Landscape architecture; Gardening; border art; Houses; painting (coating); Color
    • Format: image
  14. The Middle of the Road: detail of the Aztec goddess Tlazolteotl against border fence

    • Collection: inSite Archive
    • Name: inSITE94; Gruner, Sylvia (Mexican Performance artist, video artist, and filmmaker, 1959 CE-)
    • Date: 1994
    • Topic: Fertility; political art; Goddesses; border art; Tlazolteotl (Aztec deity); Boundaries; STools; Childbirth; feminism
    • Format: image
  15. The Middle of the Road

    • Collection: inSite Archive
    • Name: Gruner, Sylvia (Mexican Performance artist, video artist, and filmmaker, 1959 CE-); inSITE94
    • Date: 1994
    • Topic: Boundaries; border art; Goddesses; Childbirth; STools; political art; feminism; Fertility; Tlazolteotl (Aztec deity)
    • Format: image
  16. The Middle of the Road

    • Collection: inSite Archive
    • Name: inSITE94; Gruner, Sylvia (Mexican Performance artist, video artist, and filmmaker, 1959 CE-)
    • Date: 1994
    • Topic: Tlazolteotl (Aztec deity); feminism; STools; political art; Boundaries; Goddesses; Fertility; border art; Childbirth
    • Format: image
  17. Border stories working title from one side to another: film still of woman carrying suitcase down a road

    • Collection: inSite Archive
    • Name: Golino, Michael (American); Barry, Judith (American installation artist, born 1949); inSITE2000
    • Date: 2000
    • Topic: suitcases; Independent films; Roads; Travel; Video art; border art; Boundaries
    • Format: image
  18. The Line

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Arias, Fernando (Colombian sculptor and Performance artist, born 1963)
    • Date: 1997
    • Topic: Boundaries; Drug traffic; Cocaine; border art; Human body
    • Format: image
  19. The Line

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Arias, Fernando (Colombian sculptor and Performance artist, born 1963)
    • Date: 1997
    • Topic: Drug traffic; Human body; border art; Cocaine; Boundaries
    • Format: image
  20. The Line

    • Collection: inSite Archive
    • Name: Arias, Fernando (Colombian sculptor and Performance artist, born 1963); inSITE97; Rivera, Paul (photographer)
    • Date: 1997
    • Topic: border art; Boundaries; Cocaine; Drug traffic; Human body
    • Format: image
  21. Cross the Razor: border fence with artist's vans on either side

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: border art; Public speaking; Language; Performance art; communication (function); Boundaries
    • Format: image
  22. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: communication (function); Language; border art; Boundaries; Public speaking; Performance art
    • Format: image
  23. Cross the Razor: aerial view

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Allen, Terry (American conceptual artist and musician, born 1943); inSITE94
    • Date: 1994
    • Topic: Public speaking; Language; Boundaries; border art; communication (function); Performance art
    • Format: image
  24. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: Language; Boundaries; communication (function); Public speaking; border art; Performance art
    • Format: image
  25. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: Performance art; Language; Public speaking; border art; communication (function); Boundaries
    • Format: image
  26. Cross the Razor

    • Collection: inSite Archive
    • Name: Allen, Terry (American conceptual artist and musician, born 1943); inSITE94
    • Date: 1994
    • Topic: border art; Boundaries; Performance art; Language; Public speaking; communication (function)
    • Format: image
  27. Toaster Work Wagon: wagon situated by U.S. - Mexico border fence

    • Collection: inSite Archive
    • Name: Hughes, Terri; Adams, Kim (Canadian sculptor, born 1951); inSITE97
    • Date: 1997
    • Topic: border art; Boundaries; Street vendors; Public sculpture; Trailers
    • Format: image
  28. Toaster Work Wagon: proposal sketch

    • Collection: inSite Archive
    • Name: Adams, Kim (Canadian sculptor, born 1951); inSITE97
    • Date: 1997
    • Topic: Boundaries; Street vendors
    • Format: image
  29. Toaster Work Wagon: Exhibition

    • Collection: inSite Archive
    • Name: Adams, Kim (Canadian sculptor, born 1951); inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Boundaries; Bicycles; Trailers; Public sculpture; Street vendors; border art
    • Format: image
  30. Toaster Work Wagon: modified bicycle to be given away to children from the wagon

    • Collection: inSite Archive
    • Name: inSITE97; Adams, Kim (Canadian sculptor, born 1951); Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: Public sculpture; Trailers; Street vendors; border art; Bicycles; Boundaries
    • Format: image
  31. Island on the Fence: view of proposal model: floating island with border fence in background

    • Collection: inSite Archive
    • Name: Acconci Studio (American architectural group, contemporary); inSITE97; Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: Artificial islands; Public sculpture; Flotation; Umbrellas; Islands; Boundaries; leisure; border art
    • Format: image
  32. Island on the Fence: view of proposal model with floating island and border fence extending into the Pacific Ocean

    • Collection: inSite Archive
    • Name: inSITE97; Acconci Studio (American architectural group, contemporary); Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: border art; Boundaries; Flotation; Public sculpture; Islands; Umbrellas; leisure; Artificial islands
    • Format: image
  33. Island on the Fence: proposal drawing

    • Collection: inSite Archive
    • Name: inSITE97; Acconci Studio (American architectural group, contemporary); Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: leisure; border art; Boundaries; Flotation; Artificial islands; Umbrellas; Islands; Public sculpture
    • Format: image
  34. Island on the Fence: drawing: view of proposal model: floating island with border fence in background

    • Collection: inSite Archive
    • Name: Acconci, Vito (American performance and video artist, born 1940); inSITE97; Jimmy Fluker; Acconci Studio (American architectural group, contemporary)
    • Date: 1997
    • Topic: leisure; Flotation; Boundaries; Artificial islands; border art; Islands; Umbrellas; Public sculpture
    • Format: image
  35. Art in Context/Artist Lecture: Terry Allen

    • Collection: inSite Archive
    • Name: Allen, Terry (American conceptual artist and musician, born 1943); inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: November 1, 1994
    • Topic: Boundaries; Lectures; artists; border art
    • Format: video
  36. Picturing Paradise: Project documentation

    • Collection: inSite Archive
    • Name: inSITE2000; Soares, Valeska (Brazilian installation artist, born 1957)
    • Date: 2000
    • Topic: Video art; border art; reflections (perceived properties); Boundaries; political art
    • Format: video
  37. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: caricatures; Spectacular, The; border art; political art; Boundaries; cannons (artillery); Flight; Humor; audiences; Adventure and adventurers; Daredevils; Performance art
    • Format: image
  38. Green Card

    • Collection: inSite Archive
    • Name: Lorenzana, Alfonso; Zuniga Padilla, Juan (Mexican artist and muralist); inSITE97
    • Date: 1997
    • Topic: Gesture; Conversation; border art; Boundaries; Humor; Emigration and immigration; Materials--Deterioration
    • Format: image
  39. Cross the Razor: project documentation

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943); Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: Video art; Language; Border patrols; Public speaking; border art; Performance art; Boundaries; communication (function)
    • Format: video
  40. La esquina/ Jardines de Playas de Tijuana: plaza with lighthouse and bullring

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); Parral, Jose (Mexican architect and artist); inSite_05
    • Date: 2005
    • Topic: political art; architecture (object genre); Urban renewal; Boundaries; public spaces; Parks; Landscape architecture; border art; urban planning
    • Format: image
  41. La esquina/ Jardines de Playas de Tijuana: view of plaza and platform with lighthouse and bullring

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Parks; public spaces; architecture (object genre); political art; urban planning; border art; Landscape architecture; Boundaries; Urban renewal
    • Format: image
  42. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and lighthouse

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: public spaces; architecture (object genre); Boundaries; Parks; Urban renewal; political art; urban planning; border art; Landscape architecture
    • Format: image
  43. One Flew Over the Void (Bala perdida): audience awaiting launch of human cannonball David Smith across border fence from Mexico into the U.S.

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: political art; Adventure and adventurers; Boundaries; Flight; Humor; Spectacular, The; audiences; Daredevils; cannons (artillery); Performance art; border art
    • Format: image
  44. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); inSite_05
    • Date: 2005
    • Topic: public spaces; Parks; urban planning; political art; border art; Landscape architecture; Urban renewal; Boundaries; architecture (object genre)
    • Format: image
  45. La esquina/ Jardines de Playas de Tijuana: sidewalk with new plantings of palms

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: Landscape architecture; political art; Boundaries; border art; Parks; architecture (object genre); Urban renewal; Bull rings; Palms; public spaces; urban planning; Sidewalks
    • Format: image
  46. La esquina/ Jardines de Playas de Tijuana: view of plaza and lighthouse

    • Collection: inSite Archive
    • Name: inSite_05; Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; border art; Lighthouses; public spaces; urban planning; Boundaries; Parks; architecture (object genre); Urban renewal; Landscape architecture
    • Format: image
  47. La esquina/ Jardines de Playas de Tijuana: view of concrete platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); inSite_05; Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; Boundaries; Parks; architecture (object genre); Urban renewal; public spaces; border art; urban planning; Landscape architecture
    • Format: image
  48. One Flew Over the Void (Bala perdida): human cannonball David Smith mid-flight as he is shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: audiences; Daredevils; Boundaries; Adventure and adventurers; caricatures; political art; Humor; Spectacular, The; cannons (artillery); border art; Flight; Performance art
    • Format: image
  49. One Flew Over the Void (Bala perdida): human cannonball David Smith preparing to be shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969)
    • Date: August 27, 2005
    • Topic: Daredevils; Performance art; border art; caricatures; Boundaries; political art; audiences; Humor; cannons (artillery); Flight; Spectacular, The; Adventure and adventurers
    • Format: image
  50. One Flew Over the Void (Bala perdida): spectators seated in the shade of the cannon

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Flight; Adventure and adventurers; cannons (artillery); border art; Boundaries; Spectacular, The; Performance art; Daredevils; Humor; political art; audiences
    • Format: image
  51. One Flew Over the Void (Bala perdida): border fence decorated with banners behind performance stage

    • Collection: inSite Archive
    • Name: inSite_05; Téllez, Javier (Venezuelan video artist, born 1969); Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Boundaries; Spectacular, The; audiences; Daredevils; Humor; Adventure and adventurers; border art; political art; Performance art; Flight
    • Format: image
  52. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: political art; caricatures; Flight; border art; Adventure and adventurers; Humor; Daredevils; audiences; Spectacular, The; cannons (artillery); Boundaries; Performance art
    • Format: image
  53. Two Running Violet V Forms: panoramic view of the entire length of fence

    • Collection: Stuart Collection Photographs
    • Name: Irwin, Robert (American painter and sculptor, born 1928); Stuart Collection (San Diego, Calif.); Beebe, Mary Livingstone (American, born 1940); Cohen, Becky (American photographer, contemporary); University of California, San Diego--History
    • Date: 1983
    • Topic: forests; American; Minimal; blue (color); shade (light-related concept); sunlight; landscapes (environments); Contemporary; Eucalyptus; scale (relative size); Trees; colossi; color (perceived attribute)
    • Format: image
  54. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Irwin, Robert (American painter and sculptor, born 1928); Beebe, Mary Livingstone (American, born 1940); Stuart Collection (San Diego, Calif.); Cohen, Becky (American photographer, contemporary); University of California, San Diego--History
    • Date: 1983
    • Topic: color (perceived attribute); Contemporary; sunlight; colossi; blue (color); American; landscapes (environments); forests; shade (light-related concept); Trees; Eucalyptus; Minimal; scale (relative size)
    • Format: image
  55. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Stuart Collection (San Diego, Calif.); Irwin, Robert (American painter and sculptor, born 1928); Beebe, Mary Livingstone (American, born 1940); Cohen, Becky (American photographer, contemporary); University of California, San Diego--History
    • Date: 1983
    • Topic: landscapes (environments); color (perceived attribute); sunlight; scale (relative size); blue (color); forests; American; Minimal; Eucalyptus; colossi; Trees; shade (light-related concept); Contemporary
    • Format: image
  56. Two Running Violet V Forms: detail showing the effect of light on the chain link

    • Collection: Stuart Collection Photographs
    • Name: Stuart Collection (San Diego, Calif.); Beebe, Mary Livingstone (American, born 1940); Cohen, Becky (American photographer, contemporary); Irwin, Robert (American painter and sculptor, born 1928); University of California, San Diego--History
    • Date: 1983
    • Topic: Trees; blue (color); Minimal; sunlight; colossi; shade (light-related concept); color (perceived attribute); landscapes (environments); forests; Contemporary; American; Eucalyptus; scale (relative size)
    • Format: image
  57. Two Running Violet V Forms: detail showing fencing winding between the trees

    • Collection: Stuart Collection Photographs
    • Name: Cohen, Becky (American photographer, contemporary); Beebe, Mary Livingstone (American, born 1940); Stuart Collection (San Diego, Calif.); Irwin, Robert (American painter and sculptor, born 1928); University of California, San Diego--History
    • Date: 1983
    • Topic: blue (color); landscapes (environments); sunlight; shade (light-related concept); American; Contemporary; Minimal; scale (relative size); Eucalyptus; color (perceived attribute); colossi; forests; Trees
    • Format: image
  58. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Irwin, Robert (American painter and sculptor, born 1928); Stuart Collection (San Diego, Calif.); Cohen, Becky (American photographer, contemporary); Beebe, Mary Livingstone (American, born 1940); University of California, San Diego--History
    • Date: 1983
    • Topic: American; Minimal; colossi; blue (color); landscapes (environments); shade (light-related concept); forests; scale (relative size); Eucalyptus; Contemporary; color (perceived attribute); sunlight; Trees
    • Format: image
  59. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Stuart Collection (San Diego, Calif.); Irwin, Robert (American painter and sculptor, born 1928); Cohen, Becky (American photographer, contemporary); Beebe, Mary Livingstone (American, born 1940); University of California, San Diego--History
    • Date: 1983
    • Topic: colossi; Eucalyptus; scale (relative size); forests; sunlight; color (perceived attribute); landscapes (environments); shade (light-related concept); Trees; American; blue (color); Minimal; Contemporary
    • Format: image
  60. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Cohen, Becky (American photographer, contemporary); Stuart Collection (San Diego, Calif.); Beebe, Mary Livingstone (American, born 1940); Irwin, Robert (American painter and sculptor, born 1928); University of California, San Diego--History
    • Date: 1983
    • Topic: color (perceived attribute); forests; American; Trees; Eucalyptus; scale (relative size); blue (color); landscapes (environments); sunlight; Contemporary; colossi; Minimal; shade (light-related concept)
    • Format: image
  61. Two Running Violet V Forms: detail showing students walking under a section of fence

    • Collection: Stuart Collection Photographs
    • Name: Irwin, Robert (American painter and sculptor, born 1928); Stuart Collection (San Diego, Calif.); Cohen, Becky (American photographer, contemporary); Beebe, Mary Livingstone (American, born 1940); University of California, San Diego--History
    • Date: 1983
    • Topic: shade (light-related concept); color (perceived attribute); landscapes (environments); Contemporary; Trees; scale (relative size); forests; Minimal; sunlight; Eucalyptus; blue (color); American; colossi
    • Format: image
  62. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Beebe, Mary Livingstone (American, born 1940); Irwin, Robert (American painter and sculptor, born 1928); Cohen, Becky (American photographer, contemporary); Stuart Collection (San Diego, Calif.); University of California, San Diego--History
    • Date: 1983
    • Topic: Minimal; American; Contemporary; Trees; blue (color); shade (light-related concept); Eucalyptus; sunlight; landscapes (environments); scale (relative size); forests; color (perceived attribute); colossi
    • Format: image
  63. Two Running Violet V Forms

    • Collection: Stuart Collection Photographs
    • Name: Irwin, Robert (American painter and sculptor, born 1928); Stuart Collection (San Diego, Calif.); Cohen, Becky (American photographer, contemporary); Beebe, Mary Livingstone (American, born 1940); University of California, San Diego--History
    • Date: 1983
    • Topic: Trees; Contemporary; shade (light-related concept); scale (relative size); Eucalyptus; Minimal; forests; blue (color); landscapes (environments); sunlight; colossi; American; color (perceived attribute)
    • Format: image
  64. Two Running Violet V Forms: general view

    • Collection: Stuart Collection Photographs
    • Name: Beebe, Mary Livingstone (American, born 1940); Stuart Collection (San Diego, Calif.); Irwin, Robert (American painter and sculptor, born 1928); Cohen, Becky (American photographer, contemporary); University of California, San Diego--History
    • Date: 1983
    • Topic: forests; shade (light-related concept); scale (relative size); landscapes (environments); color (perceived attribute); Minimal; Trees; colossi; Eucalyptus; blue (color); American; sunlight; Contemporary
    • Format: image
  65. Two Running Violet V Forms: general view

    • Collection: Stuart Collection Photographs
    • Name: Stuart Collection (San Diego, Calif.); Beebe, Mary Livingstone (American, born 1940); Cohen, Becky (American photographer, contemporary); Irwin, Robert (American painter and sculptor, born 1928); University of California, San Diego--History
    • Date: 1983
    • Topic: sunlight; forests; American; colossi; landscapes (environments); blue (color); color (perceived attribute); Contemporary; Eucalyptus; shade (light-related concept); Trees; Minimal; scale (relative size)
    • Format: image