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Showing results for 1 - 94 of 94 inSITE97 sculpture (visual work)

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  1. inSite Archive

    • A selection of documents, images, video, and sound from the inSite Archive at UC San Diego’s Special Collections & Archives.
    • Creation Date: 1992-2006
  2. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: political art; Popular culture; Automobiles; border art; Performance art; Unidentified flying objects; Video art; Boundaries; Humor
    • Format: image
  3. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: inSITE97; Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964)
    • Date: 1997
    • Topic: political art; Boundaries; Unidentified flying objects; Humor; Performance art; Popular culture; Automobiles; border art; Video art
    • Format: image
  4. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Performance art; Unidentified flying objects; Popular culture; Boundaries; political art; Video art; Automobiles
    • Format: image
  5. Alien Toy UCO (Unidentified Crusing Object): detail of "Alien Toy" logo

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: Video art; political art; Popular culture; border art; Performance art; Automobiles; Boundaries; Humor; Logos (Symbols); Unidentified flying objects; Hydraulics
    • Format: image
  6. Alien Toy UCO (Unidentified Crusing Object): project documentation

    • Collection: inSite Archive
    • Name: Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Popular culture; Automobiles; Video art; Marionettes; Performance art; Unidentified flying objects; toys (recreational artifacts); political art; Logos (Symbols)
    • Format: video
  7. Arrivals and Departures

    • Collection: inSite Archive
    • Name: Fernandez, Christina (American photographer, born 1965); inSITE97
    • Date: 1997
    • Topic: border art; Views; Optical instruments; landscapes (environments); Boundaries
    • Format: image
  8. Arrivals and Departures: telescope with children

    • Collection: inSite Archive
    • Name: inSITE97; Fernandez, Christina (American photographer, born 1965)
    • Date: 1997
    • Topic: Views; Boundaries; children (people by age group); landscapes (environments); Optical instruments; border art
    • Format: image
  9. Awasinake (On the Other Side): detail of photographs on marquee

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Belmore, Rebecca (Native American Performance artist and sculptor, born 1960)
    • Date: 1997
    • Topic: Marquees; façades; border art; political art; renovation; Boundaries; feminism; Portraits; refurbishment
    • Format: image
  10. Awasinake (On the Other Side): general view of theatre facade and marquee

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Belmore, Rebecca (Native American Performance artist and sculptor, born 1960); inSITE97
    • Date: 1997
    • Topic: renovation; Portraits; refurbishment; façades; Marquees; border art; Boundaries; political art; feminism
    • Format: image
  11. Awasinake (On the Other Side): theatre facade with marquee photographs at dusk

    • Collection: inSite Archive
    • Name: Belmore, Rebecca (Native American Performance artist and sculptor, born 1960); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: façades; Portraits; border art; Marquees; political art; refurbishment; renovation; feminism; Boundaries; evening
    • Format: image
  12. Ayate Car: Car installed by the border fence

    • Collection: inSite Archive
    • Name: inSITE97; Romero, Betsabeé (Mexican artist, born 1963); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Performance art; boundary Boundaries; Materials--Deterioration; assemblage (sculpture technique); Humor; Masculinity; Femininity; freestanding altars; Automobiles
    • Format: image
  13. Ayate Car: model

    • Collection: inSite Archive
    • Name: inSITE97; Romero, Betsabeé (Mexican artist, born 1963)
    • Date: 1997
    • Topic: assemblage (sculpture technique); Automobiles; Femininity; toys (recreational artifacts); Humor; Masculinity; freestanding altars; Performance art; Materials--Deterioration
    • Format: image
  14. Between the Eyes, the Desert

    • Collection: inSite Archive
    • Name: inSITE97; Rio Branco, Miguel (Brazilian photographer, born 1946)
    • Date: 1997
    • Topic: Video art; landscapes (representations); Portraits; Boundaries; multi-channel video installations; border art; deserts; Triptychs; Mirages; Face; Music; Eye
    • Format: image
  15. Between the Eyes, the Desert

    • Collection: inSite Archive
    • Name: inSITE97; Rio Branco, Miguel (Brazilian photographer, born 1946); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Music; Portraits; landscapes (representations); border art; Video art; deserts; Boundaries; Mirages; multi-channel video installations; Triptychs
    • Format: image
  16. Between the Eyes, the Desert

    • Collection: inSite Archive
    • Name: inSITE97; Rio Branco, Miguel (Brazilian photographer, born 1946)
    • Date: 1997
    • Topic: Triptychs; Boundaries; multi-channel video installations; deserts; Eye; Portraits; landscapes (representations); border art; Mirages; Music; Video art; Face
    • Format: image
  17. Between the Eyes, the Desert

    • Collection: inSite Archive
    • Name: Rio Branco, Miguel (Brazilian photographer, born 1946); inSITE97
    • Date: 1997
    • Topic: Portraits; landscapes (representations); multi-channel video installations; Music; deserts; Triptychs; Boundaries; Face; border art; Eye; Mirages; Video art
    • Format: image
  18. Border Capsule Ritual Black Star

    • Collection: inSite Archive
    • Name: Abaroa, Eduardo (Mexican sculptor, born 1968); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: Satanism--Rituals; Gambling; rituals (events); toys (recreational artifacts); Signs and symbols; border art; Treasure hunt (Game)
    • Format: image
  19. Border Capsule Ritual Black Star

    • Collection: inSite Archive
    • Name: inSITE97; Rivera, Paul (photographer); Abaroa, Eduardo (Mexican sculptor, born 1968)
    • Date: 1997
    • Topic: Satanism--Rituals; border art; toys (recreational artifacts); Treasure hunt (Game); Gambling; rituals (events); Signs and symbols
    • Format: image
  20. Border Capsule Ritual Black Star

    • Collection: inSite Archive
    • Name: inSITE97; Abaroa, Eduardo (Mexican sculptor, born 1968); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Signs and symbols; Gambling; border art; rituals (events); Satanism--Rituals; Treasure hunt (Game); toys (recreational artifacts)
    • Format: image
  21. Consigned to Border: The terror and possibility in the things not seen: five-sided billboard

    • Collection: inSite Archive
    • Name: Barry, Judith (American installation artist, born 1949); inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: multi-channel video installations; Boundaries; billboards (site elements); landscapes (representations); cities; border art
    • Format: image
  22. Drops: concrete die

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Espírito Santo, Iran do (Brazilian installation artist, born 1963)
    • Date: 1997
    • Topic: border art; Dice games; Gambling; Floor pieces (Art); Play
    • Format: image
  23. Drops: gigantic concrete dice installed at the Santa Fe Depot in San Diego

    • Collection: inSite Archive
    • Name: Espírito Santo, Iran do (Brazilian installation artist, born 1963); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: Gambling; Floor pieces (Art); Play; border art; Dice games
    • Format: image
  24. El Niño

    • Collection: inSite Archive
    • Name: Torre, Jamex de la (Mexican sculptor and installation artist, born 1960); inSITE97; Torre, Einar de la (Mexican sculptor and installation artist, born 1963); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: hearts (motifs); Pyramids; Signs and symbols; border art; Infants; Boundaries; arms (animal components)
    • Format: image
  25. El Niño: detail of sculpture arms holding broken bottles

    • Collection: inSite Archive
    • Name: Torre, Jamex de la (Mexican sculptor and installation artist, born 1960); Torre, Einar de la (Mexican sculptor and installation artist, born 1963); inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: arms (animal components); Signs and symbols; border art; Infants; Boundaries; Pyramids; hearts (motifs)
    • Format: image
  26. El Niño: proposal drawing

    • Collection: inSite Archive
    • Name: Torre, Jamex de la (Mexican sculptor and installation artist, born 1960); inSITE97; Torre, Einar de la (Mexican sculptor and installation artist, born 1963)
    • Date: 1997
    • Topic: border art; Signs and symbols; Infants; Pyramids; arms (animal components); Boundaries; hearts (motifs)
    • Format: image
  27. El round nuestro de cada día: detail of boxers

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: toys (recreational artifacts); border art; Cockfighting; Arenas; Battles; Humor; Boxers (Sports); political art; violence; Performance art
    • Format: image
  28. El round nuestro de cada día: general view of "boxers" in ring

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: Boxers (Sports); Cockfighting; Battles; political art; border art; Arenas; Humor; violence; Performance art; toys (recreational artifacts)
    • Format: image
  29. Family Trees

    • Collection: inSite Archive
    • Name: inSITE97; Silva, Ernest (American installation artist, born 1948)
    • Date: 1997
    • Topic: Trees; Multimedia works; children (people by age group); Color; crafts (art genres); border art; Boundaries; Families; rain; collaboration
    • Format: image
  30. Family Trees: benches, tables and murals of trees and birds

    • Collection: inSite Archive
    • Name: inSITE97; Silva, Ernest (American installation artist, born 1948)
    • Date: 1997
    • Topic: Multimedia works; crafts (art genres); Families; rain; Color; collaboration; border art; children (people by age group); Boundaries; Trees
    • Format: image
  31. Family Trees: benches, tables and murals of trees and birds

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Silva, Ernest (American installation artist, born 1948); inSITE97
    • Date: 1997
    • Topic: Multimedia works; Color; collaboration; Families; Trees; crafts (art genres); children (people by age group); rain; Boundaries; border art
    • Format: image
  32. Family Trees: painting depicting cross border relationship between installations

    • Collection: inSite Archive
    • Name: Silva, Ernest (American installation artist, born 1948); inSITE97
    • Date: 1997
    • Topic: Trees; Color; crafts (art genres); border art; children (people by age group); Boundaries; Multimedia works; collaboration; rain; Families
    • Format: image
  33. Green Card

    • Collection: inSite Archive
    • Name: Lorenzana, Alfonso; Zuniga Padilla, Juan (Mexican artist and muralist); inSITE97
    • Date: 1997
    • Topic: Gesture; Conversation; border art; Boundaries; Humor; Emigration and immigration; Materials--Deterioration
    • Format: image
  34. International Waters: detail of pipe from Mexican side of the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; political art; drinking water; Boundaries; border art
    • Format: image
  35. International Waters: detail of pipe penetrating the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; drinking water; Boundaries; border art; political art
    • Format: image
  36. International Waters: Mexican side of the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; drinking water; political art; Boundaries; border art
    • Format: image
  37. International Waters: pipe from Mexican side of the border fence

    • Collection: inSite Archive
    • Name: inSITE97; Hock, Louis (American filmmaker, video artist, and photographer, contemporary)
    • Date: 1997
    • Topic: border art; drinking water; Natural resources; Boundaries; political art
    • Format: image
  38. Island on the Fence: drawing: view of proposal model: floating island with border fence in background

    • Collection: inSite Archive
    • Name: Acconci, Vito (American performance and video artist, born 1940); inSITE97; Jimmy Fluker; Acconci Studio (American architectural group, contemporary)
    • Date: 1997
    • Topic: leisure; Flotation; Boundaries; Artificial islands; border art; Islands; Umbrellas; Public sculpture
    • Format: image
  39. Island on the Fence: proposal drawing

    • Collection: inSite Archive
    • Name: inSITE97; Acconci Studio (American architectural group, contemporary); Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: leisure; border art; Boundaries; Flotation; Artificial islands; Umbrellas; Islands; Public sculpture
    • Format: image
  40. Island on the Fence: view of proposal model: floating island with border fence in background

    • Collection: inSite Archive
    • Name: Acconci Studio (American architectural group, contemporary); inSITE97; Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: Artificial islands; Public sculpture; Flotation; Umbrellas; Islands; Boundaries; leisure; border art
    • Format: image
  41. Island on the Fence: view of proposal model with floating island and border fence extending into the Pacific Ocean

    • Collection: inSite Archive
    • Name: inSITE97; Acconci Studio (American architectural group, contemporary); Acconci, Vito (American performance and video artist, born 1940)
    • Date: 1997
    • Topic: border art; Boundaries; Flotation; Public sculpture; Islands; Umbrellas; leisure; Artificial islands
    • Format: image
  42. Kiosko Esotérico: kiosk outside the Centro Cultural in Tijuana

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Vargas Lugo, Pablo (Mexican painter and illustrator, born 1968)
    • Date: 1997
    • Topic: Advertisements; Newspaper vendors; Altarpieces; Extraterrestrial beings; Pavilions; information
    • Format: image
  43. La tierra prometida: detail

    • Collection: inSite Archive
    • Name: Rivera, Paul (photographer); Díaz, Gonzalo (artist); inSITE97
    • Date: 1997
    • Topic: Stations of the Cross; Boundaries; border art; Emigration and immigration
    • Format: image
  44. La Tierra Prometida: detail of column with neon sculpture

    • Collection: inSite Archive
    • Name: inSITE97; Díaz, Gonzalo (artist); Rivera, Paul (photographer)
    • Date: 1997
    • Topic: border art; Emigration and immigration; Boundaries; Stations of the Cross
    • Format: image
  45. La tierra prometida: detail showing row of columns with neon sculptures

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Díaz, Gonzalo (artist); inSITE97
    • Date: 1997
    • Topic: Emigration and immigration; border art; Boundaries; Stations of the Cross
    • Format: image
  46. Milk at L'Urbe Mooseum: detail

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); Escobedo, Helen (Mexican sculptor and museum administrator, 1934-2010); inSITE97
    • Date: 1997
    • Topic: Factories; Humor; Manufacturing processes; Cows; Milk; Industries
    • Format: image
  47. Milk at L'Urbe Mooseum: detail of Freez-Dri room

    • Collection: inSite Archive
    • Name: inSITE97; Escobedo, Helen (Mexican sculptor and museum administrator, 1934-2010); Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: Industries; Humor; Manufacturing processes; Milk; Factories; Cows
    • Format: image
  48. miniCITY: general view

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); inSITE97; Farber, Amanda (American sculptor, painter, and installation artist, 1957 CE-)
    • Date: 1997
    • Topic: Education; Streets; collaboration; crafts (art genres); Play; border art; Children's art; cities; architecture (object genre)
    • Format: image
  49. miniCITY: general view of "city" from above

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); inSITE97; Farber, Amanda (American sculptor, painter, and installation artist, 1957 CE-)
    • Date: 1997
    • Topic: border art; collaboration; Play; architecture (object genre); Children's art; Education; cities; crafts (art genres); Streets
    • Format: image
  50. No Title

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Henríquez, Quisqueya 1966-
    • Date: 1997
    • Topic: grids (layout features); space (composition concept); Labyrinths
    • Format: image
  51. No Title: detail

    • Collection: inSite Archive
    • Name: Henríquez, Quisqueya 1966-; inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Labyrinths; grids (layout features); space (composition concept)
    • Format: image
  52. Piñatas encantadas

    • Collection: inSite Archive
    • Name: inSITE97; Crawford, Steve (photographer); Salas, Roberto (American muralist and sculptor, born 1955)
    • Date: 1997
    • Topic: Boundaries; hearts (motifs); crafts (art genres); toys (recreational artifacts); border art; Crosses; Piñatas; Humor
    • Format: image
  53. Piñatas encantadas

    • Collection: inSite Archive
    • Name: inSITE97; Crawford, Steve (photographer); Salas, Roberto (American muralist and sculptor, born 1955)
    • Date: 1997
    • Topic: toys (recreational artifacts); suns (stars); Crosses; Boundaries; Piñatas; crafts (art genres); Skull; Humor; border art; half moons (motifs); hearts (motifs)
    • Format: image
  54. Piñatas encantadas: general view

    • Collection: inSite Archive
    • Name: Salas, Roberto (American muralist and sculptor, born 1955); inSITE97; Crawford, Steve (photographer)
    • Date: 1997
    • Topic: Boundaries; Skull; guitars; Piñatas; Humor; hats; crafts (art genres); toys (recreational artifacts); border art
    • Format: image
  55. Podría haber muchos más que éstos: detail of pile of clay rings

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Maiolino, Anna Maria (Brazilian installation artist and draftsman, born 1942)
    • Date: 1997
    • Topic: Repetition (Aesthetics); Gesture; Rings
    • Format: image
  56. Podría haber muchos más que éstos: general view

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Maiolino, Anna Maria (Brazilian installation artist and draftsman, born 1942); inSITE97
    • Date: 1997
    • Topic: Repetition (Aesthetics); Rings; Gesture
    • Format: image
  57. Popotla - The Wall: assemblage of found objects in the form of a cowboy

    • Collection: inSite Archive
    • Name: RevolucionArte (American and Mexican artists' collective); Fluker, Jimmy (American photographer); inSITE97
    • Date: 1997
    • Topic: Humor; Boundaries; border art; Cowboys; assemblage (sculpture technique); children (people by age group)
    • Format: image
  58. Popotla - The Wall: crushed beer cans used to color mural

    • Collection: inSite Archive
    • Name: RevolucionArte (American and Mexican artists' collective); inSITE97; Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: assemblage (sculpture technique); Boundaries; children (people by age group); Color; Humor; recycling
    • Format: image
  59. Popotla - The Wall: mosaic of found objects representing waves

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); RevolucionArte (American and Mexican artists' collective); inSITE97
    • Date: 1997
    • Topic: Color; Boundaries; wave pattern; children (people by age group); assemblage (sculpture technique); Humor
    • Format: image
  60. Popotla - The Wall: mural of figures on a boat

    • Collection: inSite Archive
    • Name: RevolucionArte (American and Mexican artists' collective); inSITE97; Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: children (people by age group); Humor; Boats; Color; Boundaries
    • Format: image
  61. Popotla - The Wall Popotla - El Muro: documentary video

    • Collection: inSite Archive
    • Name: inSITE97; RevolucionArte (American and Mexican artists' collective)
    • Date: 1997
    • Topic: assemblage (sculpture technique); Video art; border art; Humor; Boundaries; children (people by age group)
    • Format: video
  62. Serpent Column, Auto-Sacrifice

    • Collection: inSite Archive
    • Name: Rivera, Paul (photographer); inSITE97; Hurlbut, Spring (Canadian sculptor, born 1952)
    • Date: 1997
    • Topic: Snakes; columns (architectural elements); Foot; border art; Sacrifice
    • Format: image
  63. Serpent Column, Auto-Sacrifice

    • Collection: inSite Archive
    • Name: Hurlbut, Spring (Canadian sculptor, born 1952); Rivera, Paul (photographer); inSITE97
    • Date: 1997
    • Topic: columns (architectural elements); Sacrifice; border art; Foot; Snakes
    • Format: image
  64. Serpent Column, Auto-Sacrifice: column capitals and bases with vertabrae and feet

    • Collection: inSite Archive
    • Name: Rivera, Paul (photographer); inSITE97; Hurlbut, Spring (Canadian sculptor, born 1952)
    • Date: 1997
    • Topic: columns (architectural elements); Foot; Sacrifice; Snakes; Vertabrae; border art
    • Format: image
  65. Serpent Column, Auto-Sacrifice: snakes along surface of column

    • Collection: inSite Archive
    • Name: Hurlbut, Spring (Canadian sculptor, born 1952); inSITE97
    • Date: 1997
    • Topic: border art; Sacrifice; Snakes; columns (architectural elements)
    • Format: image
  66. The Good Neighbor

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Capellán, Tony
    • Date: 1997
    • Topic: Machinery; deaths; violence; Furniture; hazards; border art; Boundaries
    • Format: image
  67. The Good Neighbor

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Capellán, Tony
    • Date: 1997
    • Topic: border art; Machinery; deaths; Boundaries; violence; hazards; Furniture
    • Format: image
  68. The Good Neighbor: detail of circular saw blade surrounded by chili powder

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Capellán, Tony
    • Date: 1997
    • Topic: border art; Furniture; violence; deaths; Boundaries; hazards; Machinery
    • Format: image
  69. The Great Balboa Park Landfill Exposition of 1997

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); Zimmerman, Cindy (American artist, sculptor, and installation artist); inSITE97
    • Date: 1997
    • Topic: Play; Workshops (seminars); renovation; Artistic collaboration; Community arts projects; landfills
    • Format: image
  70. The Great Balboa Park Landfill Exposition of 1997: Aztec dance performance

    • Collection: inSite Archive
    • Name: Zimmerman, Cindy (American artist, sculptor, and installation artist); inSITE97
    • Date: October 25, 1997 celebration
    • Topic: landfills; renovation; rituals (events); border art; Dance; Play; Headdresses
    • Format: image
  71. The Great Balboa Park Landfill Exposition of 1997: bales of hay

    • Collection: inSite Archive
    • Name: Weissenburger, Renee (American photographer and teacher); Zimmerman, Cindy (American artist, sculptor, and installation artist); inSITE97
    • Date: 1997
    • Topic: landfills; Workshops (seminars); Community arts projects; renovation; Artistic collaboration; Play
    • Format: image
  72. The Great Balboa Park Landfill Exposition of 1997: family examining an adobe sculpture

    • Collection: inSite Archive
    • Name: inSITE97; Zimmerman, Cindy (American artist, sculptor, and installation artist)
    • Date: 1997
    • Topic: Community arts projects; renovation; Play; Workshops (seminars); landfills; Artistic collaboration
    • Format: image
  73. The Great Balboa Park Landfill Exposition of 1997: painted concrete barrier

    • Collection: inSite Archive
    • Name: inSITE97; Zimmerman, Cindy (American artist, sculptor, and installation artist)
    • Date: October 25, 1997 celebration
    • Topic: Artistic collaboration; Play; landfills; Workshops (seminars); Community arts projects; renovation
    • Format: image
  74. The Great Balboa Park Landfill Exposition of 1997: pyramid made of adobe and hay

    • Collection: inSite Archive
    • Name: Zimmerman, Cindy (American artist, sculptor, and installation artist); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: landfills; Play; renovation; Community arts projects; Ziggurats; Artistic collaboration; Pyramids; Workshops (seminars)
    • Format: image
  75. The Great Balboa Park Landfill Exposition of 1997: sculptures made from adobe and hay

    • Collection: inSite Archive
    • Name: inSITE97; Weissenburger, Renee (American photographer and teacher); Zimmerman, Cindy (American artist, sculptor, and installation artist)
    • Date: 1997
    • Topic: landfills; Artistic collaboration; renovation; Workshops (seminars); Community arts projects; Play
    • Format: image
  76. The Great Balboa Park Landfill Exposition of 1997: sculptures made from adobe and hay

    • Collection: inSite Archive
    • Name: Zimmerman, Cindy (American artist, sculptor, and installation artist); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: Artistic collaboration; Community arts projects; landfills; Play; Workshops (seminars); renovation
    • Format: image
  77. The Line

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Arias, Fernando (Colombian sculptor and Performance artist, born 1963)
    • Date: 1997
    • Topic: Drug traffic; Human body; border art; Cocaine; Boundaries
    • Format: image
  78. The Line

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Arias, Fernando (Colombian sculptor and Performance artist, born 1963)
    • Date: 1997
    • Topic: Boundaries; Drug traffic; Cocaine; border art; Human body
    • Format: image
  79. The Line

    • Collection: inSite Archive
    • Name: Arias, Fernando (Colombian sculptor and Performance artist, born 1963); inSITE97; Rivera, Paul (photographer)
    • Date: 1997
    • Topic: border art; Boundaries; Cocaine; Drug traffic; Human body
    • Format: image
  80. The Other Side

    • Collection: inSite Archive
    • Name: Lamelas, David (Argentine conceptual artist, born 1945, active in New York City); inSITE97; Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: political art; light (energy); Boundaries; border art
    • Format: image
  81. The Other Side

    • Collection: inSite Archive
    • Name: Lamelas, David (Argentine conceptual artist, born 1945, active in New York City); inSITE97; Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: border art; light (energy); political art; Boundaries
    • Format: image
  82. The Other Side

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); Lamelas, David (Argentine conceptual artist, born 1945, active in New York City); inSITE97
    • Date: 1997
    • Topic: political art; Boundaries; light (energy); border art
    • Format: image
  83. Toaster Work Wagon: Exhibition

    • Collection: inSite Archive
    • Name: Adams, Kim (Canadian sculptor, born 1951); inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Boundaries; Bicycles; Trailers; Public sculpture; Street vendors; border art
    • Format: image
  84. Toaster Work Wagon: modified bicycle to be given away to children from the wagon

    • Collection: inSite Archive
    • Name: inSITE97; Adams, Kim (Canadian sculptor, born 1951); Fluker, Jimmy (American photographer)
    • Date: 1997
    • Topic: Public sculpture; Trailers; Street vendors; border art; Bicycles; Boundaries
    • Format: image
  85. Toaster Work Wagon: wagon situated by U.S. - Mexico border fence

    • Collection: inSite Archive
    • Name: Hughes, Terri; Adams, Kim (Canadian sculptor, born 1951); inSITE97
    • Date: 1997
    • Topic: border art; Boundaries; Street vendors; Public sculpture; Trailers
    • Format: image
  86. Toy an Horse: Installed at the U.S.-Mexico border crossing

    • Collection: inSite Archive
    • Name: Fluker, Jimmy (American photographer); Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961); inSITE97
    • Date: 1997
    • Topic: satire (artistic device); Horses; Trojan War; Emigration and immigration; Janus-faced; Humor; political art; Economics; Trojan horse (Greek mythology); architecture (object genre); Boundaries; border art; Poor; Border crossing
    • Format: image
  87. Toy an Horse: Installed at the U.S.-Mexico border crossing

    • Collection: inSite Archive
    • Name: inSITE97; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1997
    • Topic: Trojan War; Trojan horse (Greek mythology); architecture (object genre); Boundaries; Horses; satire (artistic device); border art; Economics; Border crossing; Poor; Humor; Janus-faced; political art; Emigration and immigration
    • Format: image
  88. Toy-an-Horse: construction drawing

    • Collection: inSite Archive
    • Name: Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961); Fluker, Jimmy (American photographer); inSITE97
    • Date: 1997
    • Topic: Blueprints; Horses; Emigration and immigration; Janus-faced; political art; Trojan horse (Greek mythology); Trojan War; Economics; architecture (object genre); border art; Boundaries; Humor; Poor; satire (artistic device); Border crossing
    • Format: image
  89. Untitled Depot

    • Collection: inSite Archive
    • Name: Ward, Nari (American installation artist of Jamaican birth, contemporary); Crowe, Jennifer (American photographer); inSITE97
    • Date: 1997
    • Topic: Boundaries; border art; Play
    • Format: image
  90. Untitled Depot

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Ward, Nari (American installation artist of Jamaican birth, contemporary); inSITE97
    • Date: 1997
    • Topic: Play; border art; Boundaries; Arenas; Bull rings
    • Format: image
  91. Untitled Depot: view of space between walls

    • Collection: inSite Archive
    • Name: inSITE97; Ward, Nari (American installation artist of Jamaican birth, contemporary)
    • Date: 1997
    • Topic: Boundaries; Play; border art
    • Format: image
  92. Untitled Depot: view of space between walls with bed spring "ring"

    • Collection: inSite Archive
    • Name: inSITE97; Crowe, Jennifer (American photographer); Ward, Nari (American installation artist of Jamaican birth, contemporary)
    • Date: 1997
    • Topic: Play; Boundaries; border art
    • Format: image
  93. Untitled Depot: visitors between walls, bouncing on bed springs

    • Collection: inSite Archive
    • Name: Ward, Nari (American installation artist of Jamaican birth, contemporary); Crowe, Jennifer (American photographer); inSITE97
    • Date: 1997
    • Topic: border art; Boundaries; Play
    • Format: image
  94. Untitled Depot: visitors inside and outside bed spring "ring"

    • Collection: inSite Archive
    • Name: Ward, Nari (American installation artist of Jamaican birth, contemporary); inSITE97
    • Date: 1997
    • Topic: Play; border art; Boundaries
    • Format: image