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  1. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: technology; poverty; Health; Water--Purification; Water treatment plants; Education; political art; border art; Boundaries
    • Format: image
  2. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: border art; Water--Purification; Boundaries; Education; poverty; technology; Water treatment plants; political art; Health
    • Format: image
  3. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: political art; Boundaries; technology; Water treatment plants; Health; poverty; Water--Purification; Education; border art
    • Format: image
  4. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Boundaries; poverty; technology; Water--Purification; border art; Water treatment plants; political art; Education; Health
    • Format: image
  5. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); SIMPARCH; inSite_05
    • Date: 2005
    • Topic: Boundaries; technology; border art; Health; Water treatment plants; poverty; Education; political art; Water--Purification
    • Format: image
  6. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Health; Boundaries; poverty; Water--Purification; political art; technology; Education; border art; Water treatment plants
    • Format: image
  7. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: poverty; technology; Education; border art; Boundaries; Health; political art; Water treatment plants; Water--Purification
    • Format: image
  8. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: SIMPARCH; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: border art; political art; Education; poverty; Water--Purification; technology; Water treatment plants; Boundaries; Health
    • Format: image
  9. One Flew Over the Void (Bala perdida): audience awaiting launch of human cannonball David Smith across border fence from Mexico into the U.S.

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: political art; Adventure and adventurers; Boundaries; Flight; Humor; Spectacular, The; audiences; Daredevils; cannons (artillery); Performance art; border art
    • Format: image
  10. One Flew Over the Void (Bala perdida): border fence decorated with banners behind performance stage

    • Collection: inSite Archive
    • Name: inSite_05; Téllez, Javier (Venezuelan video artist, born 1969); Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Boundaries; Spectacular, The; audiences; Daredevils; Humor; Adventure and adventurers; border art; political art; Performance art; Flight
    • Format: image
  11. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: caricatures; Spectacular, The; border art; political art; Boundaries; cannons (artillery); Flight; Humor; audiences; Adventure and adventurers; Daredevils; Performance art
    • Format: image
  12. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: political art; caricatures; Flight; border art; Adventure and adventurers; Humor; Daredevils; audiences; Spectacular, The; cannons (artillery); Boundaries; Performance art
    • Format: image
  13. One Flew Over the Void (Bala perdida): human cannonball David Smith mid-flight as he is shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: audiences; Daredevils; Boundaries; Adventure and adventurers; caricatures; political art; Humor; Spectacular, The; cannons (artillery); border art; Flight; Performance art
    • Format: image
  14. One Flew Over the Void (Bala perdida): human cannonball David Smith preparing to be shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969)
    • Date: August 27, 2005
    • Topic: Daredevils; Performance art; border art; caricatures; Boundaries; political art; audiences; Humor; cannons (artillery); Flight; Spectacular, The; Adventure and adventurers
    • Format: image
  15. One Flew Over the Void (Bala perdida): spectators seated in the shade of the cannon

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Flight; Adventure and adventurers; cannons (artillery); border art; Boundaries; Spectacular, The; Performance art; Daredevils; Humor; political art; audiences
    • Format: image
  16. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: Humor; Consumers; poverty; Auctions; junkyards; Wealth; parody; Performance art; receptions; Junk sculpture; Automobiles; border art; ruins; Garages; recycling
    • Format: image
  17. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Louro, João (Portuguese architect, contemporary); inSite_05
    • Date: 2005
    • Topic: Consumers; junkyards; Auctions; Wealth; Performance art; receptions; Humor; parody; poverty; Automobiles; ruins; Garages; Junk sculpture; recycling; border art
    • Format: image
  18. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Louro, João (Portuguese architect, contemporary); Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: parody; border art; poverty; Performance art; ruins; Automobiles; junkyards; Consumers; Junk sculpture; Humor; Wealth; Garages; Auctions; receptions; recycling
    • Format: image
  19. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: parody; Consumers; ruins; Automobile showrooms; Wealth; receptions; poverty; Humor; Performance art; Automobiles; border art; recycling; junkyards; Junk sculpture
    • Format: image
  20. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: Performance art; Wealth; Junk sculpture; junkyards; poverty; parody; ruins; Automobiles; Automobile showrooms; border art; recycling; Consumers; Humor
    • Format: image