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  1. 23 September 1994

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Rollof, Ulf (Swedish installation artist, born 1961); inSITE94
    • Date: 1994
    • Topic: Perspective; irony; border art; Railroad stations; Boundaries; Humor; Machinery; political art
    • Format: image
  2. 23 September 1994: general view

    • Collection: inSite Archive
    • Name: Rollof, Ulf (Swedish installation artist, born 1961); inSITE94
    • Date: 1994
    • Topic: Railroad stations; irony; Machinery; border art; Humor; Boundaries; political art; Perspective
    • Format: image
  3. 23 September 1994: general view

    • Collection: inSite Archive
    • Name: inSITE94; Rollof, Ulf (Swedish installation artist, born 1961); Marchick, Sarah
    • Date: 1994
    • Topic: Machinery; border art; Railroad stations; Perspective; Humor; Boundaries; irony; political art
    • Format: image
  4. 23 September 1994: general view

    • Collection: inSite Archive
    • Name: Rollof, Ulf (Swedish installation artist, born 1961); inSITE94; Marchick, Sarah
    • Date: 1994
    • Topic: Humor; border art; Perspective; Railroad stations; Machinery; irony; political art; Boundaries
    • Format: image
  5. A Lesson in Civics

    • Collection: inSite Archive
    • Name: inSITE94; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Installation Gallery; Lowe, Jean (American installation artist, born 1960)
    • Date: 1994
    • Topic: Libraries; Books; political art; Humor; parody; Education; Animal culture; Classrooms; Kitsch
    • Format: image
  6. A Lesson in Civics

    • Collection: inSite Archive
    • Name: Lowe, Jean (American installation artist, born 1960); Installation Gallery; Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE94
    • Date: 1994
    • Topic: political art; Libraries; Books; Humor; Education; Classrooms; Kitsch; Animal culture; parody
    • Format: image
  7. A Lesson in Civics: detail of "books" on bookshelf

    • Collection: inSite Archive
    • Name: Installation Gallery; Lowe, Jean (American installation artist, born 1960); inSITE94
    • Date: 1994
    • Topic: Kitsch; Humor; Books; Libraries; political art; parody; Education
    • Format: image
  8. A Lesson in Civics: detail of stack of "books"

    • Collection: inSite Archive
    • Name: Installation Gallery; Lowe, Jean (American installation artist, born 1960); inSITE94
    • Date: 1994
    • Topic: Libraries; political art; Education; Books; Kitsch; Humor; parody
    • Format: image
  9. A Lesson in Civics: project proposal: found poster of rabbit anatomy

    • Collection: inSite Archive
    • Name: inSITE94; Lowe, Jean (American installation artist, born 1960); Installation Gallery
    • Date: 1994
    • Topic: Kitsch; Education; Libraries; parody; Humor; Books; Classrooms; political art; Animal culture
    • Format: image
  10. Abode: Sanctuary for the Familia(r)

    • Collection: inSite Archive
    • Name: inSITE94; Watts, Lewis, 1946-; Howard, Mildred (American installation artist, born 1945)
    • Date: 1994
    • Topic: feminism; blue (color); border art; Houses; political art; History; African Americans; Color
    • Format: image
  11. Abode: Sanctuary for the Familia(r)

    • Collection: inSite Archive
    • Name: Watts, Lewis, 1946-; inSITE94; Howard, Mildred (American installation artist, born 1945)
    • Date: 1994
    • Topic: political art; blue (color); African Americans; History; feminism; Houses; Color
    • Format: image
  12. Abode: Sanctuary for the Familia(r): detail of blue glass bottles

    • Collection: inSite Archive
    • Name: Howard, Mildred (American installation artist, born 1945); inSITE94; Watts, Lewis, 1946-
    • Date: 1994
    • Topic: political art; feminism; Color; History; Houses; African Americans; border art; blue (color)
    • Format: image
  13. Abode: Sanctuary for the Familia(r): general view of installation in Santa Fe Depot

    • Collection: inSite Archive
    • Name: inSITE94; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Howard, Mildred (American installation artist, born 1945)
    • Date: 1994
    • Topic: political art; border art; African Americans; Houses; blue (color); feminism; Color; History
    • Format: image
  14. Abode: Sanctuary for the Familia(r): general view of installation in Santa Fe Depot

    • Collection: inSite Archive
    • Name: inSITE94; Howard, Mildred (American installation artist, born 1945); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1994
    • Topic: History; feminism; blue (color); political art; border art; Color; African Americans; Houses
    • Format: image
  15. Aerial Bridge - video documentation: toy helicopter flying over yellow U.S. - Mexico border demarcation line

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Model airplane racing; political art; Boundaries; Rivers; Contests; Humor; Play; Performance art; Aeronautics; border art; Hobbies; toys (recreational artifacts); Video art; Rockets (Aeronautics); Flight; lines (artistic concept)
    • Format: video
  16. Aerial Bridge: artist Gomulicki interviewed by television news crew

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Gomulicki, Maurycy; inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: border art; Humor; toys (recreational artifacts); Model airplane racing; Contests; Play; Flight; Reporters and reporting; Television journalists; Aeronautics; Rockets (Aeronautics); Hobbies; Rivers; Performance art; political art
    • Format: image
  17. Aerial Bridge: model helicopter in flight

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Contests; Humor; Helicopters; border art; Flight; Play; toys (recreational artifacts); Hobbies; Aeronautics; political art; Model airplane racing; Performance art
    • Format: image
  18. Aerial Bridge: model plane in flight

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Contests; Aeronautics; Play; border art; Hobbies; toys (recreational artifacts); political art; Flight; Model airplane racing; Performance art; Humor
    • Format: image
  19. Aerial Bridge: model planes and pilots

    • Collection: inSite Archive
    • Name: inSite_05; Gomulicki, Maurycy; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Uniforms; Contests; Aeronautics; Rivers; political art; Rockets (Aeronautics); Play; toys (recreational artifacts); Humor; Model airplane racing; Hobbies; Flight; border art; Performance art
    • Format: image
  20. Aerial Bridge: model planes and pilots

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Uniforms; Humor; Model airplane racing; toys (recreational artifacts); Rockets (Aeronautics); political art; border art; Performance art; Hobbies; Rivers; Flight; Contests; Aeronautics; Play
    • Format: image
  21. Aerial Bridge: model planes and pilots with spectators

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: toys (recreational artifacts); Performance art; Flight; Spectators; Hobbies; Model airplane racing; political art; Uniforms; Play; border art; Humor; Contests; Aeronautics; Rockets (Aeronautics); Rivers
    • Format: image
  22. Aerial Bridge: toy helicopter flying over yellow U.S. - Mexico border demarcation line

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Model airplane racing; border art; Rivers; Humor; Boundaries; lines (artistic concept); Contests; toys (recreational artifacts); political art; Aeronautics; Performance art; Rockets (Aeronautics); Hobbies; Play; Flight
    • Format: image
  23. Aerial Bridge: yellow border line and border patrol

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: September 24, 2005
    • Topic: Performance art; Uniforms; toys (recreational artifacts); Model airplane racing; lines (artistic concept); Aeronautics; border art; Contests; Play; Humor; Border patrols; Flight; Hobbies; Boundaries; political art
    • Format: image
  24. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: political art; Popular culture; Automobiles; border art; Performance art; Unidentified flying objects; Video art; Boundaries; Humor
    • Format: image
  25. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: inSITE97; Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964)
    • Date: 1997
    • Topic: political art; Boundaries; Unidentified flying objects; Humor; Performance art; Popular culture; Automobiles; border art; Video art
    • Format: image
  26. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Performance art; Unidentified flying objects; Popular culture; Boundaries; political art; Video art; Automobiles
    • Format: image
  27. Alien Toy UCO (Unidentified Crusing Object): detail of "Alien Toy" logo

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: Video art; political art; Popular culture; border art; Performance art; Automobiles; Boundaries; Humor; Logos (Symbols); Unidentified flying objects; Hydraulics
    • Format: image
  28. Alien Toy UCO (Unidentified Crusing Object): project documentation

    • Collection: inSite Archive
    • Name: Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Popular culture; Automobiles; Video art; Marionettes; Performance art; Unidentified flying objects; toys (recreational artifacts); political art; Logos (Symbols)
    • Format: video
  29. America: detail of ants removing sand from U.S. "flag"

    • Collection: inSite Archive
    • Name: Yanagi, Yukinori (American and Japanese artist, born 1959); inSITE94; Kanjo, Kathryn
    • Date: 1994
    • Topic: Process art; political art; Nationalism; Performance art; border art; Sandpaintings; paintings (visual works); Humor; Flags
    • Format: image
  30. America: detail of Canadian and United States "flags"

    • Collection: inSite Archive
    • Name: inSITE94; Kanjo, Kathryn; Yanagi, Yukinori (American and Japanese artist, born 1959)
    • Date: 1994
    • Topic: political art; Nationalism; Flags; Humor; Performance art; Process art; Sandpaintings; paintings (visual works); border art
    • Format: image
  31. America: detail of colored sand

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn; inSITE94
    • Date: 1994
    • Topic: political art; Humor; Process art; paintings (visual works); Performance art; border art; Flags; Nationalism; Sandpaintings
    • Format: image
  32. America: detail of Plexiglas case where ants bring colored sand from "flags"

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Kanjo, Kathryn; Yanagi, Yukinori (American and Japanese artist, born 1959); inSITE94
    • Date: 1994
    • Topic: border art; Performance art; Humor; Process art; Sandpaintings; paintings (visual works); Flags; Nationalism; political art
    • Format: image
  33. America: detail of the "flags" of Canada, the United States, Cuba and Mexico with ants removing sand from each

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959)
    • Date: 1994
    • Topic: Sandpaintings; border art; Nationalism; political art; Process art; Performance art; Flags; Humor; paintings (visual works)
    • Format: image
  34. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn
    • Date: 1994
    • Topic: Humor; Flags; Sandpaintings; border art; Process art; Performance art; paintings (visual works); political art; Nationalism
    • Format: image
  35. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1994
    • Topic: Nationalism; Sandpaintings; Process art; political art; Flags; Humor; Performance art; paintings (visual works); border art
    • Format: image
  36. Avenida Revolución: "Border Patrol agent" (Meyer Vaisman) on mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); Stéfano, Alfredo de (Mexican photographer, born 1961); inSITE2000
    • Date: 2000
    • Topic: Performance art; law enforcing; Boundaries; Zebras; Tourism; commercial portraiture; mule; Humor; political art; satire (artistic device); Tourist information centers; Alleys; parody; border art; U.S. Border Patrol
    • Format: image
  37. Awasinake (On the Other Side): detail of photographs on marquee

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Belmore, Rebecca (Native American Performance artist and sculptor, born 1960)
    • Date: 1997
    • Topic: Marquees; façades; border art; political art; renovation; Boundaries; feminism; Portraits; refurbishment
    • Format: image
  38. Awasinake (On the Other Side): general view of theatre facade and marquee

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Belmore, Rebecca (Native American Performance artist and sculptor, born 1960); inSITE97
    • Date: 1997
    • Topic: renovation; Portraits; refurbishment; façades; Marquees; border art; Boundaries; political art; feminism
    • Format: image
  39. Awasinake (On the Other Side): theatre facade with marquee photographs at dusk

    • Collection: inSite Archive
    • Name: Belmore, Rebecca (Native American Performance artist and sculptor, born 1960); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97
    • Date: 1997
    • Topic: façades; Portraits; border art; Marquees; political art; refurbishment; renovation; feminism; Boundaries; evening
    • Format: image
  40. Bird's Eye View

    • Collection: inSite Archive
    • Name: Vargas, Eugenia (Chilean installation artist, born 1949); Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE94
    • Date: 1994
    • Topic: border art; Filters and filtration; political art
    • Format: image
  41. Bird's Eye View

    • Collection: inSite Archive
    • Name: inSITE94; Vargas, Eugenia (Chilean installation artist, born 1949)
    • Date: 1994
    • Topic: political art; border art; Filters and filtration
    • Format: image
  42. Bird's Eye View: view of installation from across railroad tracks

    • Collection: inSite Archive
    • Name: inSITE94; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Vargas, Eugenia (Chilean installation artist, born 1949)
    • Date: 1994
    • Topic: border art; Filters and filtration; Railroad stations; political art
    • Format: image
  43. Bird's Eye View: view of installation from across railroad tracks

    • Collection: inSite Archive
    • Name: inSITE94; Vargas, Eugenia (Chilean installation artist, born 1949)
    • Date: 1994
    • Topic: border art; Filters and filtration; political art; Railroad stations
    • Format: image
  44. Blind/Hide: general view of Blind/Hide and the Tijuana River Estuary Preserve

    • Collection: inSite Archive
    • Name: Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: Nature; border art; Education; Environmental protection; architecture (object genre); Bird watching; Nature centers; ecological art; political art; Birds; Blinds (Shelters); landscapes (environments); Boundaries; Natural history
    • Format: image
  45. Blind/Hide: general view of Blind/Hide in the Tijuana River Estuary Preserve

    • Collection: inSite Archive
    • Name: Decker, Alan (photographer); Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: border art; landscapes (environments); political art; Natural history; Birds; Blinds (Shelters); Bird watching; Nature centers; architecture (object genre); Boundaries; ecological art; Nature; Education; Environmental protection
    • Format: image
  46. Blind/Hide: interior view of Blind/Hide

    • Collection: inSite Archive
    • Name: Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: ecological art; landscapes (environments); Bird watching; Environmental protection; Blinds (Shelters); Natural history; Education; Boundaries; political art; architecture (object genre); Blackboards; Birds; border art; Silhouettes; Nature; Nature centers
    • Format: image
  47. Blind/Hide: view from inside of Blind/Hide looking out to the Tijuana River Estuary Preserve

    • Collection: inSite Archive
    • Name: Decker, Alan (photographer); Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: Nature; Environmental protection; architecture (object genre); border art; Bird watching; Education; Blinds (Shelters); political art; Nature centers; Natural history; ecological art; landscapes (environments); Birds
    • Format: image
  48. Century 21

    • Collection: inSite Archive
    • Name: inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: information signs; architecture (object genre); Temporary housing; shacks; housing (concept); homelessness; Dwellings; Squatters settlements; satire; political art; Humor; Poor; border art; poverty; Real property
    • Format: image
  49. Century 21

    • Collection: inSite Archive
    • Name: Marchick, Sarah (photographer); inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Poor; satire; Real property; housing (concept); shacks; Humor; Dwellings; Temporary housing; Squatters settlements; border art; political art; architecture (object genre); homelessness; poverty
    • Format: image
  50. Century 21: bedroom

    • Collection: inSite Archive
    • Name: Marchick, Sarah (photographer); inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: architecture (object genre); Squatters settlements; Dwellings; poverty; housing (concept); satire; beds (furniture); Real property; political art; Humor; shacks; Poor; homelessness; bedrooms; border art; Temporary housing
    • Format: image
  51. Century 21: chest of drawers with television

    • Collection: inSite Archive
    • Name: inSITE94; Marchick, Sarah (photographer); Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Living rooms; housing (concept); television receivers; architecture (object genre); Dwellings; homelessness; shacks; Temporary housing; Humor; border art; Real property; Poor; political art; poverty; satire; Squatters settlements
    • Format: image
  52. Century 21: fence and entrance to house

    • Collection: inSite Archive
    • Name: inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: shacks; Dwellings; Poor; Squatters settlements; border art; housing (concept); Temporary housing; homelessness; political art; poverty; Humor; architecture (object genre); satire; Real property
    • Format: image
  53. Century 21: house with tire fence and clothes line

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: shacks; Real property; Poor; Dwellings; Humor; border art; housing (concept); homelessness; political art; poverty; Squatters settlements; Temporary housing; satire; architecture (object genre)
    • Format: image
  54. Century 21: interior with dining table

    • Collection: inSite Archive
    • Name: inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Temporary housing; Dining rooms; Ceilings; architecture (object genre); Real property; homelessness; housing (concept); shacks; border art; political art; Humor; satire; Poor; poverty; Dwellings; Squatters settlements
    • Format: image
  55. Century 21: interior with dining table and roof

    • Collection: inSite Archive
    • Name: Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961); inSITE94
    • Date: 1994
    • Topic: Poor; Real property; border art; satire; Dining rooms; housing (concept); Temporary housing; shacks; political art; architecture (object genre); Squatters settlements; homelessness; Dwellings; poverty; Humor
    • Format: image
  56. Century 21: Shack in courtyard of the Centro Cultural Tijuana

    • Collection: inSite Archive
    • Name: inSITE94; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: 1994
    • Topic: Dwellings; Poor; architecture (object genre); shacks; homelessness; satire; poverty; Humor; Squatters settlements; Temporary housing; border art; Real property; political art; housing (concept)
    • Format: image
  57. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: technology; poverty; Health; Water--Purification; Water treatment plants; Education; political art; border art; Boundaries
    • Format: image
  58. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: border art; Water--Purification; Boundaries; Education; poverty; technology; Water treatment plants; political art; Health
    • Format: image
  59. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: political art; Boundaries; technology; Water treatment plants; Health; poverty; Water--Purification; Education; border art
    • Format: image
  60. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Boundaries; poverty; technology; Water--Purification; border art; Water treatment plants; political art; Education; Health
    • Format: image
  61. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); SIMPARCH; inSite_05
    • Date: 2005
    • Topic: Boundaries; technology; border art; Health; Water treatment plants; poverty; Education; political art; Water--Purification
    • Format: image
  62. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Health; Boundaries; poverty; Water--Purification; political art; technology; Education; border art; Water treatment plants
    • Format: image
  63. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: poverty; technology; Education; border art; Boundaries; Health; political art; Water treatment plants; Water--Purification
    • Format: image
  64. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: SIMPARCH; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: border art; political art; Education; poverty; Water--Purification; technology; Water treatment plants; Boundaries; Health
    • Format: image
  65. El round nuestro de cada día: detail of boxers

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: toys (recreational artifacts); border art; Cockfighting; Arenas; Battles; Humor; Boxers (Sports); political art; violence; Performance art
    • Format: image
  66. El round nuestro de cada día: general view of "boxers" in ring

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: Boxers (Sports); Cockfighting; Battles; political art; border art; Arenas; Humor; violence; Performance art; toys (recreational artifacts)
    • Format: image
  67. ESL: Tonguetied

    • Collection: inSite Archive
    • Name: Border Art Workshop/Tallér de Arte Fronterízo; inSITE94
    • Date: 1994
    • Topic: Prejudices; Classrooms; Identity (Philosophical concept); Immigrants; Education; political art; Illegal aliens; Language; border art
    • Format: image
  68. From Cotton to Coal… The Last Train

    • Collection: inSite Archive
    • Name: Howard, Mildred (American installation artist, born 1945); inSITE94
    • Date: 1994
    • Topic: Labor; border art; feminism; African Americans; political art; History
    • Format: image
  69. From Cotton to Coal… The Last Train

    • Collection: inSite Archive
    • Name: inSITE94; Howard, Mildred (American installation artist, born 1945)
    • Date: 1994
    • Topic: History; political art; border art; feminism; Labor; African Americans
    • Format: image
  70. Heroes of War: film still from interview with Conrad Hoffner

    • Collection: inSite Archive
    • Name: inSite_05; Lebrija, Gonzalo, 1972-; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Video art; Face; Soldiers; Portraits; Prisoners of war; Interviews; political art; veterans; Military museums
    • Format: image
  71. Heroes of War: lightboxes representing ribbons, awards and decorations

    • Collection: inSite Archive
    • Name: Lebrija, Gonzalo, 1972-; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: Soldiers; Military decorations; veterans; Video art; Prisoners of war; Color; Military museums; political art
    • Format: image
  72. Heroes of War: lightboxes representing ribbons, awards and decorations

    • Collection: inSite Archive
    • Name: Lebrija, Gonzalo, 1972-; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Military decorations; political art; Prisoners of war; veterans; Color; Video art; Military museums; Soldiers
    • Format: image
  73. Heroes of War: lightboxes representing ribbons, awards and decorations

    • Collection: inSite Archive
    • Name: Lebrija, Gonzalo, 1972-; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: Video art; Soldiers; Military museums; political art; Military decorations; Color; Prisoners of war; veterans
    • Format: image
  74. Heroes of War: lightboxes representing ribbons, awards and decorations with video monitor above

    • Collection: inSite Archive
    • Name: inSite_05; Lebrija, Gonzalo, 1972-; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Color; Prisoners of war; veterans; political art; Military museums; Military decorations; Soldiers; Video art
    • Format: image
  75. Heroes of War: Veterans Museum interior with flags

    • Collection: inSite Archive
    • Name: inSite_05; Lebrija, Gonzalo, 1972-; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Military museums; political art; Video art; Flags; Prisoners of war; Soldiers; veterans
    • Format: image
  76. Hospitality: general view of work in progress

    • Collection: inSite Archive
    • Name: Barbosa, Felipe, 1978-; Ricalde, Rosana, 1971-; inSite_05
    • Date: 2005
    • Topic: paths; Border crossing; paintings (visual works); political art; Names; information signs; Color; Boundaries; collaboration; border art; grids (layout features); bridges (built works); Name tags; Carpets
    • Format: image
  77. Hospitality: general view of work in progress

    • Collection: inSite Archive
    • Name: inSite_05; Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-
    • Date: 2005
    • Topic: paths; grids (layout features); paintings (visual works); Names; Carpets; bridges (built works); border art; Name tags; information signs; collaboration; Boundaries; Color; Border crossing; political art
    • Format: image
  78. Hospitality: painting in progress: day four

    • Collection: inSite Archive
    • Name: Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-; inSite_05
    • Date: 2005
    • Topic: information signs; paths; collaboration; paintings (visual works); Border crossing; Color; border art; bridges (built works); Carpets; Name tags; Boundaries; Names; grids (layout features); political art
    • Format: image
  79. Hospitality: painting in progress: day one

    • Collection: inSite Archive
    • Name: Barbosa, Felipe, 1978-; inSite_05; Ricalde, Rosana, 1971-
    • Date: 2005
    • Topic: Names; border art; Border crossing; Name tags; paintings (visual works); grids (layout features); Boundaries; collaboration; Color; paths; information signs; political art; bridges (built works); Carpets
    • Format: image
  80. Hospitality: painting in progress: day one

    • Collection: inSite Archive
    • Name: inSite_05; Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-
    • Date: 2005
    • Topic: Color; Border crossing; Boundaries; Carpets; border art; paintings (visual works); Name tags; paths; collaboration; grids (layout features); political art; information signs; bridges (built works); Names
    • Format: image
  81. Hospitality: painting in progress: day two

    • Collection: inSite Archive
    • Name: Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-; inSite_05
    • Date: 2005
    • Topic: border art; Boundaries; collaboration; Border crossing; paths; Carpets; Color; Name tags; political art; paintings (visual works); grids (layout features); bridges (built works); Names; information signs
    • Format: image
  82. Hospitality: painting in progress: day two

    • Collection: inSite Archive
    • Name: inSite_05; Barbosa, Felipe, 1978-; Ricalde, Rosana, 1971-
    • Date: 2005
    • Topic: Border crossing; paintings (visual works); Boundaries; Carpets; political art; Color; bridges (built works); information signs; grids (layout features); paths; Names; border art; Name tags; collaboration
    • Format: image
  83. infoSite San Diego: exterior with traffic cones

    • Collection: inSite Archive
    • Name: inSite_05; Cruz, Teddy (American architect, contemporary); Conwell, Donna
    • Date: 2005
    • Topic: information; political art; Parking lots; public spaces; Color; recycling; Education; information centers (facilities); Temporary structures (Building); portable; border art; architecture (object genre)
    • Format: image
  84. infoSite San Diego: interior with raised pathway and video monitors

    • Collection: inSite Archive
    • Name: Cruz, Teddy (American architect, contemporary); Conwell, Donna; inSite_05
    • Date: 2005
    • Topic: information; recycling; public spaces; border art; Education; political art; architecture (object genre); information centers (facilities); Temporary structures (Building)
    • Format: image
  85. infoSite San Diego: open roof

    • Collection: inSite Archive
    • Name: Conwell, Donna; Cruz, Teddy (American architect, contemporary); inSite_05
    • Date: 2005
    • Topic: Temporary structures (Building); border art; roofs; public spaces; recycling; Education; information; political art; architecture (object genre); information centers (facilities)
    • Format: image
  86. infoSite San Diego: public information desk

    • Collection: inSite Archive
    • Name: Conwell, Donna; Cruz, Teddy (American architect, contemporary); inSite_05
    • Date: 2005
    • Topic: border art; public spaces; information centers (facilities); political art; architecture (object genre); Education; Temporary structures (Building); information; recycling
    • Format: image
  87. infoSite San Diego: public information desk

    • Collection: inSite Archive
    • Name: Conwell, Donna; Cruz, Teddy (American architect, contemporary); inSite_05
    • Date: 2005
    • Topic: architecture (object genre); Education; recycling; border art; information; information centers (facilities); Temporary structures (Building); political art; public spaces
    • Format: image
  88. International Waters: detail of pipe from Mexican side of the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; political art; drinking water; Boundaries; border art
    • Format: image
  89. International Waters: detail of pipe penetrating the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; drinking water; Boundaries; border art; political art
    • Format: image
  90. International Waters: Mexican side of the border fence

    • Collection: inSite Archive
    • Name: Hock, Louis (American filmmaker, video artist, and photographer, contemporary); inSITE97
    • Date: 1997
    • Topic: Natural resources; drinking water; political art; Boundaries; border art
    • Format: image
  91. International Waters: pipe from Mexican side of the border fence

    • Collection: inSite Archive
    • Name: inSITE97; Hock, Louis (American filmmaker, video artist, and photographer, contemporary)
    • Date: 1997
    • Topic: border art; drinking water; Natural resources; Boundaries; political art
    • Format: image
  92. La esquina/ Jardines de Playas de Tijuana: border fence with marker and new plantings

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963)
    • Date: 2005
    • Topic: Boundaries; public spaces; political art; border art; markers (monuments); Urban renewal; Parks; architecture (object genre); Landscape architecture; urban planning
    • Format: image
  93. La esquina/ Jardines de Playas de Tijuana: plaza with lighthouse and bullring

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); Parral, Jose (Mexican architect and artist); inSite_05
    • Date: 2005
    • Topic: political art; architecture (object genre); Urban renewal; Boundaries; public spaces; Parks; Landscape architecture; border art; urban planning
    • Format: image
  94. La esquina/ Jardines de Playas de Tijuana: sidewalk with new plantings of palms

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: Landscape architecture; political art; Boundaries; border art; Parks; architecture (object genre); Urban renewal; Bull rings; Palms; public spaces; urban planning; Sidewalks
    • Format: image
  95. La esquina/ Jardines de Playas de Tijuana: view of concrete platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); inSite_05; Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; Boundaries; Parks; architecture (object genre); Urban renewal; public spaces; border art; urban planning; Landscape architecture
    • Format: image
  96. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and lighthouse

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: public spaces; architecture (object genre); Boundaries; Parks; Urban renewal; political art; urban planning; border art; Landscape architecture
    • Format: image
  97. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); inSite_05
    • Date: 2005
    • Topic: public spaces; Parks; urban planning; political art; border art; Landscape architecture; Urban renewal; Boundaries; architecture (object genre)
    • Format: image
  98. La esquina/ Jardines de Playas de Tijuana: view of plaza and lighthouse

    • Collection: inSite Archive
    • Name: inSite_05; Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; border art; Lighthouses; public spaces; urban planning; Boundaries; Parks; architecture (object genre); Urban renewal; Landscape architecture
    • Format: image
  99. La esquina/ Jardines de Playas de Tijuana: view of plaza and platform with lighthouse and bullring

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Parks; public spaces; architecture (object genre); political art; urban planning; border art; Landscape architecture; Boundaries; Urban renewal
    • Format: image
  100. Maleteros

    • Collection: inSite Archive
    • Name: inSite_05; Bradford, Mark (American installation and conceptual artist, contemporary); Conwell, Donna
    • Date: 2005
    • Topic: Workers; collaboration; Labor; border art; political art; information signs; Porters; Economics
    • Format: image