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  1. Aerial Bridge - video documentation: toy helicopter flying over yellow U.S. - Mexico border demarcation line

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Model airplane racing; political art; Boundaries; Rivers; Contests; Humor; Play; Performance art; Aeronautics; border art; Hobbies; toys (recreational artifacts); Video art; Rockets (Aeronautics); Flight; lines (artistic concept)
    • Format: video
  2. Aerial Bridge: toy helicopter flying over yellow U.S. - Mexico border demarcation line

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Model airplane racing; border art; Rivers; Humor; Boundaries; lines (artistic concept); Contests; toys (recreational artifacts); political art; Aeronautics; Performance art; Rockets (Aeronautics); Hobbies; Play; Flight
    • Format: image
  3. Aerial Bridge: yellow border line and border patrol

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: September 24, 2005
    • Topic: Performance art; Uniforms; toys (recreational artifacts); Model airplane racing; lines (artistic concept); Aeronautics; border art; Contests; Play; Humor; Border patrols; Flight; Hobbies; Boundaries; political art
    • Format: image
  4. Avenida Revolución: "Border Patrol agent" (Meyer Vaisman) on mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); Stéfano, Alfredo de (Mexican photographer, born 1961); inSITE2000
    • Date: 2000
    • Topic: Performance art; law enforcing; Boundaries; Zebras; Tourism; commercial portraiture; mule; Humor; political art; satire (artistic device); Tourist information centers; Alleys; parody; border art; U.S. Border Patrol
    • Format: image
  5. Avenida Revolución: "Street vendor" under arrest by "border patrol agent" (Meyer Vaisman)

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961)
    • Date: 2000
    • Topic: satire (artistic device); Humor; U.S. Border Patrol; parody; Tourist information centers; border art; Zebras; commercial portraiture; Boundaries; Alleys; mule; Tourism; law enforcing; Performance art
    • Format: image
  6. Avenida Revolución: Mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961); Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States)
    • Date: 2000
    • Topic: Performance art; Zebras; satire (artistic device); Tourist information centers; parody; law enforcing; mule; border art; Tourism; U.S. Border Patrol; commercial portraiture; Humor; Boundaries
    • Format: image
  7. Blind/Hide: general view of Blind/Hide and the Tijuana River Estuary Preserve

    • Collection: inSite Archive
    • Name: Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: Nature; border art; Education; Environmental protection; architecture (object genre); Bird watching; Nature centers; ecological art; political art; Birds; Blinds (Shelters); landscapes (environments); Boundaries; Natural history
    • Format: image
  8. Blind/Hide: general view of Blind/Hide in the Tijuana River Estuary Preserve

    • Collection: inSite Archive
    • Name: Decker, Alan (photographer); Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: border art; landscapes (environments); political art; Natural history; Birds; Blinds (Shelters); Bird watching; Nature centers; architecture (object genre); Boundaries; ecological art; Nature; Education; Environmental protection
    • Format: image
  9. Blind/Hide: interior view of Blind/Hide

    • Collection: inSite Archive
    • Name: Dion, Mark (American sculptor and installation artist, born 1961); inSITE2000
    • Date: 2000
    • Topic: ecological art; landscapes (environments); Bird watching; Environmental protection; Blinds (Shelters); Natural history; Education; Boundaries; political art; architecture (object genre); Blackboards; Birds; border art; Silhouettes; Nature; Nature centers
    • Format: image
  10. Boletín de prensa #1

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05
    • Date: 2005
    • Topic: public spaces; installations (visual works); documents; press kits; Press Releases; Boundaries; border art; Performance art
    • Format: text
  11. Boletín de prensa #2

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05
    • Date: 2005
    • Topic: Boundaries; Press Releases; border art; press kits; documents; installations (visual works); Performance art; public spaces
    • Format: text
  12. Boletín de prensa #3: SITIOS DISTANTES

    • Collection: inSite Archive
    • Name: inSite_05; San Diego Museum of Art; Centro Cultural Tijuana
    • Date: 2005
    • Topic: Performance art; public spaces; documents; installations (visual works); Press Releases; Boundaries; border art; press kits; collaboration
    • Format: text
  13. Boletín de prensa #4: Fundación Televisa patrocina a inSite_05/Tijuana-San Diego, como uno de los proyectos culturales más relevantes del país

    • Collection: inSite Archive
    • Name: inSite_05; Fundación Televisa
    • Date: 2005
    • Topic: border art; Boundaries; installations (visual works); press kits; Performance art; documents; Press Releases; public spaces
    • Format: text
  14. Border stories working title from one side to another: film still of woman carrying suitcase down a road

    • Collection: inSite Archive
    • Name: Golino, Michael (American); Barry, Judith (American installation artist, born 1949); inSITE2000
    • Date: 2000
    • Topic: suitcases; Independent films; Roads; Travel; Video art; border art; Boundaries
    • Format: image
  15. Border stories working title from one side to another: film still of woman with microphone

    • Collection: inSite Archive
    • Name: Barry, Judith (American installation artist, born 1949); Golino, Michael (American); inSITE2000
    • Date: 2000
    • Topic: Independent films; Automobiles, Convertible; Boundaries; border art; Video art; Microphone; Automobiles
    • Format: image
  16. Dante Alighieri

    • Collection: inSite Archive
    • Name: Vallance, Jeffrey (American sculptor and painter, born 1955); inSITE2000; Decker, Alan (photographer); Dante Alighieri, 1265-1321
    • Date: 2000
    • Topic: Authors; Boundaries; Wax figures; Popular culture; Figurative art; Gesture; border art; Kitsch; Waxworks
    • Format: image
  17. Dialogue 1: Liminal Zones / Coursing Flows

    • Collection: inSite Archive
    • Name: Krichman, Michael; Arriola, Magalí 1970-; inSite_05; Yard, Sally; Barry, Judith (American installation artist, born 1949); Sengupta, Shuddhabrata (Indian installation artist, born 1968); Harvey, David (American geographer, born 1935); Crandall, Jordan (American video artist, born 1960); Cruz, Teddy (American architect, contemporary); Decter, Joshua; Bauer, Ute Meta 1958-; Ramírez Erre, Marcos (Mexican installation artist and sculptor, born 1961)
    • Date: November 6, 2003
    • Topic: Capital; border art; Demonstrations; Symposia; Globalization; Homeless persons; Other (Philosophy); Boundaries; Critical theory; Architecture; artists; Deconstruction; Tricksters; Identity (Philosophical concept); Art museums; urban planning; Lectures; Geography; space (composition concept); Ecology
  18. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: border art; Water--Purification; Boundaries; Education; poverty; technology; Water treatment plants; political art; Health
    • Format: image
  19. Dirty Water Initiative: setting up the solar collectors

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: technology; poverty; Health; Water--Purification; Water treatment plants; Education; political art; border art; Boundaries
    • Format: image
  20. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: political art; Boundaries; technology; Water treatment plants; Health; poverty; Water--Purification; Education; border art
    • Format: image
  21. Dirty Water Initiative: solar collectors and water bottles

    • Collection: inSite Archive
    • Name: SIMPARCH; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Boundaries; poverty; technology; Water--Purification; border art; Water treatment plants; political art; Education; Health
    • Format: image
  22. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); SIMPARCH; inSite_05
    • Date: 2005
    • Topic: Boundaries; technology; border art; Health; Water treatment plants; poverty; Education; political art; Water--Purification
    • Format: image
  23. Dirty Water Initiative: water purifier installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Health; Boundaries; poverty; Water--Purification; political art; technology; Education; border art; Water treatment plants
    • Format: image
  24. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: SIMPARCH; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: border art; political art; Education; poverty; Water--Purification; technology; Water treatment plants; Boundaries; Health
    • Format: image
  25. Dirty Water Initiative: water purifiers installed in Tijuana community

    • Collection: inSite Archive
    • Name: inSite_05; SIMPARCH; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: poverty; technology; Education; border art; Boundaries; Health; political art; Water treatment plants; Water--Purification
    • Format: image
  26. Duet: film still

    • Collection: inSite Archive
    • Name: Simpson, Lorna (American photographer and installation artist, born 1960); inSITE2000; Golino, Michael (American)
    • Date: November 2000 - February 2001
    • Topic: border art; artists' films; Diptychs; Gesture; Motion pictures; Boundaries
    • Format: image
  27. Duet: film still

    • Collection: inSite Archive
    • Name: Simpson, Lorna (American photographer and installation artist, born 1960); inSITE2000; Golino, Michael (American)
    • Date: November 2000 - February 2001
    • Topic: border art; Stoves; Diptychs; Boundaries; Motion pictures; artists' films
    • Format: image
  28. Duet: film still - split screen

    • Collection: inSite Archive
    • Name: Golino, Michael (American); Simpson, Lorna (American photographer and installation artist, born 1960); inSITE2000
    • Date: November 2000 - February 2001
    • Topic: Diptychs; artists' films; Stoves; border art; Boundaries; Motion pictures
    • Format: image
  29. Heat Seeking: cell phones

    • Collection: inSite Archive
    • Name: Crandall, Jordan (American video artist, born 1960); Miyata, Shigeto (Japanese photographer); inSITE2000
    • Date: 2000
    • Topic: Military surveillance; violence; Boundaries; Video art; technology; border art; Erotica; communication (function)
    • Format: image
  30. Heat Seeking: detail of cell phones

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); inSITE2000; Crandall, Jordan (American video artist, born 1960)
    • Date: 2000
    • Topic: communication (function); Erotica; Boundaries; technology; Military surveillance; violence; border art; Video art
    • Format: image
  31. Heat Seeking: detail of San Diego installation

    • Collection: inSite Archive
    • Name: Crandall, Jordan (American video artist, born 1960); Miyata, Shigeto (Japanese photographer); inSITE2000
    • Date: 2000
    • Topic: Erotica; technology; border art; Video art; violence; communication (function); Military surveillance; Boundaries
    • Format: image
  32. Heat Seeking: film still

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Crandall, Jordan (American video artist, born 1960); inSITE2000
    • Date: 2000
    • Topic: Video art; technology; Military surveillance; border art; communication (function); violence; Boundaries; Erotica
    • Format: image
  33. Hospitality: general view of work in progress

    • Collection: inSite Archive
    • Name: inSite_05; Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-
    • Date: 2005
    • Topic: paths; grids (layout features); paintings (visual works); Names; Carpets; bridges (built works); border art; Name tags; information signs; collaboration; Boundaries; Color; Border crossing; political art
    • Format: image
  34. Hospitality: general view of work in progress

    • Collection: inSite Archive
    • Name: Barbosa, Felipe, 1978-; Ricalde, Rosana, 1971-; inSite_05
    • Date: 2005
    • Topic: paths; Border crossing; paintings (visual works); political art; Names; information signs; Color; Boundaries; collaboration; border art; grids (layout features); bridges (built works); Name tags; Carpets
    • Format: image
  35. Hospitality: painting in progress: day four

    • Collection: inSite Archive
    • Name: Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-; inSite_05
    • Date: 2005
    • Topic: information signs; paths; collaboration; paintings (visual works); Border crossing; Color; border art; bridges (built works); Carpets; Name tags; Boundaries; Names; grids (layout features); political art
    • Format: image
  36. Hospitality: painting in progress: day one

    • Collection: inSite Archive
    • Name: Barbosa, Felipe, 1978-; inSite_05; Ricalde, Rosana, 1971-
    • Date: 2005
    • Topic: Names; border art; Border crossing; Name tags; paintings (visual works); grids (layout features); Boundaries; collaboration; Color; paths; information signs; political art; bridges (built works); Carpets
    • Format: image
  37. Hospitality: painting in progress: day one

    • Collection: inSite Archive
    • Name: inSite_05; Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-
    • Date: 2005
    • Topic: Color; Border crossing; Boundaries; Carpets; border art; paintings (visual works); Name tags; paths; collaboration; grids (layout features); political art; information signs; bridges (built works); Names
    • Format: image
  38. Hospitality: painting in progress: day two

    • Collection: inSite Archive
    • Name: Ricalde, Rosana, 1971-; Barbosa, Felipe, 1978-; inSite_05
    • Date: 2005
    • Topic: border art; Boundaries; collaboration; Border crossing; paths; Carpets; Color; Name tags; political art; paintings (visual works); grids (layout features); bridges (built works); Names; information signs
    • Format: image
  39. Hospitality: painting in progress: day two

    • Collection: inSite Archive
    • Name: inSite_05; Barbosa, Felipe, 1978-; Ricalde, Rosana, 1971-
    • Date: 2005
    • Topic: Border crossing; paintings (visual works); Boundaries; Carpets; political art; Color; bridges (built works); information signs; grids (layout features); paths; Names; border art; Name tags; collaboration
    • Format: image
  40. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); inSITE2000; Perez, Hector M. (American and Mexican architect)
    • Date: 2000 - 2001
    • Topic: Daylight; information centers (facilities); public spaces; multiuse; libraries (rooms); architecture (object genre); border art; Boundaries; Reading rooms; information; interior decoration; Reading
    • Format: image
  41. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Perez, Hector M. (American and Mexican architect); inSITE2000
    • Date: 2000 - 2001
    • Topic: border art; multiuse; Reading rooms; Boundaries; public spaces; libraries (rooms); interior decoration; Reading; information centers (facilities); information; architecture (object genre)
    • Format: image
  42. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Decker, Alan (photographer); inSITE2000; Perez, Hector M. (American and Mexican architect)
    • Date: 2000 - 2001
    • Topic: interior decoration; information centers (facilities); architecture (object genre); public spaces; border art; information; Boundaries; multiuse
    • Format: image
  43. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Decker, Alan (photographer); inSITE2000; Perez, Hector M. (American and Mexican architect)
    • Date: 2000 - 2001
    • Topic: interior decoration; multiuse; public spaces; information; architecture (object genre); border art; information centers (facilities); Boundaries
    • Format: image
  44. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); inSITE2000; Perez, Hector M. (American and Mexican architect)
    • Date: 2000 - 2001
    • Topic: Reading; Reading rooms; architecture (object genre); multiuse; public spaces; information; Boundaries; libraries (rooms); border art; information centers (facilities); interior decoration
    • Format: image
  45. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Perez, Hector M. (American and Mexican architect); inSITE2000; Miyata, Shigeto (Japanese photographer)
    • Date: 2000 - 2001
    • Topic: Reading rooms; border art; libraries (rooms); public spaces; information centers (facilities); multiuse; Reading; architecture (object genre); Boundaries; information; interior decoration
    • Format: image
  46. in(fo)SITE San Diego: interior

    • Collection: inSite Archive
    • Name: Perez, Hector M. (American and Mexican architect); Miyata, Shigeto (Japanese photographer); inSITE2000
    • Date: 2000 - 2001
    • Topic: Projections (visual works); multiuse; public spaces; border art; interior decoration; information; information centers (facilities); Boundaries; architecture (object genre)
    • Format: image
  47. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: landscapes (environments); Video art; Travel; Boundaries; border art; Performance art; film stills
    • Format: image
  48. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: border art; Travel; film stills; Video art; Performance art; landscapes (environments); Boundaries
    • Format: image
  49. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: film stills; Travel; Video art; Boundaries; landscapes (environments); Performance art; border art
    • Format: image
  50. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: Video art; border art; film stills; landscapes (environments); Boundaries; Travel; Performance art
    • Format: image
  51. La esquina/ Jardines de Playas de Tijuana: border fence with marker and new plantings

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963)
    • Date: 2005
    • Topic: Boundaries; public spaces; political art; border art; markers (monuments); Urban renewal; Parks; architecture (object genre); Landscape architecture; urban planning
    • Format: image
  52. La esquina/ Jardines de Playas de Tijuana: plaza with lighthouse and bullring

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); Parral, Jose (Mexican architect and artist); inSite_05
    • Date: 2005
    • Topic: political art; architecture (object genre); Urban renewal; Boundaries; public spaces; Parks; Landscape architecture; border art; urban planning
    • Format: image
  53. La esquina/ Jardines de Playas de Tijuana: sidewalk with new plantings of palms

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: Landscape architecture; political art; Boundaries; border art; Parks; architecture (object genre); Urban renewal; Bull rings; Palms; public spaces; urban planning; Sidewalks
    • Format: image
  54. La esquina/ Jardines de Playas de Tijuana: view of concrete platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); inSite_05; Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; Boundaries; Parks; architecture (object genre); Urban renewal; public spaces; border art; urban planning; Landscape architecture
    • Format: image
  55. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and lighthouse

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: public spaces; architecture (object genre); Boundaries; Parks; Urban renewal; political art; urban planning; border art; Landscape architecture
    • Format: image
  56. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); inSite_05
    • Date: 2005
    • Topic: public spaces; Parks; urban planning; political art; border art; Landscape architecture; Urban renewal; Boundaries; architecture (object genre)
    • Format: image
  57. La esquina/ Jardines de Playas de Tijuana: view of plaza and lighthouse

    • Collection: inSite Archive
    • Name: inSite_05; Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; border art; Lighthouses; public spaces; urban planning; Boundaries; Parks; architecture (object genre); Urban renewal; Landscape architecture
    • Format: image
  58. La esquina/ Jardines de Playas de Tijuana: view of plaza and platform with lighthouse and bullring

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Parks; public spaces; architecture (object genre); political art; urban planning; border art; Landscape architecture; Boundaries; Urban renewal
    • Format: image
  59. MAMA: border patrol agents

    • Collection: inSite Archive
    • Name: Riedweg, Walter (Swiss installation and video artist, born 1955); Dias, Mauricio (Brazilian installation artist, born 1964); Golino, Michael (American); inSITE2000
    • Date: 2000
    • Topic: Border patrol agents; Military Uniforms; mothers; Video art; border art; sons; Graphic arts; Dogs; Boundaries; political art
    • Format: image
  60. MAMA: film still with border patrol dog

    • Collection: inSite Archive
    • Name: Dias, Mauricio (Brazilian installation artist, born 1964); Golino, Michael (American); inSITE2000; Riedweg, Walter (Swiss installation and video artist, born 1955)
    • Date: 2000
    • Topic: mothers; Graphic arts; political art; border art; Dogs; Video art; Boundaries; Border patrol agents; sons
    • Format: image
  61. MAMA: US/Mexico pedestrian border crossing, San Ysidro

    • Collection: inSite Archive
    • Name: inSITE2000; Riedweg, Walter (Swiss installation and video artist, born 1955); Dias, Mauricio (Brazilian installation artist, born 1964); Decker, Alan (photographer)
    • Date: 2000
    • Topic: border art; Dogs; sons; Boundaries; Video art; mothers; political art; Border patrol agents; Graphic arts
    • Format: image
  62. MAMA: video screen

    • Collection: inSite Archive
    • Name: Dias, Mauricio (Brazilian installation artist, born 1964); Riedweg, Walter (Swiss installation and video artist, born 1955); inSITE2000
    • Date: 2000
    • Topic: Boundaries; border art; Dogs; Video art; sons; mothers; Border patrol agents; Graphic arts; political art
    • Format: image
  63. News Release: "Fugitive Sites/Parajes fugitivos" - The book documenting inSITE2000/01 - is now available

    • Collection: inSite Archive
    • Name: inSITE2000; inSITE2000; Sánchez, Osvaldo, 1958-
    • Date: January 30, 2003
    • Topic: public spaces; Performance art; Boundaries; Books; border art; press kits; installations (visual works); documents; Press Releases
    • Format: text
  64. News Release: Alfredo Jaar's "The Cloud" for inSITE2000: An Ephemeral Monument and Moment of Mourning For Those Who Have Died Trying to Cross the Border

    • Collection: inSite Archive
    • Name: Jaar, Alfredo (Chilean sculptor and installation artist, born 1956, active in the United States); inSITE2000; inSITE2000; Jaar, Alfredo (Chilean sculptor and installation artist, born 1956, active in the United States)
    • Date: October 13, 2000
    • Topic: Boundaries; public spaces; Performance art; documents; installations (visual works); press kits; border art; Press Releases
    • Format: text
  65. News Release: How to Explore inSITE2000

    • Collection: inSite Archive
    • Name: inSITE2000; inSITE2000
    • Date: October 13, 2000
    • Topic: press kits; Boundaries; documents; Performance art; border art; Press Releases; installations (visual works); public spaces
    • Format: text
  66. News Release: inSite Announces Major Gifts for inSite_05

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05
    • Date: July, 2005
    • Topic: Press Releases; gifts; Boundaries; Philanthropy; installations (visual works); documents; Performance art; press kits; border art; public spaces
    • Format: text
  67. News Release: inSITE2000's Opening Weekend - Oct. 13-15 - Provides Opportunities To Participate, Investigate and Celebrate

    • Collection: inSite Archive
    • Name: inSITE2000; inSITE2000
    • Date: October 13, 2000
    • Topic: public spaces; installations (visual works); exhibition openings; press kits; Press Releases; Boundaries; documents; border art; Performance art; Celebrations
    • Format: text
  68. News Release: inSite_05 Announces Public Programming Beginning Aug. 28

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05
    • Date: July, 2005
    • Topic: press kits; Performance art; documents; Press Releases; Boundaries; public spaces; installations (visual works); border art
    • Format: text
  69. News Release: Public interventions and Collaborative Artworks Explore Complexities of San Diego/Tijuana Border Region

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05; Sánchez, Osvaldo, 1958-
    • Date: July, 2005
    • Topic: border art; documents; Boundaries; Performance art; press kits; installations (visual works); public spaces; Press Releases
    • Format: text
  70. News Release: Unprecedented Two-City Exhibition of International Contemporary Art Explores Moments of Urban Crisis

    • Collection: inSite Archive
    • Name: inSite_05; inSite_05
    • Date: July, 2005
    • Topic: urban planning; documents; Performance art; border art; installations (visual works); public spaces; Press Releases; Boundaries; press kits
    • Format: text
  71. One Flew Over the Void (Bala perdida): audience awaiting launch of human cannonball David Smith across border fence from Mexico into the U.S.

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: political art; Adventure and adventurers; Boundaries; Flight; Humor; Spectacular, The; audiences; Daredevils; cannons (artillery); Performance art; border art
    • Format: image
  72. One Flew Over the Void (Bala perdida): border fence decorated with banners behind performance stage

    • Collection: inSite Archive
    • Name: inSite_05; Téllez, Javier (Venezuelan video artist, born 1969); Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Boundaries; Spectacular, The; audiences; Daredevils; Humor; Adventure and adventurers; border art; political art; Performance art; Flight
    • Format: image
  73. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: political art; caricatures; Flight; border art; Adventure and adventurers; Humor; Daredevils; audiences; Spectacular, The; cannons (artillery); Boundaries; Performance art
    • Format: image
  74. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: caricatures; Spectacular, The; border art; political art; Boundaries; cannons (artillery); Flight; Humor; audiences; Adventure and adventurers; Daredevils; Performance art
    • Format: image
  75. One Flew Over the Void (Bala perdida): human cannonball David Smith mid-flight as he is shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: audiences; Daredevils; Boundaries; Adventure and adventurers; caricatures; political art; Humor; Spectacular, The; cannons (artillery); border art; Flight; Performance art
    • Format: image
  76. One Flew Over the Void (Bala perdida): human cannonball David Smith preparing to be shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969)
    • Date: August 27, 2005
    • Topic: Daredevils; Performance art; border art; caricatures; Boundaries; political art; audiences; Humor; cannons (artillery); Flight; Spectacular, The; Adventure and adventurers
    • Format: image
  77. One Flew Over the Void (Bala perdida): spectators seated in the shade of the cannon

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Flight; Adventure and adventurers; cannons (artillery); border art; Boundaries; Spectacular, The; Performance art; Daredevils; Humor; political art; audiences
    • Format: image
  78. Picturing Paradise: Border fence from U.S. side with mirrored surfaces and bullfight stadium in the background

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); Decker, Alan (photographer); inSITE2000
    • Date: 2000
    • Topic: border art; Stadiums; Boundaries; reflections (perceived properties); political art
    • Format: image
  79. Picturing Paradise: Border fence with mirrored surface

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Decker, Alan (photographer)
    • Date: 2000
    • Topic: reflections (perceived properties); political art; border art; Boundaries
    • Format: image
  80. Picturing Paradise: Border fence with mirrored surface

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Miyata, Shigeto (Japanese photographer)
    • Date: 2000
    • Topic: political art; reflections (perceived properties); Boundaries; border art
    • Format: image
  81. Picturing Paradise: Border fence with mirrored surfaces at sunset

    • Collection: inSite Archive
    • Name: Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961)
    • Date: 2000
    • Topic: reflections (perceived properties); suns (stars); border art; political art; Boundaries
    • Format: image
  82. Picturing Paradise: Border fence with mirrored surfaces: view from the United States side of border

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000
    • Date: 2000
    • Topic: political art; Boundaries; border art; reflections (perceived properties)
    • Format: image
  83. Picturing Paradise: Close-up of text on reflective surface at border fence

    • Collection: inSite Archive
    • Name: Miyata, Shigeto (Japanese photographer); Soares, Valeska (Brazilian installation artist, born 1957); inSITE2000
    • Date: 2000
    • Topic: political art; Boundaries; reflections (perceived properties); border art
    • Format: image
  84. Picturing Paradise: Project documentation

    • Collection: inSite Archive
    • Name: inSITE2000; Soares, Valeska (Brazilian installation artist, born 1957)
    • Date: 2000
    • Topic: Video art; border art; reflections (perceived properties); Boundaries; political art
    • Format: video
  85. Press Coverage: Proposal exhibition and interview with Carmen Cuenca

    • Collection: inSite Archive
    • Name: Cuenca, Carmen (Mexican art historian and curator); inSite_05; inSite_05
    • Date: 2005
    • Topic: artists; Interviews; border art; Boundaries; publicizing; installations (visual works)
    • Format: video
  86. Project at Maclovio Rojas: detail of wall

    • Collection: inSite Archive
    • Name: Valadez, Belinda (photographer); Nador, Mônica (Brazilian painter, born 1955); inSITE2000
    • Date: 2000
    • Topic: Dwellings; neighborhoods; beauty; Color; painting (coating); Boundaries; border art; Houses
    • Format: image
  87. Project at Maclovio Rojas: interior with stenciled wall

    • Collection: inSite Archive
    • Name: inSITE2000; Nador, Mônica (Brazilian painter, born 1955); Valadez, Belinda (photographer)
    • Date: 2000
    • Topic: Boundaries; patterns (design elements); children (people by age group); Dwellings; neighborhoods; Color; border art; Houses; beauty
    • Format: image
  88. Project at Maclovio Rojas: painted and stenciled porch with family

    • Collection: inSite Archive
    • Name: Valadez, Belinda (photographer); inSITE2000; Nador, Mônica (Brazilian painter, born 1955)
    • Date: 2000
    • Topic: Color; Dwellings; neighborhoods; border art; Boundaries; beauty; Families; Houses; children (people by age group)
    • Format: image
  89. Project at Maclovio Rojas: porch with stenciled wall

    • Collection: inSite Archive
    • Name: Valadez, Belinda (photographer); inSITE2000; Nador, Mônica (Brazilian painter, born 1955)
    • Date: 2000
    • Topic: neighborhoods; patterns (design elements); Dwellings; beauty; Houses; Color; Boundaries; border art
    • Format: image
  90. Richard Nixon: Wax figure of Richard Nixon holding audio tapes

    • Collection: inSite Archive
    • Name: inSITE2000; Vallance, Jeffrey (American sculptor and painter, born 1955); Decker, Alan (photographer); Nixon, Richard M. (Richard Milhous), 1913-1994
    • Date: 2000
    • Topic: audiotapes; Evidence (Law); Figurative art; Wax figures; Corruption; Politicians; border art; Waxworks; Popular culture; Kitsch; Boundaries
    • Format: image
  91. Signs of Mount Signal: detail of models of Mount Signal

    • Collection: inSite Archive
    • Name: inSITE2000; McCollum, Allan (American sculptor, born 1944); Miyata, Shigeto (Japanese photographer)
    • Date: 2000
    • Topic: Mass production; Geology; Concretions; Science museums; Landscape painting, American; Natural history; border art; Boundaries
    • Format: image
  92. Signs of Mount Signal: detail of sand spikes in exhibition at the Pioneers Museum

    • Collection: inSite Archive
    • Name: inSITE2000; McCollum, Allan (American sculptor, born 1944); Sanchez, Minerva (photographer)
    • Date: 2000
    • Topic: Natural history; Geology; Concretions; Boundaries; border art; Landscape painting, American; Science museums
    • Format: image
  93. Signs of Mount Signal: View of exhibition at San Diego State University art gallery

    • Collection: inSite Archive
    • Name: inSITE2000; McCollum, Allan (American sculptor, born 1944); Miyata, Shigeto (Japanese photographer)
    • Date: 2000
    • Topic: Boundaries; Geology; Science museums; Concretions; Landscape painting, American; Mass production; Natural history; border art
    • Format: image
  94. Signs of Mount Signal: View of exhibition at Steppling Art Gallery, San Diego State University, Calexico

    • Collection: inSite Archive
    • Name: McCollum, Allan (American sculptor, born 1944); Miyata, Shigeto (Japanese photographer); inSITE2000
    • Date: 2000
    • Topic: Landscape painting, American; border art; Mass production; Science museums; Natural history; Geology; Boundaries; Concretions
    • Format: image
  95. Signs of Mount Signal: View of large sand spike model on a concrete pedestal

    • Collection: inSite Archive
    • Name: McCollum, Allan (American sculptor, born 1944); inSITE2000; Sanchez, Minerva (photographer)
    • Date: 2000
    • Topic: border art; Platforms; Natural history; Science museums; Boundaries; Concretions; Geology
    • Format: image
  96. Signs of Mount Signal: View of large sand spike model on a concrete pedestal

    • Collection: inSite Archive
    • Name: inSITE2000; Sanchez, Minerva (photographer); McCollum, Allan (American sculptor, born 1944)
    • Date: 2000
    • Topic: Boundaries; Platforms; Concretions; border art; Geology; Natural history; Science museums
    • Format: image
  97. Techno-balero: detail view of market

    • Collection: inSite Archive
    • Name: Salvo, Roman de (American artist, born 1965); inSITE2000
    • Date: 2000
    • Topic: Games; Tops; border art; Boundaries; Humor; Color
    • Format: image
  98. Techno-balero: detail view of market

    • Collection: inSite Archive
    • Name: inSITE2000; Salvo, Roman de (American artist, born 1965)
    • Date: 2000
    • Topic: Boundaries; border art; Humor; Games; Color; Tops
    • Format: image
  99. Techno-balero: detail view of market

    • Collection: inSite Archive
    • Name: Salvo, Roman de (American artist, born 1965); inSITE2000
    • Date: 2000
    • Topic: Color; Humor; Tops; Boundaries; Games; border art
    • Format: image
  100. The Cloud: white balloons being released

    • Collection: inSite Archive
    • Name: Jaar, Alfredo (Chilean sculptor and installation artist, born 1956, active in the United States); inSITE2000
    • Date: October 14, 2000
    • Topic: Rites and ceremonies; commemorations (events); Clouds; deaths; white (color); Boundaries; border art; Memory; sky; Emigration and immigration
    • Format: image