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  1. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1994
    • Topic: Nationalism; Sandpaintings; Process art; political art; Flags; Humor; Performance art; paintings (visual works); border art
    • Format: image
  2. America: detail of ants removing sand from U.S. "flag"

    • Collection: inSite Archive
    • Name: Yanagi, Yukinori (American and Japanese artist, born 1959); inSITE94; Kanjo, Kathryn
    • Date: 1994
    • Topic: Process art; political art; Nationalism; Performance art; border art; Sandpaintings; paintings (visual works); Humor; Flags
    • Format: image
  3. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn
    • Date: 1994
    • Topic: Humor; Flags; Sandpaintings; border art; Process art; Performance art; paintings (visual works); political art; Nationalism
    • Format: image
  4. America: detail of the "flags" of Canada, the United States, Cuba and Mexico with ants removing sand from each

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959)
    • Date: 1994
    • Topic: Sandpaintings; border art; Nationalism; political art; Process art; Performance art; Flags; Humor; paintings (visual works)
    • Format: image
  5. America: detail of colored sand

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn; inSITE94
    • Date: 1994
    • Topic: political art; Humor; Process art; paintings (visual works); Performance art; border art; Flags; Nationalism; Sandpaintings
    • Format: image
  6. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: film stills; Travel; Video art; Boundaries; landscapes (environments); Performance art; border art
    • Format: image
  7. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: border art; Travel; film stills; Video art; Performance art; landscapes (environments); Boundaries
    • Format: image
  8. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: landscapes (environments); Video art; Travel; Boundaries; border art; Performance art; film stills
    • Format: image
  9. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: Video art; border art; film stills; landscapes (environments); Boundaries; Travel; Performance art
    • Format: image
  10. Avenida Revolución: "Border Patrol agent" (Meyer Vaisman) on mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); Stéfano, Alfredo de (Mexican photographer, born 1961); inSITE2000
    • Date: 2000
    • Topic: Performance art; law enforcing; Boundaries; Zebras; Tourism; commercial portraiture; mule; Humor; political art; satire (artistic device); Tourist information centers; Alleys; parody; border art; U.S. Border Patrol
    • Format: image
  11. Avenida Revolución: "Street vendor" under arrest by "border patrol agent" (Meyer Vaisman)

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961)
    • Date: 2000
    • Topic: satire (artistic device); Humor; U.S. Border Patrol; parody; Tourist information centers; border art; Zebras; commercial portraiture; Boundaries; Alleys; mule; Tourism; law enforcing; Performance art
    • Format: image
  12. Avenida Revolución: Mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961); Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States)
    • Date: 2000
    • Topic: Performance art; Zebras; satire (artistic device); Tourist information centers; parody; law enforcing; mule; border art; Tourism; U.S. Border Patrol; commercial portraiture; Humor; Boundaries
    • Format: image
  13. Alien Toy UCO (Unidentified Crusing Object): detail of "Alien Toy" logo

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: Video art; political art; Popular culture; border art; Performance art; Automobiles; Boundaries; Humor; Logos (Symbols); Unidentified flying objects; Hydraulics
    • Format: image
  14. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: political art; Popular culture; Automobiles; border art; Performance art; Unidentified flying objects; Video art; Boundaries; Humor
    • Format: image
  15. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Performance art; Unidentified flying objects; Popular culture; Boundaries; political art; Video art; Automobiles
    • Format: image
  16. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: inSITE97; Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964)
    • Date: 1997
    • Topic: political art; Boundaries; Unidentified flying objects; Humor; Performance art; Popular culture; Automobiles; border art; Video art
    • Format: image
  17. El round nuestro de cada día: general view of "boxers" in ring

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: Boxers (Sports); Cockfighting; Battles; political art; border art; Arenas; Humor; violence; Performance art; toys (recreational artifacts)
    • Format: image
  18. El round nuestro de cada día: detail of boxers

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: toys (recreational artifacts); border art; Cockfighting; Arenas; Battles; Humor; Boxers (Sports); political art; violence; Performance art
    • Format: image
  19. The Invisible Man (My Way): Wrestling ring and audience

    • Collection: inSite Archive
    • Name: Stéfano, Alfredo de (Mexican photographer, born 1961); Amorales, Carlos (Mexican installation and Performance artist, born 1970); inSITE2000
    • Date: January 19, 2001 (wrestling performance)
    • Topic: Boundaries; Identity (Philosophical concept); Wrestling; Performance art; border art; Auditoriums; Wrestlers; Sports; audiences
    • Format: image
  20. The Invisible Man (My Way): Wrestlers wrestling in ring

    • Collection: inSite Archive
    • Name: Amorales, Carlos (Mexican installation and Performance artist, born 1970); inSITE2000; Miyata, Shigeto (Japanese photographer)
    • Date: January 20, 2001 (wrestling performance)
    • Topic: Auditoriums; Boundaries; Identity (Philosophical concept); border art; Wrestlers; audiences; Performance art; Wrestling; Sports
    • Format: image