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  1. America: detail of ants removing sand from U.S. "flag"

    • Collection: inSite Archive
    • Name: Yanagi, Yukinori (American and Japanese artist, born 1959); inSITE94; Kanjo, Kathryn
    • Date: 1994
    • Topic: Process art; political art; Nationalism; Performance art; border art; Sandpaintings; paintings (visual works); Humor; Flags
    • Format: image
  2. America: detail of Canadian and United States "flags"

    • Collection: inSite Archive
    • Name: inSITE94; Kanjo, Kathryn; Yanagi, Yukinori (American and Japanese artist, born 1959)
    • Date: 1994
    • Topic: political art; Nationalism; Flags; Humor; Performance art; Process art; Sandpaintings; paintings (visual works); border art
    • Format: image
  3. America: detail of colored sand

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn; inSITE94
    • Date: 1994
    • Topic: political art; Humor; Process art; paintings (visual works); Performance art; border art; Flags; Nationalism; Sandpaintings
    • Format: image
  4. America: detail of Plexiglas case where ants bring colored sand from "flags"

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Kanjo, Kathryn; Yanagi, Yukinori (American and Japanese artist, born 1959); inSITE94
    • Date: 1994
    • Topic: border art; Performance art; Humor; Process art; Sandpaintings; paintings (visual works); Flags; Nationalism; political art
    • Format: image
  5. America: detail of the "flags" of Canada, the United States, Cuba and Mexico with ants removing sand from each

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959)
    • Date: 1994
    • Topic: Sandpaintings; border art; Nationalism; political art; Process art; Performance art; Flags; Humor; paintings (visual works)
    • Format: image
  6. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Kanjo, Kathryn
    • Date: 1994
    • Topic: Humor; Flags; Sandpaintings; border art; Process art; Performance art; paintings (visual works); political art; Nationalism
    • Format: image
  7. America: wall of "flags" made of colored sand

    • Collection: inSite Archive
    • Name: Kanjo, Kathryn; inSITE94; Yanagi, Yukinori (American and Japanese artist, born 1959); Rittermann, Philipp Scholz (American photographer, 1955 CE-)
    • Date: 1994
    • Topic: Nationalism; Sandpaintings; Process art; political art; Flags; Humor; Performance art; paintings (visual works); border art
    • Format: image
  8. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: Performance art; Language; Public speaking; border art; communication (function); Boundaries
    • Format: image
  9. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: Language; Boundaries; communication (function); Public speaking; border art; Performance art
    • Format: image
  10. Cross the Razor

    • Collection: inSite Archive
    • Name: Allen, Terry (American conceptual artist and musician, born 1943); inSITE94
    • Date: 1994
    • Topic: border art; Boundaries; Performance art; Language; Public speaking; communication (function)
    • Format: image
  11. Cross the Razor

    • Collection: inSite Archive
    • Name: inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: communication (function); Language; border art; Boundaries; Public speaking; Performance art
    • Format: image
  12. Cross the Razor: aerial view

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); Allen, Terry (American conceptual artist and musician, born 1943); inSITE94
    • Date: 1994
    • Topic: Public speaking; Language; Boundaries; border art; communication (function); Performance art
    • Format: image
  13. Cross the Razor: border fence with artist's vans on either side

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE94; Allen, Terry (American conceptual artist and musician, born 1943)
    • Date: 1994
    • Topic: border art; Public speaking; Language; Performance art; communication (function); Boundaries
    • Format: image
  14. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: political art; Popular culture; Automobiles; border art; Performance art; Unidentified flying objects; Video art; Boundaries; Humor
    • Format: image
  15. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: inSITE97; Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964)
    • Date: 1997
    • Topic: political art; Boundaries; Unidentified flying objects; Humor; Performance art; Popular culture; Automobiles; border art; Video art
    • Format: image
  16. Alien Toy UCO (Unidentified Crusing Object)

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: border art; Humor; Performance art; Unidentified flying objects; Popular culture; Boundaries; political art; Video art; Automobiles
    • Format: image
  17. Alien Toy UCO (Unidentified Crusing Object): detail of "Alien Toy" logo

    • Collection: inSite Archive
    • Name: Reo, Sharon A. (photographer); Ortiz Torres, Rubén (Mexican painter and installation artist, born 1964); inSITE97
    • Date: 1997
    • Topic: Video art; political art; Popular culture; border art; Performance art; Automobiles; Boundaries; Humor; Logos (Symbols); Unidentified flying objects; Hydraulics
    • Format: image
  18. El round nuestro de cada día: detail of boxers

    • Collection: inSite Archive
    • Name: Rittermann, Philipp Scholz (American photographer, 1955 CE-); inSITE97; Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: toys (recreational artifacts); border art; Cockfighting; Arenas; Battles; Humor; Boxers (Sports); political art; violence; Performance art
    • Format: image
  19. El round nuestro de cada día: general view of "boxers" in ring

    • Collection: inSite Archive
    • Name: inSITE97; Rittermann, Philipp Scholz (American photographer, 1955 CE-); Escutia, Manolo Luis (artist)
    • Date: 1997
    • Topic: Boxers (Sports); Cockfighting; Battles; political art; border art; Arenas; Humor; violence; Performance art; toys (recreational artifacts)
    • Format: image
  20. Avenida Revolución: "Border Patrol agent" (Meyer Vaisman) on mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); Stéfano, Alfredo de (Mexican photographer, born 1961); inSITE2000
    • Date: 2000
    • Topic: Performance art; law enforcing; Boundaries; Zebras; Tourism; commercial portraiture; mule; Humor; political art; satire (artistic device); Tourist information centers; Alleys; parody; border art; U.S. Border Patrol
    • Format: image
  21. Avenida Revolución: Mule painted to look like a zebra

    • Collection: inSite Archive
    • Name: inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961); Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States)
    • Date: 2000
    • Topic: Performance art; Zebras; satire (artistic device); Tourist information centers; parody; law enforcing; mule; border art; Tourism; U.S. Border Patrol; commercial portraiture; Humor; Boundaries
    • Format: image
  22. Avenida Revolución: "Street vendor" under arrest by "border patrol agent" (Meyer Vaisman)

    • Collection: inSite Archive
    • Name: Vaisman, Meyer (Venezuelan painter, born 1960, active in the United States); inSITE2000; Stéfano, Alfredo de (Mexican photographer, born 1961)
    • Date: 2000
    • Topic: satire (artistic device); Humor; U.S. Border Patrol; parody; Tourist information centers; border art; Zebras; commercial portraiture; Boundaries; Alleys; mule; Tourism; law enforcing; Performance art
    • Format: image
  23. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: film stills; Travel; Video art; Boundaries; landscapes (environments); Performance art; border art
    • Format: image
  24. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: Wilson, Glen (American artist); inSITE2000
    • Date: 2001
    • Topic: border art; Travel; film stills; Video art; Performance art; landscapes (environments); Boundaries
    • Format: image
  25. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: Video art; border art; film stills; landscapes (environments); Boundaries; Travel; Performance art
    • Format: image
  26. Interstice: 2001: The Nomad Project: film still

    • Collection: inSite Archive
    • Name: inSITE2000; Wilson, Glen (American artist)
    • Date: 2001
    • Topic: landscapes (environments); Video art; Travel; Boundaries; border art; Performance art; film stills
    • Format: image
  27. The Invisible Man (My Way): Wrestlers wrestling in ring

    • Collection: inSite Archive
    • Name: Amorales, Carlos (Mexican installation and Performance artist, born 1970); inSITE2000; Miyata, Shigeto (Japanese photographer)
    • Date: January 20, 2001 (wrestling performance)
    • Topic: Auditoriums; Boundaries; Identity (Philosophical concept); border art; Wrestlers; audiences; Performance art; Wrestling; Sports
    • Format: image
  28. The Invisible Man (My Way): Wrestling ring and audience

    • Collection: inSite Archive
    • Name: Stéfano, Alfredo de (Mexican photographer, born 1961); Amorales, Carlos (Mexican installation and Performance artist, born 1970); inSITE2000
    • Date: January 19, 2001 (wrestling performance)
    • Topic: Boundaries; Identity (Philosophical concept); Wrestling; Performance art; border art; Auditoriums; Wrestlers; Sports; audiences
    • Format: image
  29. Aerial Bridge: artist Gomulicki interviewed by television news crew

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Gomulicki, Maurycy; inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: border art; Humor; toys (recreational artifacts); Model airplane racing; Contests; Play; Flight; Reporters and reporting; Television journalists; Aeronautics; Rockets (Aeronautics); Hobbies; Rivers; Performance art; political art
    • Format: image
  30. Aerial Bridge: model helicopter in flight

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Contests; Humor; Helicopters; border art; Flight; Play; toys (recreational artifacts); Hobbies; Aeronautics; political art; Model airplane racing; Performance art
    • Format: image
  31. Aerial Bridge: model plane in flight

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Contests; Aeronautics; Play; border art; Hobbies; toys (recreational artifacts); political art; Flight; Model airplane racing; Performance art; Humor
    • Format: image
  32. Aerial Bridge: model planes and pilots

    • Collection: inSite Archive
    • Name: inSite_05; Gomulicki, Maurycy; Ragasol, Tania (Mexican art historian and curator)
    • Date: September 24, 2005
    • Topic: Uniforms; Contests; Aeronautics; Rivers; political art; Rockets (Aeronautics); Play; toys (recreational artifacts); Humor; Model airplane racing; Hobbies; Flight; border art; Performance art
    • Format: image
  33. Aerial Bridge: model planes and pilots

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Uniforms; Humor; Model airplane racing; toys (recreational artifacts); Rockets (Aeronautics); political art; border art; Performance art; Hobbies; Rivers; Flight; Contests; Aeronautics; Play
    • Format: image
  34. Aerial Bridge: model planes and pilots with spectators

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: toys (recreational artifacts); Performance art; Flight; Spectators; Hobbies; Model airplane racing; political art; Uniforms; Play; border art; Humor; Contests; Aeronautics; Rockets (Aeronautics); Rivers
    • Format: image
  35. Aerial Bridge: toy helicopter flying over yellow U.S. - Mexico border demarcation line

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Gomulicki, Maurycy
    • Date: September 24, 2005
    • Topic: Model airplane racing; border art; Rivers; Humor; Boundaries; lines (artistic concept); Contests; toys (recreational artifacts); political art; Aeronautics; Performance art; Rockets (Aeronautics); Hobbies; Play; Flight
    • Format: image
  36. Aerial Bridge: yellow border line and border patrol

    • Collection: inSite Archive
    • Name: Gomulicki, Maurycy; Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: September 24, 2005
    • Topic: Performance art; Uniforms; toys (recreational artifacts); Model airplane racing; lines (artistic concept); Aeronautics; border art; Contests; Play; Humor; Border patrols; Flight; Hobbies; Boundaries; political art
    • Format: image
  37. One Flew Over the Void (Bala perdida): audience awaiting launch of human cannonball David Smith across border fence from Mexico into the U.S.

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: political art; Adventure and adventurers; Boundaries; Flight; Humor; Spectacular, The; audiences; Daredevils; cannons (artillery); Performance art; border art
    • Format: image
  38. One Flew Over the Void (Bala perdida): border fence decorated with banners behind performance stage

    • Collection: inSite Archive
    • Name: inSite_05; Téllez, Javier (Venezuelan video artist, born 1969); Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Boundaries; Spectacular, The; audiences; Daredevils; Humor; Adventure and adventurers; border art; political art; Performance art; Flight
    • Format: image
  39. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: caricatures; Spectacular, The; border art; political art; Boundaries; cannons (artillery); Flight; Humor; audiences; Adventure and adventurers; Daredevils; Performance art
    • Format: image
  40. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: political art; caricatures; Flight; border art; Adventure and adventurers; Humor; Daredevils; audiences; Spectacular, The; cannons (artillery); Boundaries; Performance art
    • Format: image
  41. One Flew Over the Void (Bala perdida): human cannonball David Smith mid-flight as he is shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: audiences; Daredevils; Boundaries; Adventure and adventurers; caricatures; political art; Humor; Spectacular, The; cannons (artillery); border art; Flight; Performance art
    • Format: image
  42. One Flew Over the Void (Bala perdida): human cannonball David Smith preparing to be shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969)
    • Date: August 27, 2005
    • Topic: Daredevils; Performance art; border art; caricatures; Boundaries; political art; audiences; Humor; cannons (artillery); Flight; Spectacular, The; Adventure and adventurers
    • Format: image
  43. One Flew Over the Void (Bala perdida): spectators seated in the shade of the cannon

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Flight; Adventure and adventurers; cannons (artillery); border art; Boundaries; Spectacular, The; Performance art; Daredevils; Humor; political art; audiences
    • Format: image
  44. Some Kindly Monster: left side of truck with custom painted exterior

    • Collection: inSite Archive
    • Name: Ferreria, Christopher (American artist); inSite_05; Conwell, Donna
    • Date: 2005
    • Topic: portable; Flame; Popular culture; Music; Color; Caricatures and cartoons; Trucks--Customizing; neighborhoods; Performance art; Automobiles; border art; political art
    • Format: image
  45. Some Kindly Monster: left side of truck with custom painted exterior: flames

    • Collection: inSite Archive
    • Name: inSite_05; Ferreria, Christopher (American artist); Conwell, Donna
    • Date: 2005
    • Topic: Automobiles; border art; political art; Music; Flame; portable; Trucks--Customizing; Popular culture; Performance art; Color; neighborhoods; Caricatures and cartoons
    • Format: image
  46. Some Kindly Monster: right side of truck with custom painted exterior

    • Collection: inSite Archive
    • Name: inSite_05; Ferreria, Christopher (American artist); Conwell, Donna
    • Date: 2005
    • Topic: political art; Music; portable; Popular culture; border art; Automobiles; Color; Caricatures and cartoons; Performance art; neighborhoods; Trucks--Customizing
    • Format: image
  47. Some Kindly Monster: truck interior with driver

    • Collection: inSite Archive
    • Name: inSite_05; Conwell, Donna; Ferreria, Christopher (American artist)
    • Date: 2005
    • Topic: Color; neighborhoods; Music; Automobiles; political art; border art; Performance art; Popular culture; portable; Trucks--Customizing
    • Format: image
  48. Some Kindly Monster: truck interior with speakers

    • Collection: inSite Archive
    • Name: Conwell, Donna; Ferreria, Christopher (American artist); inSite_05
    • Date: 2005
    • Topic: neighborhoods; Music; border art; Automobiles; Popular culture; Color; political art; Trucks--Customizing; portable; Performance art
    • Format: image
  49. The Good Rumor Project

    • Collection: inSite Archive
    • Name: inSite_05; Wrange, Måns, 1961-; Conwell, Donna
    • Date: 2005
    • Topic: Rumor; Performance art; political art; information signs; Boundaries; Focus groups; Humor; border art; communication (function)
    • Format: image
  50. The Good Rumor Project

    • Collection: inSite Archive
    • Name: Wrange, Måns, 1961-; inSite_05; Conwell, Donna
    • Date: 2005
    • Topic: border art; Boundaries; Humor; information signs; communication (function); political art; Focus groups; Performance art; Rumor
    • Format: image
  51. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: Humor; Consumers; poverty; Auctions; junkyards; Wealth; parody; Performance art; receptions; Junk sculpture; Automobiles; border art; ruins; Garages; recycling
    • Format: image
  52. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Louro, João (Portuguese architect, contemporary); inSite_05
    • Date: 2005
    • Topic: Consumers; junkyards; Auctions; Wealth; Performance art; receptions; Humor; parody; poverty; Automobiles; ruins; Garages; Junk sculpture; recycling; border art
    • Format: image
  53. The Jewel / In God We Trust: junk car covered in gold leaf at the haudenschild Garage: auction night

    • Collection: inSite Archive
    • Name: Louro, João (Portuguese architect, contemporary); Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: parody; border art; poverty; Performance art; ruins; Automobiles; junkyards; Consumers; Junk sculpture; Humor; Wealth; Garages; Auctions; receptions; recycling
    • Format: image
  54. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); inSite_05; Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: parody; Consumers; ruins; Automobile showrooms; Wealth; receptions; poverty; Humor; Performance art; Automobiles; border art; recycling; junkyards; Junk sculpture
    • Format: image
  55. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Louro, João (Portuguese architect, contemporary)
    • Date: 2005
    • Topic: Performance art; Wealth; Junk sculpture; junkyards; poverty; parody; ruins; Automobiles; Automobile showrooms; border art; recycling; Consumers; Humor
    • Format: image
  56. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom

    • Collection: inSite Archive
    • Name: Louro, João (Portuguese architect, contemporary); Ragasol, Tania (Mexican art historian and curator); inSite_05
    • Date: 2005
    • Topic: Consumers; Junk sculpture; ruins; Automobile showrooms; Wealth; border art; parody; Performance art; Automobiles; poverty; recycling; Humor; junkyards
    • Format: image
  57. The Jewel / In God We Trust: junk car covered in gold leaf in luxury car dealer showroom: view from street

    • Collection: inSite Archive
    • Name: Louro, João (Portuguese architect, contemporary); inSite_05; Ragasol, Tania (Mexican art historian and curator); Ferrari, s.p.a
    • Date: 2005
    • Topic: Humor; parody; Junk sculpture; junkyards; recycling; ruins; Consumers; border art; poverty; Automobiles; Wealth; Automobile showrooms; Performance art
    • Format: image