Library Digital Collections

Search

Search Results

  1. La esquina/ Jardines de Playas de Tijuana: border fence with marker and new plantings

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963)
    • Date: 2005
    • Topic: Boundaries; public spaces; political art; border art; markers (monuments); Urban renewal; Parks; architecture (object genre); Landscape architecture; urban planning
    • Format: image
  2. La esquina/ Jardines de Playas de Tijuana: plaza with lighthouse and bullring

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); Parral, Jose (Mexican architect and artist); inSite_05
    • Date: 2005
    • Topic: political art; architecture (object genre); Urban renewal; Boundaries; public spaces; Parks; Landscape architecture; border art; urban planning
    • Format: image
  3. La esquina/ Jardines de Playas de Tijuana: sidewalk with new plantings of palms

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: Landscape architecture; political art; Boundaries; border art; Parks; architecture (object genre); Urban renewal; Bull rings; Palms; public spaces; urban planning; Sidewalks
    • Format: image
  4. La esquina/ Jardines de Playas de Tijuana: view of concrete platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); inSite_05; Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; Boundaries; Parks; architecture (object genre); Urban renewal; public spaces; border art; urban planning; Landscape architecture
    • Format: image
  5. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and lighthouse

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: public spaces; architecture (object genre); Boundaries; Parks; Urban renewal; political art; urban planning; border art; Landscape architecture
    • Format: image
  6. La esquina/ Jardines de Playas de Tijuana: view of platform next to the border fence and Pacific ocean

    • Collection: inSite Archive
    • Name: Parral, Jose (Mexican architect and artist); Ragasol, Tania (Mexican art historian and curator); Glassford, Thomas (American installation and video artist, born 1963); inSite_05
    • Date: 2005
    • Topic: public spaces; Parks; urban planning; political art; border art; Landscape architecture; Urban renewal; Boundaries; architecture (object genre)
    • Format: image
  7. La esquina/ Jardines de Playas de Tijuana: view of plaza and lighthouse

    • Collection: inSite Archive
    • Name: inSite_05; Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator); Parral, Jose (Mexican architect and artist)
    • Date: 2005
    • Topic: political art; border art; Lighthouses; public spaces; urban planning; Boundaries; Parks; architecture (object genre); Urban renewal; Landscape architecture
    • Format: image
  8. La esquina/ Jardines de Playas de Tijuana: view of plaza and platform with lighthouse and bullring

    • Collection: inSite Archive
    • Name: inSite_05; Parral, Jose (Mexican architect and artist); Glassford, Thomas (American installation and video artist, born 1963); Ragasol, Tania (Mexican art historian and curator)
    • Date: 2005
    • Topic: Parks; public spaces; architecture (object genre); political art; urban planning; border art; Landscape architecture; Boundaries; Urban renewal
    • Format: image
  9. One Flew Over the Void (Bala perdida): audience awaiting launch of human cannonball David Smith across border fence from Mexico into the U.S.

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: political art; Adventure and adventurers; Boundaries; Flight; Humor; Spectacular, The; audiences; Daredevils; cannons (artillery); Performance art; border art
    • Format: image
  10. One Flew Over the Void (Bala perdida): border fence decorated with banners behind performance stage

    • Collection: inSite Archive
    • Name: inSite_05; Téllez, Javier (Venezuelan video artist, born 1969); Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Boundaries; Spectacular, The; audiences; Daredevils; Humor; Adventure and adventurers; border art; political art; Performance art; Flight
    • Format: image
  11. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: caricatures; Spectacular, The; border art; political art; Boundaries; cannons (artillery); Flight; Humor; audiences; Adventure and adventurers; Daredevils; Performance art
    • Format: image
  12. One Flew Over the Void (Bala perdida): human cannonball David Smith ascends from cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: political art; caricatures; Flight; border art; Adventure and adventurers; Humor; Daredevils; audiences; Spectacular, The; cannons (artillery); Boundaries; Performance art
    • Format: image
  13. One Flew Over the Void (Bala perdida): human cannonball David Smith mid-flight as he is shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969); inSite_05
    • Date: August 27, 2005
    • Topic: audiences; Daredevils; Boundaries; Adventure and adventurers; caricatures; political art; Humor; Spectacular, The; cannons (artillery); border art; Flight; Performance art
    • Format: image
  14. One Flew Over the Void (Bala perdida): human cannonball David Smith preparing to be shot from a cannon and across border fence

    • Collection: inSite Archive
    • Name: inSite_05; Ragasol, Tania (Mexican art historian and curator); Téllez, Javier (Venezuelan video artist, born 1969)
    • Date: August 27, 2005
    • Topic: Daredevils; Performance art; border art; caricatures; Boundaries; political art; audiences; Humor; cannons (artillery); Flight; Spectacular, The; Adventure and adventurers
    • Format: image
  15. One Flew Over the Void (Bala perdida): spectators seated in the shade of the cannon

    • Collection: inSite Archive
    • Name: Téllez, Javier (Venezuelan video artist, born 1969); inSite_05; Ragasol, Tania (Mexican art historian and curator)
    • Date: August 27, 2005
    • Topic: Flight; Adventure and adventurers; cannons (artillery); border art; Boundaries; Spectacular, The; Performance art; Daredevils; Humor; political art; audiences
    • Format: image
  16. The Good Rumor Project

    • Collection: inSite Archive
    • Name: inSite_05; Wrange, Måns, 1961-; Conwell, Donna
    • Date: 2005
    • Topic: Rumor; Performance art; political art; information signs; Boundaries; Focus groups; Humor; border art; communication (function)
    • Format: image
  17. The Good Rumor Project

    • Collection: inSite Archive
    • Name: Wrange, Måns, 1961-; inSite_05; Conwell, Donna
    • Date: 2005
    • Topic: border art; Boundaries; Humor; information signs; communication (function); political art; Focus groups; Performance art; Rumor
    • Format: image