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Aspects of vocal multiphonics

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Aspects of vocal multiphonics : text

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Scope And Content

Chapter I: Analysis of the Vooss/chant -- Chapter II: An exposition of my repertoire of vocal multiphonics

Aspects of vocal multiphonics : audio

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Part 1

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CHAPTER I:. 1: Vooss/chant, by Bonnie Barnett. 2: Vooss/chant, by Pauline Oliveros. 3: Vooss/chant, by Lin Barron. 4: Tibetan chord chant excerpt. 5: long example of Vooss/chant, by Vladimir Vooss. 6: 2.4" example of Vooss/chant under analysis. CHAPTER II:. 7: Mizelle/Barnett duet. 8: "How High the Moon," by Ella Fitzgerald. 9: Glottography example: normally sung tone. 10: Glottography example: octave. 11: The Epistle to the Romans from the Russian Liturgy. 12: "Summertimeby Janis Joplin. 13 - 17: Formant Glides, by Lin Barron. 18: Silent Night, a two-part rendition by John Glasier. 19: Vocal Fry

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CHAPTER II (continued):. 20: Octaves. 21: High Squeaks. 22: Inhaled Sounds. 23: Yodels. 24: Formant Glides. 25: Molly, by Alexina Louie. (Text from Ulysses, James Joyce.)

Aspects of vocal multiphonics : film

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16 mm film: Shriek, by Alan Johnson and Bonnie M. Barnett

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Creation Date
  • 1972
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Physical Description

ix, 52 leaves : ill. ; 28 cm. & 2 reels (7 1/2 ips. 7 in.) & 1 sound film (16 mm. 7 in.)

Topics
Bibliography

Bibliography: leaves 51-52

Thesis

Thesis (M.A.)--University of California, San Diego, Dept. of Music, 1972

Copyright

Under copyright (US)

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UC San Diego Library, UC San Diego, La Jolla, CA 92093-0175 (https://library.ucsd.edu/dc/contact)

Last Modified

2021-09-29