Hannah Weiner Papers, 1946-2002 (MSS 504)

Restrictions: Original sound recordings in box 17 are restricted. Listening copies are available for researchers.

Extent: 6.5 Linear feet (16 archives boxes, 1 card file box and 3 oversize folders)

View OnlineSelected materials from this collection have been digitized and can be viewed through links in the container list.

Papers of Hannah Weiner (1928-1997), a New York City poet and significant member of the "language-centered" group of writers. The papers, covering the years 1946-2002, contain notebooks, typescripts of poems, prose works, typed transcriptions of notebooks, audiorecordings, and miscellaneous materials. Included are materials for Clairvoyant Journals 1974: March - June Retreat (1978), Code Poems: From the International Code of Signals for the Use of All (1982), The Fast (1992), The Magritte Poems (1970), and Spoke (1984).

Hannah Weiner was born on November 4, 1928, in Providence, Rhode Island, and graduated from Providence Classical High School in June 1946. She attended Radcliffe College and graduated with a B.A., magna cum laude, in English Literature in 1950. After a brief marriage, she took various jobs in New York City, and began writing poetry around 1963. Her first book, The Magritte Poems, was published in 1966. In the late 60s, Weiner participated in several events within the visual arts scene in New York City. Her most notable "poetry event" was the International Code of Signals. In the early 70s, she commenced her primary body of written work, a series of experimental journals which were in part "clairvoyantly" dictated. I See Words became both her manifesto and method of composition.

Weiner's Clairvoyant Journal 1974 was published by Angel Hair Books in 1978, followed by LittleBooks/Indians (Roof Books, 1980) and Nijole's House (Potes and Poets, 1981). She became one of the most prominent individuals involved with the "language-centered" movement of poets and experimental prose writers. Her work was featured in Ron Silliman's anthology, In the American Tree, Douglas Messerli's Language Poetries, and The L=A=N=G=U=A=G=E Book, edited by Charles Bernstein and Bruce Andrews. She was awarded a creative writing fellowship by the National Endowment for the Arts in 1986. Other important collections of her poetry include Spoke (Sun & Moon Press, 1984), The Fast (United Artists Books, 1992), Silent Teachers Remembered Sequel (Tender Button, 1994), and We Speak Silent (Roof Books, 1996). Weiner's manuscript Page, as well as selections from her Clairvoyant Journal and Little Books/Indians have been published posthumously by various presses.

Hannah Weiner died in September 1997 in New York City.

The Hannah Weiner Papers contain notebooks (1971-1979, 1984, 1990-1992, and 1997) and typed transcriptions from the notebooks which provided the basis for several of her books. Also included are significant unpublished materials in both notebook and manuscript form, typescripts of poems and prose works, cassette audiorecordings of several poetry readings, and a small amount of miscellaneous material. The bulk of the collection dates between 1971 and 1979 with some documentation of the early 1990s and the year prior to Weiner's death. The materials are arranged in three series: 1) WRITINGS, 2) MISCELLANEOUS MATERIALS, and 3) AUDIORECORDINGS.

Container List

WRITINGS

Scope and Content of Series

Series 1) WRITINGS: Arranged in three subseries: A) Notebooks, B) Manuscripts and C) Posthumous Publications.

A) Notebooks: The first subseries contains bound notebooks which are arranged chronologically. There are three primary sequences of notebooks, 1971-1975, 1976-1979, and 1990-1992. These notebooks consist largely of undated entries which document Weiner's creative process.

B) Manuscripts: The second subseries gathers typed transcriptions from the notebooks, as well as typescripts of poems published in magazines or anthologies and short prose pieces.

C) Posthumous Publications: The final subseries contains correspondence sent between Charles Bernstein and various other editors for the posthumous publication of some of Weiner's well-known works, including Clairvoyant Journal and Page. Editor-annotated manuscripts and page proofs are also included.

Notebooks

Oversize FB-271 Folder 4
Box 1 Folder 1
Box 1 Folder 2
Box 1 Folder 3
Box 1 Folder 4
Box 1 Folder 5
Box 1 Folder 6
Box 1 Folder 7
Box 1 Folder 8
Box 1 Folder 9
Box 1 Folder 10
Box 1 Folder 11
Box 2 Folder 1
Box 2 Folder 2
Box 2 Folder 3
Box 2 Folder 4
Box 2 Folder 5
Box 2 Folder 6
Box 2 Folder 7
Box 2 Folder 8
Box 2 Folder 9
Box 2 Folder 10
Box 2 Folder 11
Box 3 Folder 1
Box 3 Folder 2
Box 3 Folder 3
Box 3 Folder 4
Box 3 Folder 5
Box 3 Folder 6
Box 3 Folder 7
Box 3 Folder 8
Box 3 Folder 9
Box 3 Folder 10
Box 3 Folder 11
Box 3 Folder 12
Box 3 Folder 13
Box 3 Folder 14
Box 4 Folder 1
Box 4 Folder 2
Box 4 Folder 3
Box 4 Folder 4
Box 4 Folder 5
Box 4 Folder 6
Box 4 Folder 7
Box 4 Folder 8
Box 4 Folder 9
Box 4 Folder 10
Box 4 Folder 11
Box 4 Folder 12
Box 5 Folder 1
Box 5 Folder 2
Box 5 Folder 3
Box 5 Folder 4
Box 5 Folder 5
Box 5 Folder 6
Box 5 Folder 7
Box 5 Folder 8
Box 5 Folder 9
Box 5 Folder 10
Box 5 Folder 11
Box 6 Folder 1
Box 6 Folder 2
Box 6 Folder 3
Box 6 Folder 4
Box 6 Folder 5
Box 6 Folder 6
Box 6 Folder 7
Box 6 Folder 8
Box 6 Folder 9
Box 6 Folder 10
Box 7 Folder 1
Box 7 Folder 2
Box 7 Folder 3
Box 7 Folder 4
Box 7 Folder 5
Box 7 Folder 6
Box 7 Folder 7
Box 7 Folder 8
Box 7 Folder 11
Box 7 Folder 12
Box 7 Folder 13
Box 7 Folder 14
Box 7 Folder 15
Box 7 Folder 16
Box 7 Folder 17
Box 8 Folder 1
Box 8 Folder 2
Box 8 Folder 3
Box 8 Folder 4
Box 8 Folder 5
Box 8 Folder 6
Box 8 Folder 7
Box 8 Folder 8
Box 8 Folder 9
Box 8 Folder 10
Box 9 Folder 1
Box 9 Folder 2
Box 9 Folder 3
Box 9 Folder 4
Box 9 Folder 5
Box 9 Folder 6
Box 9 Folder 7
Box 9 Folder 8
Box 9 Folder 9

Manuscripts

Box 10 Folder 1
Box 10 Folder 2
Box 10 Folder 3
Box 10 Folder 4
Box 10 Folder 5
Box 10 Folder 6

Clairvoyant Journal

Box 10 Folder 8
Box 10 Folder 9
Box 10 Folder 10
Box 10 Folder 11
Box 10 Folder 12
Box 10 Folder 13
Box 10 Folder 15
Box 10 Folder 16
Box 11 Folder 1
Box 11 Folder 2
Box 11 Folder 3

Country Girl

Box 11 Folder 6
Box 11 Folder 9
Box 11 Folder 11
Box 11 Folder 12
Box 12 Folder 1
Box 12 Folder 3
Box 12 Folder 5
Box 12 Folder 6
Box 12 Folder 7
Box 12 Folder 10
Box 12 Folder 11

International Code of Signals

Box 12 Folder 12
Box 12 Folder 13
Box 12 Folder 14
Box 13 Folder 1
Art object
Box 14 Folder 1
Box 14 Folder 4

Mostly About the Sentence

Box 14 Folder 6
Box 14 Folder 9
Box 14 Folder 11
Box 14 Folder 12
Box 14 Folder 13

Page

Box 14 Folder 15
Oversize FB-271 Folder 6
Large mailing envelope with handwritten notes
Box 15 Folder 2
Box 15 Folder 3
Box 15 Folder 4
Box 15 Folder 6
Box 15 Folder 7
Box 15 Folder 8
Box 15 Folder 9
Box 15 Folder 10
Box 15 Folder 11
Box 15 Folder 12

Spoke

Box 15 Folder 13
Box 15 Folder 14
Box 15 Folder 15
Box 15 Folder 16
Box 15 Folder 17
Box 15 Folder 18
Box 15 Folder 21

MISCELLANEOUS MATERIALS

Scope and Content Series

Series 2) MISCELLANEOUS MATERIALS: The series contains several versions of resumes and biographical lists of artistic activities and publications. It also includes miscellaneous photographs and memorabilia.

Box 16 Folder 3

Invitation to "Portraits of Eight New York Women" (1970, November 21 - December 6): Naomi Dash, Amy Goldin, Margaret Mead, Rochelle Owens, Yvonne Rainer, Carolee Scheemann, Lynne Traiger, Hannah Weiner. Hotel Chelsea, New York City.

Box 16 Folder 4
Box 16 Folder 5
Box 16 Folder 6
Doonesbury cartoon by Garry Trudeau (1982, January 9)
Box 16 Folder 7
Box 16 Folder 8
Box 16 Folder 9
Box 16 Folder 10

Schedule for "Hannah Weiner's Open House," featuring Vito Acconci, Bernadette Mayer, John Perreult, Arakwawa, et al. Photograph by Jim Stephens.

Box 16 Folder 12

AUDIORECORDINGS

Scope and Content of Series

Series 3) AUDIORECORDINGS: The series contains tape recordings made of Hannah Weiner's readings between 1974 and 1994. All of the readings occurred in New York City, largely at the Poetry Project, St. Mark's.

Box 17 Folder 2

Recorded at the Poetry Project, St. Mark's (New York City), March 1976 and re-broadcast on radio (note: recording on side B only with several minute gap after first ten minutes).

Box 17 Folder 3

Weiner reads for 25 minutes on side A and for a few minutes on side B. Andrews does not read on this tape.

Box 17 Folder 4

All of Side 1, six minutes on Side 2.